{"id":1484,"date":"2021-09-26T00:46:14","date_gmt":"2021-09-25T22:46:14","guid":{"rendered":"https:\/\/afea.fr\/publications\/publication\/synthesis-13-just-art-documentary-poetics-and-justice\/1484\/"},"modified":"2021-09-26T00:46:14","modified_gmt":"2021-09-25T22:46:14","slug":"synthesis-13-just-art-documentary-poetics-and-justice","status":"publish","type":"post","link":"https:\/\/afea.fr\/publications\/publication\/synthesis-13-just-art-documentary-poetics-and-justice\/1484\/","title":{"rendered":"Synthesis 13: Just Art. Documentary Poetics and Justice"},"content":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues,<\/p>\n<p>J\u2019ai le plaisir de vous annoncer la publication du num\u00e9ro 13 de la revue SYNTHESIS coordonn\u00e9 par Naomi Toth (CREA, Universit\u00e9 Paris Nanterre, IUF).<\/p>\n<p>Je vous en souhaite bonne lecture.<\/p>\n<p>H\u00e9l\u00e8ne Aji<\/p>\n<p><em>Synthesis<\/em> n\u00b0 13, <em>Just Art: Documentary Poetics and Justice, <\/em>edited and introduced by Naomi Toth, is now online here :<\/p>\n<p><a href=\"https:\/\/ejournals.epublishing.ekt.gr\/index.php\/synthesis\/issue\/view\/1640\">https:\/\/ejournals.epublishing.ekt.gr\/index.php\/synthesis\/issue\/view\/1640<\/a><\/p>\n<p>Covering contemporary documentary works across a broad range of mediums, the articles, interview and conversation piece brought together in this issue all debate art&#8217;s potential for justice, from the perspectives of both practitioners and critics. You will find the table of contents below. Special thanks to Lily Hibberd and the Parragirls Memory Project for permission to use a still from their immersive art film <em>Parragirls Past, Present<\/em> (2017) on the cover. Many thanks also to the editorial board of <em>Synthesis<\/em> at the National and Kapodistrian University of Athens, Mata Dimakopoulou, Maro Germanou &amp; Mina Karavanta.<\/p>\n<p><strong><em><br \/>\nJust Art. Documentary Poetics and Justice<\/em><\/strong><br \/>\n<strong><\/strong><br \/>\n<strong>Table of Contents<\/strong><\/p>\n<p><strong>Articles<\/strong><\/p>\n<p>Introduction: Just Art. Documentary Poetics and Justice.<br \/>\n<strong>Naomi Toth <\/strong><\/p>\n<p>What testimony does to literature<br \/>\n<strong>Fr\u00e9d\u00e9rik Detue and Charlotte Lacoste<\/strong><\/p>\n<p>Can Trauma be Told? Juridical Discourse and Affect in Vanessa Place\u2019s <em>Statement of Facts<\/em><br \/>\n<strong>Francis Haselden <\/strong><\/p>\n<p>Out of Bounds: Confronting War Crimes and the Breakdown of Justice with Contemporary Art<br \/>\n<strong>Catherine Bernard <\/strong><\/p>\n<p>Rebalancing the extra-judicial scales: Documentary aesthetics and the legacy of the Central Park Five<br \/>\n<strong>Sofia Bali\u00f1o Rios<\/strong><\/p>\n<p><strong>Reflections<\/strong><br \/>\n<em>Parragirls Past, Present: Unlocking Memories of Institutional \u2018Care\u2019<\/em>: witnessing and creative reparation in the aftermath of Parramatta Girls Home<br \/>\n<strong>Naomi Toth and Lily Hibberd <\/strong><\/p>\n<p>Poetics\/Documents\/Justice<br \/>\n<strong>Susan Briante, Philip Metres, M. NourbeSe Philip, and Craig Santos-Perez <\/strong><\/p>\n<p><strong>Interview<\/strong><br \/>\n\u201cThe Quarrel with Ourselves\u201d. An Interview with Marjorie Perloff<br \/>\n<strong>Naomi Toth, Marjorie Perloff <\/strong><\/p>\n<p><strong>Book Review<\/strong><br \/>\nArleen Ionescu and Maria Margaroni, eds. <em>Arts of Healing: Cultural Narratives of Trauma<\/em><br \/>\n<strong>Iro Filippaki<\/strong><\/p>\n<p><strong>EDITORS\u2019 CHOICES<\/strong><\/p>\n<p>Editor\u2019s Note: Giving Presence to the Present<br \/>\n<strong>Mina Karavanta <\/strong><\/p>\n<p>Notes Towards an Exilic Consciousness<br \/>\n<strong>R. Radhakrishnan<\/strong><\/p>\n<p>Art\u2019s political criticality: At the thresholds of difference and eventuality<br \/>\n<strong>Elena Tzelepis<\/strong><\/p>\n<p>\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013<br \/>\nH\u00e9l\u00e8ne Aji<br \/>\nProfesseur de litt\u00e9rature am\u00e9ricaine<br \/>\nPr\u00e9sidente de la Soci\u00e9t\u00e9 d&#8217;\u00e9tudes modernistes (SEM)<br \/>\nD\u00e9partement Litt\u00e9ratures et Langage<br \/>\n\u00c9cole normale sup\u00e9rieure<br \/>\n45 rue d\u2019Ulm<br \/>\n75005 Paris, France<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues, J\u2019ai le plaisir de vous annoncer la publication du num\u00e9ro 13 de la revue SYNTHESIS coordonn\u00e9 par Naomi Toth (CREA, Universit\u00e9 Paris Nanterre, IUF). Je vous en souhaite bonne lecture. H\u00e9l\u00e8ne Aji Synthesis n\u00b0 13, Just Art: Documentary Poetics and Justice, edited and introduced by Naomi Toth, is now online here [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[148,150,152,149,151],"class_list":["post-1484","post","type-post","status-publish","format-standard","hentry","category-publication","tag-documentary","tag-justice","tag-past","tag-poetics","tag-trauma"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/publications\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res et chers coll\u00e8gues, J\u2019ai le plaisir de vous annoncer la publication du num\u00e9ro 13 de la revue SYNTHESIS coordonn\u00e9 par Naomi Toth (CREA, Universit\u00e9 Paris Nanterre, IUF). Je vous en souhaite bonne lecture. H\u00e9l\u00e8ne Aji Synthesis n\u00b0 13, Just Art: Documentary Poetics and Justice, edited and introduced by Naomi Toth, is now online here&hellip;","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/posts\/1484"}],"collection":[{"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/comments?post=1484"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/posts\/1484\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/media?parent=1484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/categories?post=1484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/tags?post=1484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}