{"id":1473,"date":"2021-08-26T11:55:18","date_gmt":"2021-08-26T09:55:18","guid":{"rendered":"https:\/\/afea.fr\/publications\/publication\/commonwealth-essays-and-studies-43-2-in-other-worlds-imagining-what-comes-next\/1473\/"},"modified":"2021-08-26T11:55:18","modified_gmt":"2021-08-26T09:55:18","slug":"commonwealth-essays-and-studies-43-2-in-other-worlds-imagining-what-comes-next","status":"publish","type":"post","link":"https:\/\/afea.fr\/publications\/publication\/commonwealth-essays-and-studies-43-2-in-other-worlds-imagining-what-comes-next\/1473\/","title":{"rendered":"Commonwealth Essays and Studies 43.2, In Other Worlds: Imagining What Comes Next"},"content":{"rendered":"<p>Cher.e.s coll\u00e8gues,La Soci\u00e9t\u00e9 d\u2019Etude des Pays du Commonwealth (SEPC) est heureuse d\u2019annoncer la parution en ligne du num\u00e9ro 43.2 (2021) de la revue <em>Commonwealth Essays and Studies<\/em>, intitul\u00e9 \u201cIn Other Worlds: Imagining What Comes Next\u201d et dirig\u00e9 par Christine Lorre-Johnston et Fiona McCann. Vous pouvez consulter le num\u00e9ro en ligne sur le portail OpenEdition:<br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/\">https:\/\/journals.openedition.org\/ces\/<\/a><br \/>\nbien cordialement,<\/p>\n<p>Christine Lorre-Johnston,<br \/>\n<a href=\"http:\/\/www.univ-paris3.fr\/mme-lorre-johnston-christine-34772.kjsp?RH=ACCUEIL\">Universit\u00e9 Sorbonne Nouvelle<\/a>,<br \/>\nDirectrice de la revue <a href=\"https:\/\/journals.openedition.org\/ces\/\"><em>Commonwealth Essays and Studies<\/em><\/a><\/p>\n<h1><a href=\"https:\/\/journals.openedition.org\/ces\/1703\">43.2 | 2021<br \/>\nIn Other Worlds<\/a><\/h1>\n<h1>Imagining What Comes Next<\/h1>\n<p>Edited by <strong>Christine Lorre-Johnston and Fiona McCann<\/strong><\/p>\n<p>When the COVID pandemic was officially announced in France in March 2020 and the country went into lockdown, a lot changed almost overnight in unprecedented ways. Among more dramatic measures, academic conferences were cancelled or postponed, and editorial schedules were consequently disrupted. After the initial shock, we decided to work on a journal issue that would help us think about the crisis in terms of the questions with which we usually deal. \u201cIn Other Worlds: Imagining What Comes Next\u201d reflects on the ways in which postcolonial literature imaginatively addresses situations of crisis originating in pandemics and other ecological evolutions, and the political schemes that accompany them. The five essays (and related writer interview) analyse and illustrate how writers have developed creatively the genres of dystopia, speculative fiction, post-apocalyptic fiction, and climate fiction to apprehend what is at stake in these crises, in narratives that confront readers with human vulnerability but also point at new forms of empowerment that are sources of hope.<\/p>\n<ul>\n<li><strong>Christine Lorre-Johnston and Fiona McCann<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7779\">In Other Worlds: Imagining What Comes Next. Introduction<\/a> [Full text]<\/li>\n<li><strong>Kathie Birat<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7383\">\u201cLiminal Figures of Futurity\u201d: Mohale Mashigo\u2019s Use of Speculative Fiction in <em>Intruders<\/em><\/a> [Full text]<\/li>\n<li><strong>Kathie Birat and Mohale Mashigo<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7408\">Mohale Mashigo interviewed by Kathie Birat<\/a> [Full text]<br \/>\n30 October 2020<\/li>\n<li><strong>M\u00e9lanie Joseph-Vilain<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7475\">Transatlantic Post-Apocalyptic Fiction: Frank Owen\u2019s <em>South <\/em>(2016) and <em>North<\/em> (2018) and Lauren Beukes\u2019s <em>Afterland <\/em>(2020)<\/a> [Full text]<\/li>\n<li><strong>Claire Wrobel<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7718\">Negotiating Dataveillance in the Near Future: Margaret Atwood\u2019s Dystopias<\/a> [Full text]<\/li>\n<li><strong>Laura Singeot<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7448\">The Swamp and Desert Tropes in Post-Apocalyptic Australian Indigenous Fiction: <em>The Swan Book<\/em> (2013) by Alexis Wright and <em>Terra Nullius<\/em> (2018) by Claire Coleman<\/a> [Full text]<\/li>\n<li><strong>C\u00e9dric Courtois<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7510\">\u201cInto the mutation\u201d: Osahon Ize-Iyamu\u2019s \u201cMore Sea than Tar\u201d (2019) as Climate Fiction<\/a> [Full text]<\/li>\n<li>\n<h2>Varia<\/h2>\n<ul>\n<li><strong>Jean-Fran\u00e7ois Vernay<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7534\">The Counter-Cultural Art of Dealing with Dirt: The Balmain Group\u2019s Sexual Revolution in Print<\/a> [Full text]<\/li>\n<li><strong>Cielo G. Festino and Liliam Cristina Marins<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7568\">Literature, Resistance, and Visibility: \u201cDraupadi,\u201d by Mahasweta Devi, in Translation<\/a> [Full text]<\/li>\n<li><strong>Ishak Berrebbah and Laila Halaby<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7740\">\u201cNeither here nor there\u201d: A Conversation with Laila Halaby<\/a> [Full text]<br \/>\n2 December 2020<\/li>\n<\/ul>\n<\/li>\n<li>\n<h2>Reviews<\/h2>\n<ul>\n<li><strong>Bruce Harding<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7630\">Paul Sharrad, <em>Thomas Keneally and the Literary Machine<\/em><\/a> [Full text]<\/li>\n<li><strong>Pauline Amy de la Bret\u00e8que<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7644\">Juliana Lopoukhine, Fr\u00e9d\u00e9ric Regard, and Kerry-Jane Wallart, eds.,<em> Transnational Jean Rhys. Lines of Transmission, Lines of Flight<\/em><\/a> [Full text]<\/li>\n<li><strong>Estelle Castro-Koshy<\/strong><\/li>\n<\/ul>\n<p><a href=\"https:\/\/journals.openedition.org\/ces\/7828\">Matteo Dutto. <em>Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature<\/em><\/a> [Texte int\u00e9gral]<\/li>\n<\/ul>\n<p><strong>Bhawana Jain<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7654\">Jaydip Sarkar and Rupayan Mukherjee, eds. <em>Partition Literature and Cinema: A Critical Introduction<\/em><\/a> [Full text]<br \/>\n<strong>Nishit Kumar<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/ces\/7663\">Flair Donglaishi and Gareth Guangming Tan, eds., <em>World Literature in Motion: Institution, Recognition, Location<\/em><\/a> [Full text]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cher.e.s coll\u00e8gues,La Soci\u00e9t\u00e9 d\u2019Etude des Pays du Commonwealth (SEPC) est heureuse d\u2019annoncer la parution en ligne du num\u00e9ro 43.2 (2021) de la revue Commonwealth Essays and Studies, intitul\u00e9 \u201cIn Other Worlds: Imagining What Comes Next\u201d et dirig\u00e9 par Christine Lorre-Johnston et Fiona McCann. Vous pouvez consulter le num\u00e9ro en ligne sur le portail OpenEdition: https:\/\/journals.openedition.org\/ces\/ [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[136,119,135,121,137],"class_list":["post-1473","post","type-post","status-publish","format-standard","hentry","category-publication","tag-covid","tag-crisis","tag-future","tag-literature","tag-pandemic"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/publications\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Cher.e.s coll\u00e8gues,La Soci\u00e9t\u00e9 d\u2019Etude des Pays du Commonwealth (SEPC) est heureuse d\u2019annoncer la parution en ligne du num\u00e9ro 43.2 (2021) de la revue Commonwealth Essays and Studies, intitul\u00e9 \u201cIn Other Worlds: Imagining What Comes Next\u201d et dirig\u00e9 par Christine Lorre-Johnston et Fiona McCann. Vous pouvez consulter le num\u00e9ro en ligne sur le portail OpenEdition: https:\/\/journals.openedition.org\/ces\/&hellip;","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/posts\/1473"}],"collection":[{"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/comments?post=1473"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/posts\/1473\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/media?parent=1473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/categories?post=1473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/publications\/wp-json\/wp\/v2\/tags?post=1473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}