{"id":6537,"date":"2026-09-08T10:52:15","date_gmt":"2026-09-08T08:52:15","guid":{"rendered":"https:\/\/afea.fr\/news\/?p=6537"},"modified":"2026-09-08T10:53:26","modified_gmt":"2026-09-08T08:53:26","slug":"new-publication-rock-music-belonging-and-citizenship-in-the-english-speaking-world","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/new-publication-rock-music-belonging-and-citizenship-in-the-english-speaking-world\/6537\/","title":{"rendered":"New publication &#8211; Rock Music, Belonging and Citizenship in the English-Speaking World"},"content":{"rendered":"\n<p>Dear colleagues,<\/p>\n\n\n\n<p>Romain Garbaye and myself are pleased to share the new issue of the journal&nbsp;<em>InMedia<\/em>,&nbsp;<a href=\"http:\/\/journals.openedition.org\/inmedia\/3728\" target=\"_blank\" rel=\"noreferrer noopener\">Rock Music, Belonging and Citizenship in the English-Speaking World<\/a>, that we co-edited.&nbsp;<em>InMedia&nbsp;<\/em>is a French peer-reviewed online journal (CREW &#8211; Universit\u00e9 Sorbonne Nouvelle) that explores different media forms, be they based on the written word, on still or moving images, and\/or on sound. The journal therefore focuses on the press, photography, painting, cinema, television, video games, music, radio and the Internet among other means of communication. It provides a forum for discussion, with a multidisciplinary approach.<\/p>\n\n\n\n<p>Here is the table of contents of this issue:&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Marion\u00a0Brachet\u00a0and Romain\u00a0Garbaye <\/strong><a href=\"https:\/\/journals.openedition.org\/inmedia\/3976\" target=\"_blank\" rel=\"noreferrer noopener\">Introduction<\/a><\/li>\n\n\n\n<li><strong>Ben\u00a0Winsworth<\/strong><a href=\"https:\/\/journals.openedition.org\/inmedia\/3839\" target=\"_blank\" rel=\"noreferrer noopener\"> Write Back Where We Started From: Contextualizing the Mod Revival (1978-1980)<\/a><\/li>\n\n\n\n<li><strong>Ana\u00efs\u00a0Neumille<\/strong><a href=\"https:\/\/journals.openedition.org\/inmedia\/4280\" target=\"_blank\" rel=\"noreferrer noopener\"> \u201cNorthern white crap that talks back\u201d: Neo-Victorian (De)industrial Echoes and Northern Identity in British Post-Punk Music<\/a><\/li>\n\n\n\n<li><strong>Emma\u00a0Frigo<\/strong> <a href=\"https:\/\/journals.openedition.org\/inmedia\/3939\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cNot Great Men\u201d: British Masculine Identity in Post-Punk and Crank Wave<\/a><\/li>\n\n\n\n<li><strong>Paige\u00a0Klimentou <\/strong><a href=\"https:\/\/journals.openedition.org\/inmedia\/3987\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cI want dudes to actually stop and think about this\u201d: Men, Feminism, and Fans of Outright in the Australian Hardcore Scene<\/a><\/li>\n\n\n\n<li><strong>Guillaume\u00a0Cl\u00e9ment <\/strong><a href=\"https:\/\/journals.openedition.org\/inmedia\/3928\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cCool Cymru\u201d: The Revival of Welsh Identity in Wales\u2019s Rock Music Scene since the Mid-1990s<\/a><\/li>\n\n\n\n<li><strong>Stan\u00a0Erraught<\/strong> <a href=\"https:\/\/journals.openedition.org\/inmedia\/4102\" target=\"_blank\" rel=\"noreferrer noopener\">Emerging from the Darkness: Irish Rock, Modernity, and Anxiety 1979-1990.<\/a><\/li>\n\n\n\n<li><strong>Eric\u00a0Tabuteau<\/strong> <a href=\"https:\/\/journals.openedition.org\/inmedia\/3739\" target=\"_blank\" rel=\"noreferrer noopener\">Nearshoring to Mexico to keep an American identity? Why Fender relocated a part of its guitar production to Baja California<\/a><\/li>\n\n\n\n<li><strong>Simon\u00a0Hierle<\/strong> <a href=\"https:\/\/journals.openedition.org\/inmedia\/4466\" target=\"_blank\" rel=\"noreferrer noopener\">The Agency of Belonging: The Case of Jimi Hendrix<\/a><\/li>\n<\/ul>\n\n\n\n<p>Huge thanks to all authors, editors and reviewers who contributed to this publication.<\/p>\n\n\n\n<p>Best wishes to everyone, and especially to those who are currently starting the new school year!<\/p>\n\n\n\n<p>_______<\/p>\n\n\n\n<p>Marion Brachet<br>Associate Professor in Popular Music<br>Universit\u00e9 \u00c9vry Paris-Saclay<br>Laboratoire RASM-CHCSC<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dear colleagues, Romain Garbaye and myself are pleased to share the new issue of the journal&nbsp;InMedia,&nbsp;Rock Music, Belonging and Citizenship [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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[&hellip;]","jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/6537"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=6537"}],"version-history":[{"count":2,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/6537\/revisions"}],"predecessor-version":[{"id":6539,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/6537\/revisions\/6539"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=6537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=6537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=6537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}