{"id":4810,"date":"2024-05-15T18:55:20","date_gmt":"2024-05-15T16:55:20","guid":{"rendered":"https:\/\/afea.fr\/news\/conference-symposium\/22-05-conference-richard-powell-la-renaissance-de-harlem-et-paris-aaron-douglas-palmer-hayden-hale-woodruff-et-archibald-j-motley\/4810\/"},"modified":"2024-05-15T18:55:20","modified_gmt":"2024-05-15T16:55:20","slug":"22-05-conference-richard-powell-la-renaissance-de-harlem-et-paris-aaron-douglas-palmer-hayden-hale-woodruff-et-archibald-j-motley","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/conference-symposium\/22-05-conference-richard-powell-la-renaissance-de-harlem-et-paris-aaron-douglas-palmer-hayden-hale-woodruff-et-archibald-j-motley\/4810\/","title":{"rendered":"22\/05 Conf\u00e9rence Richard Powell \u00ab La Renaissance de Harlem et Paris. Aaron Douglas, Palmer Hayden, Hale Woodruff, et Archibald J. Motley \u00bb"},"content":{"rendered":"

Conf\u00e9rence \u00c9cole des modernit\u00e9s \/ \u00ab La Renaissance de Harlem et Paris. Aaron Douglas, Palmer Hayden, Hale Woodruff, et Archibald J. Motley \u00bb<\/p>\n

Le 22 mai, \u00e0 18h30
\n\"\ud83d\udccd\"Au Giacometti Lab et en direct sur Youtube
\nConf\u00e9rence en Anglais par Richard Powell<\/p>\n

Cette conf\u00e9rence explore la mani\u00e8re dont Paris a \u00e9t\u00e9 un lieu central et une source d’inspiration pour quatre artistes afro-am\u00e9ricains : Palmer C. Hayden (1890-1980), Hale Woodruff (1900-1980), Archibald J. Motley, Jr. (1891-1981), et Aaron Douglas (1899-1979). Cette rencontre entre une capitale europ\u00e9enne et des artistes am\u00e9ricains a abouti \u00e0 des \u0153uvres qui, entr\u00e9es en r\u00e9sonance avec le caract\u00e8re et l’ambiance de \u00ab la Ville Lumi\u00e8re \u00bb, soulignent l’esprit de libert\u00e9 de Paris et l\u2019esth\u00e9tique qu’elle a insuffl\u00e9 \u00e0 travers le monde.<\/p>\n

Richard J. Powell est professeur d’art et d’histoire de l’art "John Spencer Bassett" \u00e0 Duke University, o\u00f9 il enseigne depuis 1989. Ses travaux portent sur l’art am\u00e9ricain et les arts de la diaspora africaine. Il a notamment publi\u00e9 "Homecoming: The Art and Life of William H. Johnson (1991) et "Cutting a Figure: Fashioning Black Portraiture" (2008) et a \u00e9galement \u00e9t\u00e9 commissaire de plusieurs expositions dont : "The Blues Aesthetic: Black Culture and Modernism" (1989) et "Archibald Motley : Jazz Age Modernist" (2014).<\/p>\n

\u00bb S’INSCRIRE (SUR PLACE) : https:\/\/fondation-giacometti.us2.list-manage.com\/track\/click?u=474e591997964fb93ae29d91d&id=d6149c5841&e=9cbcce30bd<\/a>
\n\u00bb S’INSCRIRE (EN LIGNE) : https:\/\/fondation-giacometti.us2.list-manage.com\/track\/click?u=474e591997964fb93ae29d91d&id=5ea5d10663&e=9cbcce30bd<\/a><\/p>\n

Source: Ana\u00efs Le F\u00e8vre-Berthelot <anais.lefevre><\/p>\n","protected":false},"excerpt":{"rendered":"

Conf\u00e9rence \u00c9cole des modernit\u00e9s \/ \u00ab La Renaissance de Harlem et Paris. Aaron Douglas, Palmer Hayden, Hale Woodruff, et Archibald […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[568],"tags":[235,261],"class_list":["post-4810","post","type-post","status-publish","format-standard","hentry","category-conference-symposium","tag-conference","tag-harlem-renaissance"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Conf\u00e9rence \u00c9cole des modernit\u00e9s \/ \u00ab La Renaissance de Harlem et Paris. Aaron Douglas, Palmer Hayden, Hale Woodruff, et Archibald […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/4810"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=4810"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/4810\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=4810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=4810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=4810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}