{"id":3795,"date":"2024-03-21T19:56:16","date_gmt":"2024-03-21T18:56:16","guid":{"rendered":"https:\/\/afea.fr\/news\/cfp\/journee-detudes-reclaiming-ones-place-resurgence-and-empowerment\/3795\/"},"modified":"2024-03-21T19:56:16","modified_gmt":"2024-03-21T18:56:16","slug":"journee-detudes-reclaiming-ones-place-resurgence-and-empowerment","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/cfp\/journee-detudes-reclaiming-ones-place-resurgence-and-empowerment\/3795\/","title":{"rendered":"Journ\u00e9e d&#39;\u00e9tudes : Reclaiming one\u2019s place: Resurgence and Empowerment"},"content":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues,<\/p>\n<p>Vous trouverez ci-dessous un appel \u00e0 communication pour la journ\u00e9e d\u2019\u00e9tude \u00ab Reclaiming one\u2019s place: Resurgence and Empowerment \u00bb\/ Se faire une place : R\u00e9surgence et Pouvoir \u00bb qui se tiendra \u00e0 Grenoble le 21 novembre 2024 et au cours de laquelle nous aurons l\u2019immense plaisir et honneur d\u2019\u00e9changer avec Eddy Harris sur son extraordinaire livre Mississipi Solo.<\/p>\n<p>Appel \u00e0 communication<br \/>\nReclaiming one\u2019s place: Resurgence and Empowerment<\/p>\n<p>Why should we take an interest in \u201cresurgence\u201d and what do we mean by \u201cresurgence\u201d? These are some of the questions that will be raised during the one-day conference organized by the research group LISCA at the University of Grenoble Alpes on 21 November 2024. And we have the pleasure to announce that Eddy Harris will do us the honour of being with us as keynote speaker to discuss his extraordinary Mississipi Solo for the occasion. To be or not to be, to disappear or reappear, to sink to the bottom or resurface? Resurgence is an artistic and hermeneutic phenomenon that enables texts to make certain forces and positions stand out or rise to the surface, power dynamics that had lied dormant before being rekindled at a specific moment in our knowledge of the world. As Michel Foucault once argued, every period, country or culture is characterized by a specific form of knowledge and understanding which is closely connected to a unique ability or inability to see. There are also moments of epistemological break when the invisible becomes visible, when one\u2019s gaze can settle and concentrate on what was, until then, lost in the background, made invisible or objectified as part of the landscape. When does a visual element deconstruct appearances to better shed light on such underlying power dynamics or lift the veil of mystery surrounding them in the manner of an anamorphosis?<br \/>\nAs Nobel Prize winner Annie Ernaux has demonstrated, questioning \u201cone\u2019s place\u201d and investigating what it is to be \u201cin one\u2019s place\u201d is a highly political issue. Speaking of one\u2019s place from a personal perspective and shedding light on things that have been hidden and buried can not only have a cathartic result, but they can also give rise to the reclaiming of a form of collective agency. This is why she feels the unspeakable has to \u201ccome to light\u201d just as the invisible has to resurface. Similarly the reason why something can be apprehended as displaced is worthy of interest. How does it challenge a social order or a dominant ideology that has always managed to slip out of sight. The command to \u201cknow one\u2019s place\u201d according to Claire Marin precisely refers to \u201cthat which threatens to upset the established order of things, the strict social order, and the powers that be. Those who are asked to \u201cknow their place\u201d are those whom many want to confine to a minor, secondary or inferior space. Kept within the boundaries of the couple, the family or the workplace, the voices of women, children, servants, or blue-collar workers can be silenced or stifled. Knowing one\u2019s place is about being silent, not talking about what one is not supposed to understand or feel concerned about even if it stares you in the eye\u201d. Those who have been told to \u201cknow their place\u201d are precisely those who have already begun to look beyond the horizon.<br \/>\nPapers can be submitted in either French or English on the following topics:<br \/>\n-Writing Trauma: testimonial narratives, life stories, narratives of rehabilitation and\/or reinstatement in fictionalized biographies (Canada, Australia, African American literature). When the memories of a repressed past resurface, redefine one\u2019s place, give a voice back to the subaltern and a form of visibility to the ob-scene.<br \/>\n-Resurgence and the Environment, both non-human and human: What place do we give to nature, the environment, and how do we represent them? Reflecting on place and places has often led to a resurgence of the Gothic as well as a spate of dystopian texts and representations in contemporary culture. Another form of resurgence, even more global and political, tends to try and reconnect with an approach and an epistemology which are specific to first nations worldwide\u2014caring for Country and the Environment as an ecosystem where each constituent should have their place respected and fully recognized, whether human, non-human, or cultural in a sustainable network of relations.<br \/>\n-Adaptation and Rewriting in Fiction and Cinema: one of the most significant examples is Jean Rhys\u2019s Wide Sargasso Sea which lends a voice to Bertha\/Antoinette Mason\u2019s subjectivity and singularity. More recently, many films have reincorporated formerly invisibilized characters in a relevant way and not simply for commercial or revisionist purposes. Andrea Arnold\u2019s adaptation of Wuthering Heights presents Heathcliff as an abandoned homeless child in Liverpool but also as the son of a black slave, which demonstrates a much less conventional approach to adaptation. Caryl Phillips\u2019s recent novel The Lost Child, set in the United Kingdom between the 1960s and 1990s, discusses similar topics and forces.<br \/>\nThis one-day conference invites speakers to study films, novels, short stories, paintings, photography, advertising, posters, but also political discourse, exhibitions, museums, memorials, official ceremonies, among others. Powerful occurrences of resurgence can also be found in popular culture, series, comic strips, graphic novels or street art.<\/p>\n<p>To submit proposals for papers, please send the title and a 300-400 word abstract along with a brief bio-bibliography to the conference organisers by June 10, 2024. The committee will provide a response by June 28, 2024.<\/p>\n<p>Organizing Committee: Christine Vandamme (Australian and postcolonial literature, research unit LISCA), Gr\u00e9gory Benedetti (US History and cultural studies, research unit LISCA), Andre Dodeman (Canadian and postcolonial literature, research unit LISCA), Cyril Besson (Scottish literature, Visual Studies and Popular Culture, research unit LISCA).<br \/>\nChristine.vandamme<br \/>\nGregory.benedetti<br \/>\nAndre.dodeman<br \/>\nCyril.besson<\/p>\n<p>A selection of papers in English will be published in the LISCA\u2019s online review in 2025.<\/p>\n<p>Bibliography<\/p>\n<p>Atkinson, Meera, The Poetics of Transgenerational Trauma, London : Bloomsbury, 2017.<br \/>\nBourdieu, Pierre. Langage et pouvoir symbolique (1982). Paris : Seuil, 2001.<br \/>\nBuell, Lawrence. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture. Cambridge: Harvard University Press, 1995.<br \/>\nCrenshaw, Kimberle. \u201cDemarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics\u201d, University of Chicago Legal Forum, Vol. 1989, <a href=\"https:\/\/chicagounbound.uchicago.edu\/uclf\/vol1989\/iss1\/8\">https:\/\/chicagounbound.uchicago.edu\/uclf\/vol1989\/iss1\/8<\/a><br \/>\nCresswell, Tim. In Place \/ Out of Place: Geography, Ideology and, Transgression, Minnesota: University of Minnesota Press, 1996.<br \/>\nDeLoughrey, Elizabeth and George B. Handley, eds. Postcolonial Ecologies: Literatures of the Environment. Oxford: Oxford University Press, 2011.<br \/>\nDerrida, Spectres de Marx. Paris : Galil\u00e9e, 1993.<br \/>\nDidi-Huberman, Georges, Ce que nous voyons, ce qui nous regarde. Paris : Minuit, 1992.<br \/>\nEnns, Peter and Christopher Wlezien (eds.). Who Gets Represented? New York: Russell Sage Foundation, 2011.<br \/>\nErnaux, Annie. La place. Paris : Gallimard, 1983.<br \/>\nFanon, Franz. Peau noire, masques blancs. Seuil, 1952.<br \/>\nFoucault, Michel. Surveiller et punir. Paris : Gallimard, 1975.<br \/>\nGarrard, Greg. Ecocriticism. London: Routledge, 2012.<br \/>\nGilligan, Carol. Ecological Reparation : Repair, Remediation and Resurgence in Social and Environmental Conflict. Cambridge University Press, 2018.<br \/>\nGilroy, Paul. The Black Atlantic: Modernity and Double-Consciousness. London: Verso, 1993.<br \/>\nHall, Stuart. \u201cCulture, Community, Nation.\u201d Cultural Studies 7:3 (1993): 349-63.<br \/>\nhooks, bell. Feminist Theory: From Margin to Center. Boston: South End Press, 1984.<br \/>\nJupp, James and John Nieuwenhuysen (ed.) Social cohesion in Australia. Cambridge University Press, 2007.<br \/>\nKristeva, Julia. Les pouvoirs de l\u2019horreur : essai sur l\u2019abjection. Paris : Seuil, 1980.<br \/>\nMarin, Claire, \u00catre \u00e0 sa place. Habiter sa vie, habiter son corps. Paris : Editons de l\u2019observatoire, 2022.<br \/>\nMcGuire, Danielle. At the Dark End of the Street: Black Women, Rape, and Resistance \u2013 A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power. New York: Knopf Doubleday Publishing Group, 2011.<br \/>\nMirzoeff, Nicholas. The Visual Culture Reader. London: Routledge, 2002.<br \/>\nSimpson, Leanne (ed.). Lighting the Eighth fire: the Liberation, Resurgence, and Protection of Indigenous Nations. Winnipeg: Arbeiter Ring Publishing, 2008.<br \/>\nSkoda, Uwe and Birgit Lettmann, eds., India and its Visual Cultures: Community, Class and Gender in a Symbolic Landscape, Los Angeles: SAGE, 2018.<br \/>\nSugars, Cynthia &amp; Gerry Turcotte. Unsettled Remains: Canadian Literature and the Postcolonial Gothic. Ottawa: University of Ottawa Press, 2009.<br \/>\nTsing, Anna Lowenhaupt. The Mushroom at the End of the World : on the Possibility of Life in Capitalist Ruins. Princeton University Press, 2015.<br \/>\nWane, Njoki Nathani and Kimberly L. Todd, Decolonial Pedagogy: Examining Sites of Resistance, Resurgence, and Renewal. London: Palgrave Macmillan, 2018.<br \/>\nWeaver-Hightower, R. and Peter Hulme. Postcolonial Film: History, Empire, Resistance. London: Routledge: 2014<br \/>\nWhitlock, Gillian and David Carter, eds. (1992). Images of Australia: An Introductory Reader in Australian Studies, St Lucia: University of Queensland Press, 2001.<br \/>\nZinn, Howard. A People&rsquo;s History of the United States. New York: HarperCollins, 1999.<\/p>\n<p>Se faire une place : R\u00e9surgence et Pouvoir<\/p>\n<p>Pourquoi s\u2019interroger sur la \u00ab r\u00e9surgence \u00bb et qu\u2019entend-on par \u00ab r\u00e9surgence \u00bb ? Telles sont les questions que la journ\u00e9e d\u2019\u00e9tude organis\u00e9e par le LISCA \u00e0 l\u2019UGA le 21 novembre prochain t\u00e2chera de mettre en lumi\u00e8re et de d\u00e9velopper. \u00catre ou ne pas \u00eatre, dispara\u00eetre ou rena\u00eetre, couler \u00e0 pic ou bien refaire surface. La R\u00e9surgence est ce ph\u00e9nom\u00e8ne artistique et herm\u00e9neutique qui fait que certains textes font ressortir ou remonter \u00e0 la surface des dynamiques et des positionnements qui \u00e9taient d\u00e9j\u00e0 l\u00e0 sous une forme \u00ab dormante \u00bb et qui se voient r\u00e9activ\u00e9s \u00e0 un moment donn\u00e9 dans une \u00e9pist\u00e9m\u00e8 particuli\u00e8re. Comme l\u2019a tr\u00e8s bien montr\u00e9 Michel Foucault, \u00e0 chaque \u00e9poque et pays ou culture correspond une \u00e9pist\u00e9m\u00e8 particuli\u00e8re qui est intimement li\u00e9e au \u00ab voir \u00bb ou \u00e0 l\u2019impossibilit\u00e9 de voir. Il y a aussi des moments de rupture \u00e9pist\u00e9mologique o\u00f9 l\u2019invisible devient visible, o\u00f9 le regard va \u00e0 un moment pouvoir se poser, se focaliser sur ce qui \u00e9tait jusqu\u2019alors fondu dans la masse, invisibilis\u00e9 ou accessoiris\u00e9 comme faisant partie du d\u00e9cor. A quel moment un \u00e9l\u00e9ment visuel vient-il d\u00e9construire le semblant pour y laisser entrer une autre lumi\u00e8re ou part d\u2019ombre \u00e0 la mani\u00e8re d\u2019une anamorphose ?<br \/>\nComme le montre tr\u00e8s bien Annie Ernaux, prix Nobel 2022, s\u2019interroger sur ce qu&rsquo;est une place \u00e0 soi et ce que veut dire \u00ab \u00eatre \u00e0 sa place \u00bb est \u00e9minemment politique. Parler d\u2019une place d\u2019un point de vue personnel et mettre au jour les \u00ab choses subies et enfouies \u00bb peut non seulement avoir un effet cathartique mais aussi et surtout cr\u00e9er une dynamique de reprise de pouvoir collectif lorsque refait surface une exp\u00e9rience commune d\u2019oppression d\u2019autant plus puissante qu\u2019elle est habituellement tue et invisibilis\u00e9e : \u00ab un livre peut contribuer \u00e0 changer la vie personnelle, \u00e0 briser la solitude des choses subies et enfouies, \u00e0 se penser diff\u00e9remment. \u00bb Pour paraphraser Ernaux, on pourrait dire que quand l&rsquo;indicible [et l\u2019invisible] vien[nent] au jour, c&rsquo;est politique \u00bb. Une telle situation d\u2019oppression peut \u00e9galement \u00e9clater au grand jour lorsqu\u2019elle \u00e9tait visible mais per\u00e7ue comme d\u00e9plac\u00e9e, un hors champ qu\u2019il convenait de garder comme tel : comment peut-on interpr\u00e9ter un \u00e9l\u00e9ment qui semble \u00ab d\u00e9plac\u00e9 \u00bb ? En quoi remet-il en cause une hi\u00e9rarchie ou une id\u00e9ologie dominante qui jusqu&rsquo;alors \u00e9chappaient au regard ? Comme le dit Claire Marin dans son ouvrage \u00catre \u00e0 sa place, \u00ab l&rsquo;injonction \u00ab reste \u00e0 ta place \u00bb s&rsquo;adresse souvent \u00e0 ce qui menace de bouleverser l&rsquo;ordre \u00e9tabli, hi\u00e9rarchies install\u00e9es, et pouvoir dominant. Celui \u00e0 qui l&rsquo;on intime de rester \u00e0 sa place est celui que l&rsquo;on veut enclore dans un espace mineur, secondaire, inf\u00e9rieur. Dans la hi\u00e9rarchie du couple, de la famille, du travail, la parole de la femme, de l&rsquo;enfant, du domestique, de l\u2019ouvrier peut ainsi \u00eatre musel\u00e9e. Rester \u00e0 sa place, c&rsquo;est rester silencieux, ne pas parler de ce qu&rsquo;on n&rsquo;est pas cens\u00e9 comprendre, ce qui ne nous \u00ab regarde \u00bb pas. Celui \u00e0 qui on ordonne de rester \u00e0 sa place est pr\u00e9cis\u00e9ment celui qui a d\u00e9j\u00e0 commenc\u00e9 \u00e0 regarder ailleurs. \u00bb<\/p>\n<p>Ces questions pourront se d\u00e9cliner autour des domaines et dynamiques suivants :<br \/>\nL\u2019\u00e9criture du trauma : l\u2019\u00e9criture de t\u00e9moignage, le r\u00e9cit de vie, la r\u00e9habilitation par la biographie romanc\u00e9e (Canada, Australie, litt\u00e9rature afro-am\u00e9ricaine). Lorsque le pass\u00e9 refoul\u00e9 refait surface et redistribue des places et redonne une voix aux subalternes et une visibilit\u00e9 \u00e0 l\u2019ob-sc\u00e8ne.<br \/>\nR\u00e9surgence aussi d\u2019une approche environnementale et sociale, qui d\u00e9passe les simples tropes du gothique et de la dystopie si fr\u00e9quents dans la litt\u00e9rature et la culture occidentales contemporaines pour revendiquer une approche et une \u00e9pist\u00e9mologie holistiques propres aux premi\u00e8res nations: quelle place donne-t-on \u00e0 la nature et \u00e0 l\u2019environnement, aux diff\u00e9rentes \u00ab nations \u00bb qui peuplent la terre, et aux divers choix politiques et sociaux qui pr\u00f4nent le soin de la juste place de l\u2019humain, du non-humain et de la technologie dans une vis\u00e9e d\u2019\u00e9cosyst\u00e8me durable et vertueux ?<\/p>\n<p>Question de l\u2019adaptation et de la r\u00e9\u00e9criture dans la fiction et au cin\u00e9ma<br \/>\nL\u2019exemple prototypique et s\u00e9minal dans ce type de r\u00e9\u00e9criture est l\u2019ouvrage de Jean Rhys, Wide Sargasso Sea, qui redonne une voix, une subjectivit\u00e9, une unicit\u00e9 et aussi une \u00ab lumi\u00e8re \u00bb \u00e0 Bertha\/ Antoinette Mason. Plus r\u00e9cemment, de nombreux films r\u00e9int\u00e8grent des personnages invisibilis\u00e9s et ce de mani\u00e8re pertinente et convaincante et pas simplement commerciale et m\u00e9canique, voire outranci\u00e8re et r\u00e9visioniste. Ainsi le film d\u2019Andrea Arnold Les Hauts de Hurlevent pr\u00e9sente Heathcliff comme un enfant des rues abandonn\u00e9 \u00e0 Liverpool bien s\u00fbr mais aussi, et c\u2019est nettement moins orthodoxe et convenu, comme fils d\u2019esclave noire. L\u2019ouvrage r\u00e9cent de Caryl Phillips The Lost Child traite \u00e9galement de th\u00e9matiques et de dynamiques similaires mais dans le Royaume Uni des ann\u00e9es 60 aux ann\u00e9es 80 et 90.<br \/>\nLes objets d\u2019\u00e9tude pourront donc \u00eatre les suivants : films, romans, nouvelles, tableaux, photographies, publicit\u00e9s, affiches, mais aussi discours politiques, expositions, mus\u00e9es, c\u00e9r\u00e9monies politiques et m\u00e9morielles. Ce type de questions peut aussi trouver un \u00e9cho int\u00e9ressant dans la culture dite populaire, les s\u00e9ries, les bandes dessin\u00e9es, le roman graphique, ou le street art, par exemple.<\/p>\n<p>Merci d\u2019envoyer vos propositions de communication de 300-400 mots ainsi qu\u2019une courte bio-bibliographie aux organisateurs avant le 10 juin 2024. Les r\u00e9ponses seront communiqu\u00e9es le 28 juin 2024.<\/p>\n<p>Comit\u00e9 d\u2019organisation: Christine Vandamme (sp\u00e9cialiste de litt\u00e9rature australienne et postcoloniale au LISCA) Gr\u00e9gory Benedetti (Civilisation am\u00e9ricaine et \u00e9tudes culturelles au LISCA), Andre Dodeman (sp\u00e9cialiste de litt\u00e9rature canadienne et postcoloniale au LISCA) Cyril Besson (sp\u00e9cialiste de litt\u00e9rature \u00e9cossaise, \u00e9tudes visuelles, culture populaire au LISCA)<br \/>\nChristine.vandamme<br \/>\nGregory.benedetti<br \/>\nAndre.dodeman<br \/>\nCyril.besson<\/p>\n<p>Une publication dans la revue Repr\u00e9sentations dans le monde anglophone est pr\u00e9vue \u00e0 l\u2019issue de la journ\u00e9e d\u2019\u00e9tudes courant 2025. Les communications de la journ\u00e9e d\u2019\u00e9tude et les articles devront \u00eatre en anglais.<\/p>\n<p>Source: Gregory BENEDETTI &lt;gregory.benedetti&gt;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues, Vous trouverez ci-dessous un appel \u00e0 communication pour la journ\u00e9e d\u2019\u00e9tude \u00ab Reclaiming one\u2019s place: Resurgence [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[99],"tags":[944,1787,1786],"class_list":["post-3795","post","type-post","status-publish","format-standard","hentry","category-cfp","tag-empowerment","tag-reclaiming-ones-place","tag-resurgence"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res et chers coll\u00e8gues, Vous trouverez ci-dessous un appel \u00e0 communication pour la journ\u00e9e d\u2019\u00e9tude \u00ab Reclaiming one\u2019s place: Resurgence [&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3795"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=3795"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3795\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=3795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=3795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=3795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}