{"id":3726,"date":"2024-03-11T21:17:18","date_gmt":"2024-03-11T20:17:18","guid":{"rendered":"https:\/\/afea.fr\/news\/?p=3726"},"modified":"2024-03-11T21:17:18","modified_gmt":"2024-03-11T20:17:18","slug":"new-monuments-iconoclasm-reenactments-and-alternative-commemorations-in-the-united-states-inha","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/conference-symposium\/new-monuments-iconoclasm-reenactments-and-alternative-commemorations-in-the-united-states-inha\/3726\/","title":{"rendered":"New Monuments: Iconoclasm, Reenactments, and Alternative Commemorations in the United States \u2013 INHA"},"content":{"rendered":"<p>New Monuments: Iconoclasm, Reenactments, and Alternative Commemorations in the United States since 2000<\/p>\n<p>15\u201316 March 2024, l\u2019INHA (Institut national d\u2019histoire de l\u2019art), 2 Rue Vivienne, 75002 Paris, France<\/p>\n<p>DAY 1, Friday, March 15<\/p>\n<p>9:15 \u2013 Welcome (Terra Foundation for American Art)<\/p>\n<p>9:30-10:15 \u2013 Opening remarks: Professor Mechtild Widrich (School of the Art Institute of Chicago<\/p>\n<p>Short break<\/p>\n<p>10:30-12:00 \u2013 PANEL 1: Old Stories, New Narratives<br \/>\n\u2022 Noah Randolph \u2013 Taking Up Space: Refusing the Logics of Monumentality in New Orleans<br \/>\n\u2022 Susan Garza \u2013 How Do We Honor Struggle in Plantation Spaces?<br \/>\n\u2022 Ashleigh Lawrence-Sanders \u2013 The Contested Civil War Sesquicentennial: An incomplete recognition of Black Civil War Memory in \u201cPost-Racial\u201d America<\/p>\n<p>12:00-13:30 \u2013 Lunch break<\/p>\n<p>13:30-15:00 \u2013 PANEL 2: Iconoclasm and Institutions<br \/>\n\u2022 Cl\u00e9mentine Tholas \u2013 From the Jim Crow South to Los Angeles: Reusing decommissioned Confederate monuments in a contemporary art exhibition<br \/>\n\u2022 Clare Fisher \u2013 Place Ma(r)king: Campus Contextualization and New Concepts of the Monument<br \/>\n\u2022 Laura Macalauso \u2013 Mending Broken Glass: New Monuments in New Haven<\/p>\n<p>Short break<\/p>\n<p>15:15-16:45 \u2013 PANEL 3: Iconoclasm and Community Building<br \/>\n\u2022 Alison Fields \u2013 Remembering Spanish Colonization in New Mexico<br \/>\n\u2022 Leena Crasemann and Anne Rohl \u2013 Meshing Southern myths and covering \u201cdiscoverers\u201d: Textile interventions in processes of decolonizing monuments since 2017<br \/>\n\u2022 Hilary Sanders \u2013 The aspirational politics of commemorating Chinese heritage in Portland, Oregon<\/p>\n<p>Short break<\/p>\n<p>17:00-18:00 \u2013 Keynote: Professor Wendy Bellion (University of Delaware)<\/p>\n<p>18:30 \u2013 Dinner for speakers<\/p>\n<p>DAY 2, Saturday, March 16<\/p>\n<p>9:15 \u2013 Welcome<\/p>\n<p>9:30-11:00 \u2013 PANEL 1: Reconsidering Memorials<br \/>\n\u2022 Hilary Meuter \u2013 Iconoclasm and counter-monuments, only the start of a larger endeavor: A Study of the Contradictory Monument Landscape in Montgomery, Alabama<br \/>\n\u2022 Jo-Ann Morgan \u2013 Memorials Protesting Gun Violence<br \/>\n\u2022 Harriet Senie and Cher Krause Knight \u2013 Writing Memorials<\/p>\n<p>Short break<\/p>\n<p>11:15-12:45 \u2013 PANEL 2: Cityscapes<br \/>\n\u2022 Heather Shirey and Todd Lawrence \u2013 Monumental Blackness: Black Lives Matter Street Murals and<br \/>\nCommemoration of the 2020 Uprising<br \/>\n\u2022 Erika Schneider \u2013 From Emancipation to Embrace: Decolonizing Boston\u2019s Public Monuments<br \/>\n\u2022 Sarah J. Moore \u2013 Slow Death in Trees: Maya Lin\u2019s Ghost Forest, 2021<\/p>\n<p>12:45-14:15 \u2013 Lunch break<\/p>\n<p>14:15-15:45 \u2013 PANEL 3: Pedagogy and Practice<br \/>\n\u2022 Peter Cole \u2013 Public Art in Remembering Chicago\u2019s Worst Episode of Racial Violence<br \/>\n\u2022 Lauren Erin Brown \u2013 Monumental Debates: Reimagining Public History in Turbulent Times<br \/>\n\u2022 Francis V. Gourrier Jr. \u2013 Memorializing Lynching in the Age of Black Lives Matter<\/p>\n<p>Short break<\/p>\n<p>16:00-17:00 \u2013 Keynote: Professor Erika Doss (University of Texas at Dallas)<\/p>\n<p>Short break<\/p>\n<p>17:15-19:15 \u2013 Film session (Auditorium Jacqueline Lichtenstein)<br \/>\nFILMS SESSION:<br \/>\n\u2022 Stonebreakers (dir. Valerio Ciriaci, 2022; 70\u2019, USA\/Italy)<br \/>\n\u2022 Short film by Monument Lab<br \/>\n\u2022 Artists\u2019 videos and short films<\/p>\n<p>Informations compl\u00e9mentaires: <a href=\"https:\/\/fondationupn.fr\/events\/new-monuments-inconoclasm-reenactments-and-alternative-commemorations-in-the-united-states-since-2000\/\">https:\/\/fondationupn.fr\/events\/new-monuments-inconoclasm-reenactments-and-alternative-commemorations-in-the-united-states-since-2000\/<\/a><\/p>\n<p>Source: Cl\u00e9mentine THOLAS &lt;clementine.tholas&gt;<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/afea.fr\/news\/wp-content\/uploads\/sites\/2\/2024\/03\/Programme-New-Monuments.png?ssl=1\" rel=\"attachment wp-att-3727\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/afea.fr\/news\/wp-content\/uploads\/sites\/2\/2024\/03\/Programme-New-Monuments.png?resize=1024%2C1024&#038;ssl=1\" alt=\"\" title=\"programme-new-monuments-png\" width=\"1024\" height=\"1024\" class=\"alignnone size-full wp-image-3727\" srcset=\"https:\/\/i0.wp.com\/afea.fr\/news\/wp-content\/uploads\/sites\/2\/2024\/03\/Programme-New-Monuments.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/afea.fr\/news\/wp-content\/uploads\/sites\/2\/2024\/03\/Programme-New-Monuments.png?zoom=2&amp;resize=1024%2C1024&amp;ssl=1 2048w, https:\/\/i0.wp.com\/afea.fr\/news\/wp-content\/uploads\/sites\/2\/2024\/03\/Programme-New-Monuments.png?zoom=3&amp;resize=1024%2C1024&amp;ssl=1 3072w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>New Monuments: Iconoclasm, Reenactments, and Alternative Commemorations in the United States since 2000 15\u201316 March 2024, l\u2019INHA (Institut national d\u2019histoire [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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[&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3726"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=3726"}],"version-history":[{"count":1,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3726\/revisions"}],"predecessor-version":[{"id":3729,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3726\/revisions\/3729"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=3726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=3726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=3726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}