{"id":3371,"date":"2023-10-11T09:39:56","date_gmt":"2023-10-11T07:39:56","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/pub-latelier-14-2-lincongru\/3371\/"},"modified":"2023-10-11T09:39:56","modified_gmt":"2023-10-11T07:39:56","slug":"pub-latelier-14-2-lincongru","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/pub-latelier-14-2-lincongru\/3371\/","title":{"rendered":"PUB : L&rsquo;Atelier 14.2 : L&rsquo;incongru"},"content":{"rendered":"<blockquote><p>\nCh\u00e8res et chers coll\u00e8gues,<br \/>\nNous avons le plaisir de vous annoncer la publication du dernier num\u00e9ro de <em>L\u2019Atelier<\/em>, \u00ab L\u2019incongru \u00bb, coordonn\u00e9 par Sylvie Bauer et Juliana Lopoukhine, \u00e0 l&rsquo;adresse suivante :<\/p>\n<p><a href=\"https:\/\/ojs.parisnanterre.fr\/index.php\/latelier\/issue\/view\/61\">https:\/\/ojs.parisnanterre.fr\/index.php\/latelier\/issue\/view\/61<\/a><\/p>\n<p>Vous trouverez la table des mati\u00e8res ci-dessous.<\/p>\n<p>Nous vous remercions de l&rsquo;int\u00e9r\u00eat que vous portez \u00e0 notre revue.<\/p>\n<p>Bien cordialement,<\/p>\n<p>Pascale Tollance et Marie Laniel<\/p>\n<h1>L&rsquo;Atelier Vol. 14 No 2 (2023): L&rsquo;incongru<\/h1>\n<p><a href=\"https:\/\/ojs.parisnanterre.fr\/index.php\/latelier\/article\/view\/610\"><br \/>\nPo\u00e9tique (et politique) de l\u2019incongru<\/a><\/p>\n<ul>\n<li>Jean-Jacques Lecercle<br \/>\n1-15<\/li>\n<li><a href=\"https:\/\/ojs.parisnanterre.fr\/index.php\/latelier\/article\/view\/611\">Brave New Humans and Incongruous Bodysuits: On Surveillance and its Modes in Dave Eggers\u2019 <em>The Every<\/em> (2021)<\/a><br \/>\nClaire Wrobel<br \/>\n16-31<\/li>\n<li><a href=\"https:\/\/ojs.parisnanterre.fr\/index.php\/latelier\/article\/view\/613\">\u201cShirt of Noise\u201d, la fibre de l&rsquo;incongru dans <em>The Age of Wire and String<\/em> de Ben Marcus<\/a><br \/>\nStefania Iliescu<br \/>\n32-45<\/li>\n<li><a href=\"https:\/\/ojs.parisnanterre.fr\/index.php\/latelier\/article\/view\/614\">\u201cIncongruities, mysteries\u201d: Freaks and Incongruous Wor(l)ds in Contemporary American Fiction<\/a><br \/>\nElodie Trol\u00e9<br \/>\n46-68<\/li>\n<li><a href=\"https:\/\/ojs.parisnanterre.fr\/index.php\/latelier\/article\/view\/616\">De l\u2019incongru comme sympt\u00f4me dans <em>Blind Man with a Pistol<\/em> de Chester Himes<\/a><br \/>\nRuth Fialho<br \/>\n69-86<\/li>\n<li><a href=\"https:\/\/ojs.parisnanterre.fr\/index.php\/latelier\/article\/view\/615\">Musique et incongruit\u00e9 : l\u2019exemple du th\u00e9\u00e2tre instrumental de Mauricio Kagel<\/a><br \/>\nJoseph Delaplace<br \/>\n87-101<\/li>\n<\/ul>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la publication du dernier num\u00e9ro de L\u2019Atelier, \u00ab L\u2019incongru [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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[&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3371"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=3371"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3371\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=3371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=3371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=3371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}