https:\/\/vale.sorbonne-universite.fr\/poetry-beyond\/<\/a><\/p>\nBien amicalement,<\/p>\n
Juliette Utard<\/p>\n
R\u00e9sum\u00e9 :
\nCette conf\u00e9rence sera l\u2019occasion de pr\u00e9senter le travail de Glenn Ligon, artiste afro-am\u00e9ricain contemporain n\u00e9 en 1960 et dont l\u2019\u0153uvre est d\u00e9j\u00e0 largement inscrite dans le canon de l\u2019art exp\u00e9rimental \u00e9tats-unien. Artiste visuel avant tout, Ligon utilise l\u2019\u00e9criture comme mat\u00e9riau visuel : il commence en effet au d\u00e9but des ann\u00e9es 1990 \u00e0 produire des tableaux qui transcrivent au pochoir sur la toile des citations d\u2019\u00e9crivains (afro-am\u00e9ricains pour l\u2019essentiel, mais pas seulement). Les citations qui constituent la mati\u00e8re du tableau nous invitent \u00e0 un travail de d\u00e9chiffrage, les lettres se brouillant du fait de la superposition de textes ou de traces noires sur la toile blanche.
\nL\u2019artiste s\u2019empare ici de la litt\u00e9rature comme d\u2019un mat\u00e9riau visuel, travaillant dans une filiation revendiqu\u00e9e avec le travail visuel de Jasper Johns, et dans le sillage de ce que fit la g\u00e9n\u00e9ration pr\u00e9c\u00e9dente d\u2019artistes conceptuels tels que Carl Andre ou Robert Smithson par exemple, mais \u00e0 cette diff\u00e9rence pr\u00e8s que le propos de l\u2019\u0153uvre se situe bien moins du c\u00f4t\u00e9 d\u2019une r\u00e9flexion formelle que d\u2019une invitation \u00e0 r\u00e9fl\u00e9chir \u00e0 notre rapport au lisible. Ligon engage ses spectateurs dans une r\u00e9flexion sur l\u2019acte d\u2019\u00e9criture mais peut-\u00eatre plus encore sur celui de la lecture et de l\u2019illisibilit\u00e9. La strat\u00e9gie interm\u00e9diale qu\u2019emploie Ligon dans ces \u0153uvres o\u00f9 la po\u00e9sie est au centre de l\u2019exp\u00e9rience visuelle lui permet d\u2019interroger la question de la visibilit\u00e9 de la culture afro-am\u00e9ricaine ainsi que sa \u00ab lisibilit\u00e9 \u00bb dans le cadre large de la culture \u00e9tats-unienne.<\/p>\n
Source: Juliette Utard <Juliette.utard@gmail.com><\/p>\n","protected":false},"excerpt":{"rendered":"
AFEA NEWS: Cycle \u00ab La po\u00e9sie expos\u00e9e \u00bb (Poetry Beyond \/VALE) \u2013 Antonia Rigaud sur \u00ab\u00a0Les ‘text-paintings’ de Glenn Ligon\u00a0\u00bb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[100],"tags":[1313,111,193],"class_list":["post-3080","post","type-post","status-publish","format-standard","hentry","category-seminar","tag-glenn-ligon","tag-painting","tag-poetry"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"AFEA NEWS: Cycle \u00ab La po\u00e9sie expos\u00e9e \u00bb (Poetry Beyond \/VALE) \u2013 Antonia Rigaud sur \u00ab\u00a0Les ‘text-paintings’ de Glenn Ligon\u00a0\u00bb […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3080"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=3080"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/3080\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=3080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=3080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=3080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}