\u00ab\u00a0Le th\u00e9\u00e2tre du XXIe si\u00e8cle dans les Am\u00e9riques: de l’intime au politique\u00a0\u00bb<\/a>, coordonn\u00e9 par Christilla Vasserot, Emeline Jouve, Pauline Bouchet et Alexandra Moreira Da Silva.<\/p>\nVous trouverez ci-dessous le sommaire du num\u00e9ro.<\/p>\n
Cordialement,<\/p>\n
H\u00e9l\u00e8ne Quanquin (pour le comit\u00e9 \u00e9ditorial de la revue)<\/p>\n
Dossier th\u00e9matique<\/h1>\nLe th\u00e9\u00e2tre du XXI\u00e8me si\u00e8cle dans les Am\u00e9riques : de l’intime au politique Dossier coordonn\u00e9 par Christilla Vasserot, \u00c9meline Jouve, Pauline Bouchet, Alexandra<\/h2>\n
Moreira da Silva<\/strong><\/p>\nChristilla Vasserot, \u00c9meline Jouve, Pauline Bouchet, Alexandra Moreira da Silva<\/strong>, De l’intime au politique. Les enjeux du th\u00e9\u00e2tre dans les Am\u00e9riques au XXI\u00e8me si\u00e8cle<\/em><\/p>\nGonzalo Toledo Albornoz<\/strong>, El teatro mapuche escrito en femenino<\/em><\/p>\nIlka Saal et Jade Thomas<\/strong>, Re\/playing slavery: The play within the play in Suzan-Lori Parks\u2019s<\/em><\/p>\nWhite Noise andJeremyO.Harris\u2019s<\/em>Slave Play<\/p>\nGabrielaLirio<\/strong>, TeatrobrasileiroecensuranogovernoBolsonaro<\/em><\/p>\nAstrid Novat<\/strong>, Red\u00e9finir les contours du spectacle et du vivant : technodrame en temps de<\/em><\/p>\npand\u00e9mie. L\u2019exemple du projet <\/em>AREA (2021)<\/em><\/p>\nMarie-Christine Lesage<\/strong>, \u00c9critures sc\u00e9niques au Qu\u00e9bec : fragments d\u2019un territoireen pleine<\/em><\/p>\nconfiguration<\/em><\/p>\nL\u00eel\u00e2 Bisiaux<\/strong>, Nouvelles \u00e9critures dramatiques au Mexique : les politicit\u00e9s duth\u00e9\u00e2tre documentaire<\/em><\/p>\nC\u00e9lia J\u00e9supret<\/strong>, De la \u00ab casa segura \u00bb au slogan : dramaturgies en huis-clos etinjustices politiques au Chili<\/em><\/p>\nMaximiliano Ignacio de la Puente<\/strong>, Narrar la Guerra de Malvinas desde el teatro:la dramaturgia l\u00edrica de Soledad Gonz\u00e1lez<\/em><\/p>\nDenise Cobello<\/strong>, Desarchivar para anarchivar: pr\u00e1cticas perform\u00e1ticas en el umbral delo \u00edntimo. Reflexi\u00f3nentornoalciclo<\/em>Mis documentos deLolaArias<\/em><\/p>\nJulie Vatain-Corfdir<\/strong>, FiveWays toStretch Theatrical Space onContemporary AmericanStages (US)<\/em><\/p>\nAna Maria Vallejo de la Ossa<\/strong>, Cuerpo y espacio en las escripturas de tresdramaturgos colombianos contemporaneos: Ana Gomez, Javier Gomez y Javier Gutierrez<\/em><\/p>\nC\u00e9cile Chantraine-Braillon<\/strong>, \u00ab\u00a0Corps-prendre\u00a0\u00bb l’Am\u00e9rique latine : les performancesde Karen Veloso et de Scheherazade Zambrano Orozco<\/em><\/p>\nEntretien<\/h1>\n
ShonniEnelow<\/strong>, FreedomNow:DanielAlexanderJones,inconversationwithShonniEnelow<\/em><\/p>\nDossier \u00c9clairages<\/h1>\nLe Chili s\u2019est-il r\u00e9veill\u00e9 ? Changements et continuit\u00e9s dans le Chili post-2019 Dossier coordonn\u00e9 par Franck Gaudichaud et Axel Nogu\u00e9<\/h2>\n
Franck Gaudichaud et Axel Nogu\u00e9<\/strong>, Introduction. \u00ab Le Chili s\u2019est-il \u2018r\u00e9veill\u00e9\u2019 ? \u00bbChangements<\/em><\/p>\net continuit\u00e9s dans le Chili post-2019<\/em><\/p>\nRolando \u00c1lvarez Vallejos et Franck Gaudichaud<\/strong>, Chili, 50 ans apr\u00e8s le coup d’\u00c9tat: autoritarisme n\u00e9olib\u00e9ral, d\u00e9mocratisation et crises sociales<\/em><\/p>\nMar\u00eda Cristina Escudero et Claudio Calabr\u00e1n<\/strong>, Una convenci\u00f3n no convencional: la experiencia chilena<\/em><\/p>\nAxel Nogu\u00e9 et Octavio Avenda\u00f1o<\/strong>, Encuentros y desencuentros en la trayectoria delas izquierdas chilenas, 1990-2022<\/em><\/p>\nAndrea Gartenlaub Gonz\u00e1lez<\/strong>, Derecha radical chilena: Caracter\u00edsticas ideol\u00f3gicas, program\u00e1ticas y discursivas del Partido Republicano Chileno<\/em><\/p>\nAntoine Faure et Alejandra Phillippi<\/strong>, Notes sur le probl\u00e8me journalistique dans leChili actuel<\/em><\/p>\nSebasti\u00e1n P\u00e9rez Sep\u00falveda<\/strong>, Le n\u00e9olib\u00e9ralisme \u00e0 l\u2019\u00e9preuve : le monde du travaildans la<\/em><\/p>\ntrajectoire r\u00e9cente au Chili<\/em><\/p>\nPablo Barnier-Khawam<\/strong>, Entre plurinationalit\u00e9 et autonomie. Les peuples autochtones dans le syst\u00e8me politique chilien (2019-2022)<\/em><\/p>\nComptes rendus<\/h1>\n
Aur\u00e9lia Gafsi<\/strong>, Florencia Larralde Armas, Ex Esma. Pol\u00edticas de memoria en el excentro clandestino de detenci\u00f3n (2004-2015)<\/em>, Madrid, La Oveja Roja, 2022<\/p>\nBaptiste Mongis<\/strong>, Florencia Dansilio, Le th\u00e9\u00e2tre argentin post-dictature (1983-2003).<\/em><\/p>\nSociologie d\u2019une r\u00e9volution artistique<\/em>, Paris, L\u2019Harmattan, 2020<\/p>\nMichael Stricof<\/strong>, Olivier Burtin, A Nation of Veterans: War, Citizenship, and the Welfare State in Modern America<\/em>, Philadelphia, University of Pennsylvania Press, 2022<\/p>\nJulien Brugeron<\/strong>, Jean Kempf, Les Conqu\u00e9rants de l\u2019inutile : photographes deconflits<\/em><\/p>\nam\u00e9ricains au tournant du XXIe si\u00e8cle<\/em>, Dijon : Les Presses du R\u00e9el, 2022<\/p>\nJean-Baptiste Thomas<\/strong>, Camillo Robertini, \u00c9rase una vez la Fiat en Argentina.Una cadena de montaje entre memorias e historias (1964-1980)<\/em>, Buenos Aires, Prometeo Libros, 2022<\/p>\nAlvar De La Llosa<\/strong>, Vania Markarian, Universidad, revoluci\u00f3n y d\u00f3lares. Dos estudios sobre la Guerra Fr\u00eda cultural en el Uruguay de los sesenta<\/em>, Montevideo, Debate, Penguin Random House, 2020<\/p>\n","protected":false},"excerpt":{"rendered":"Ch\u00e8res et chers coll\u00e8gues, Le comit\u00e9 \u00e9ditorial de la revue IdeAs est heureux de vous annoncer la publication de son […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[780,1231,911,575],"class_list":["post-2979","post","type-post","status-publish","format-standard","hentry","category-publication","tag-ameriques","tag-intime","tag-politique","tag-theatre"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res et chers coll\u00e8gues, Le comit\u00e9 \u00e9ditorial de la revue IdeAs est heureux de vous annoncer la publication de son […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2979"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2979"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2979\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}