{"id":2965,"date":"2023-02-21T15:36:36","date_gmt":"2023-02-21T14:36:36","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/publ-field-23-2023\/2965\/"},"modified":"2023-02-21T15:36:36","modified_gmt":"2023-02-21T14:36:36","slug":"publ-field-23-2023","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/publ-field-23-2023\/2965\/","title":{"rendered":"(PUBL) FIELD 23\/2023"},"content":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues,<\/p>\n<p>Vient de para\u00eetre le num\u00e9ro 23\/2023 de la revue <em>FIELD. A Journal of Socially-Engaged Art Criticism<\/em> consacr\u00e9 aux artistes am\u00e9ricains Helen Mayer Harrison (1928-2018) et Newton Harrison (1932-2022), avec un avant-propos sign\u00e9 par Grant Kester. Artistes conceptuels et pionniers du Land Art, les \u00e9poux Harrison ont eu une longue carri\u00e8re artistique sur cinq d\u00e9cennies, dont une partie en tant qu&rsquo;enseignants \u00e0 l\u2019Universit\u00e9 de San Diego. Artistes prolifiques, ils ont cr\u00e9\u00e9 des \u0153uvres hybrides, qui combinent po\u00e9sie, dessins, cartes, photographies, performances, \u00e0 vis\u00e9e \u00e9cologique, ancr\u00e9es dans des sites sp\u00e9cifiques aux Etats-Unis, en Europe et en Asie. Le num\u00e9ro est issu d\u2019un colloque consacr\u00e9 aux artistes en mars 2022 \u00e0 l\u2019Universit\u00e9 de San Diego, en pr\u00e9ambule \u00e0 une exposition qui aura lieu en 2024-2025 \u00e0 San Diego.<\/p>\n<p>Le num\u00e9ro est disponible en ligne: <a href=\"https:\/\/field-journal.com\/\">https:\/\/field-journal.com<\/a><\/p>\n<p>Site internet de l\u2019exposition qui leur sera consacr\u00e9e en 2024-2025: <a href=\"https:\/\/lajollahistory.org\/exhibitions\/helen-and-newton-harrison-california-work\/\">https:\/\/lajollahistory.org\/exhibitions\/helen-and-newton-harrison-california-work\/<\/a><\/p>\n<p>Bien cordialement,<\/p>\n<p>Monica Manolescu<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues, Vient de para\u00eetre le num\u00e9ro 23\/2023 de la revue FIELD. A Journal of Socially-Engaged Art Criticism [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[1226,1227,1217],"class_list":["post-2965","post","type-post","status-publish","format-standard","hentry","category-publication","tag-art-criticism","tag-conceptual-art","tag-land-art"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res et chers coll\u00e8gues, Vient de para\u00eetre le num\u00e9ro 23\/2023 de la revue FIELD. A Journal of Socially-Engaged Art Criticism [&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2965"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2965"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2965\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}