Ch\u00e8res et chers coll\u00e8gues,<\/p>\n
Nous avons le plaisir de vous annoncer la parution des deux num\u00e9ros de la revue Cycnos<\/em> suivants.<\/p>\n Cordialement.<\/p>\n Ruxandra Pavelchievici et Didier Revest Volume 38, n\u00b0 1 (2023) Fronti\u00e8re(s) et espace(s)-fronti\u00e8re dans l\u2019aire anglophone (Tome I) sous la direction de Ruxandra Pavelchievici et Didier Revest Ruxandra Pavelchievici et Didier Revest Volume 38, n\u00b0 2 (2023) Fronti\u00e8re(s) et espace(s)-fronti\u00e8re dans l\u2019aire anglophone (Tome II) sous la direction de Ruxandra Pavelchievici et Didier Revest Ruxandra Pavelchievici et Didier Revest Volume 38, n\u00b0 2 (2023) Fronti\u00e8re(s) et espace(s)-fronti\u00e8re(s) dans l\u2019aire anglophone (Vol. II) Ruxandra Pavelchievici et Didier Revest Introduction Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la parution des deux num\u00e9ros de la revue Cycnos […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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[…]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2963"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2963"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2963\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nUniversit\u00e9 C\u00f4te d’Azur<\/p>\n
\nParis : L’Harmattan, 210 p. ISBN : 978-2-14-032475-8<\/p>\n
\nIntroduction
\nNathalie Massip
\nL\u2019historiographie de l\u2019Ouest am\u00e9ricain : fonti\u00e8re, r\u00e9gion, espace-fronti\u00e8re
\nFlavien Bardet
\nConservatrice ou lib\u00e9rale : la fronti\u00e8re imp\u00e9riale dans le d\u00e9bat public britannique selon George Nathaniel Curzon \u00e0 l\u2019aube de la premi\u00e8re guerre mondiale
\nJoseph Egwurube
\nDivisive and Separatist Effects of the Practice of Nigerian Federalism
\nCecilia Smith
\nHomelessness in Massachusetts: Uncharted Territories
\nDidier Revest
\nThe Anglo-Scottish Border: a Border Like No Other
\nDidier Revest
\nPersistent, Shifting, Elusive: Wales and Its Numerous Borders
\nChristine Zumello
\nFranchir une ligne. L\u2019art et la banque, le cas de Chase Manhattan<\/p>\n
\nParis : L’Harmattan, 254 p. ISBN : 978-2-14-032478-9<\/p>\n
\nIntroduction
\nEmmanuelle Peraldo
\n\u201cWith this Turkish Slave, I bought the rich Cloaths too\u201d (Roxana: 174): the Global Eighteenth Century and the Thin Boundary between Legal and Illegal Traffic in Defoe\u2019s Narratives
\nFabien Desset
\nThe Merging of Physical and Mental Boundaries in Shelley\u2019s Poetry and Prose
\nMaud Delage de Luget
\nPublic Transport as Moving Borders in the Works of Ford Madox Ford, E. M. Forster, Virginia Woolf and George Orwell
\nMathilde Rogez
\nLa conqu\u00eate de l’Ouest am\u00e9ricain comme horizon de la fronti\u00e8re sud-africaine ? \u00c9critures et r\u00e9\u00e9critures d’un mythe, entre rupture et suture
\nAna M. Alves
\nExil et fronti\u00e8res chez Nancy Huston
\n\u00c9lodie Trol\u00e9
\n\u00c0 la fronti\u00e8re du r\u00e9el et de l\u2019imaginaire : h\u00e9t\u00e9rotopie et hybridit\u00e9 dans le roman de Patricia Eakins The Marvelous Adventures of Pierre Baptiste
\nVirginia Allen-Terry Sherman
\nLiterary Frontiers in Contemporary American Narratives on Food and Exile: Where Narrators Are Lost and Genres Are Found
\nMohamed Amine Khoudi and Amar Guendouzi
\nThe Refugee Crisis, the Border Idea and the Rite\/Right of Passage in Mohsin Hamid\u2019s Exit West (2017)
\nAlexandre Melay
\n\u00ab Spectacularisation \u00bb de la fronti\u00e8re entre art et politique. Un Art du mur comme paradigme du monde contemporain
\nB\u00e9n\u00e9dicte Miyamoto et Marie Ruiz
\n\u00ab Les artistes sont la quintessence du paradigme migratoire \u00bb. Le pouvoir de l\u2019art d\u2019\u00e9branler les fronti\u00e8res politiques
\nClaudie Servian
\nLa Fronti\u00e8re, facteur d\u2019hybridit\u00e9 dans la danse th\u00e9\u00e2trale \u00e9tats-unienne du d\u00e9but du XXe si\u00e8cle aux ann\u00e9es 1950
\n\u2003<\/p>\n
\nRuxandra Pavelchievici et Didier Revest<\/p>\n
\nEmmanuelle Peraldo \u201cWith this Turkish Slave, I bought the rich Cloaths too\u201d (Roxana: 174): the Global Eighteenth Century and the Thin Boundary between Legal and Illegal Traffic in Defoe\u2019s Narratives
\nFabien Desset The Merging of Physical and Mental Boundaries in Shelley\u2019s Poetry and Prose
\nMaud Delage de Luget Public Transport as Moving Borders in the Works of Ford Madox Ford, E. M. Forster, Virginia Woolf and George Orwell
\nMathilde Rogez La conqu\u00eate de l’Ouest am\u00e9ricain comme horizon de la fronti\u00e8re sud-africaine ? \u00c9critures et r\u00e9\u00e9critures d’un mythe, entre rupture et suture
\nAna M. Alves Exil et fronti\u00e8res chez Nancy Huston
\n\u00c9lodie Trol\u00e9 \u00c0 la fronti\u00e8re du r\u00e9el et de l\u2019imaginaire : h\u00e9t\u00e9rotopie et hybridit\u00e9 dans le roman de Patricia Eakins The Marvelous Adventures of Pierre Baptiste
\nVirginia Allen-Terry Sherman Literary Frontiers in Contemporary American Narratives on Food and Exile: Where Narrators Are Lost and Genres Are Found
\nMohamed Amine Khoudi and Amar Guendouzi The Refugee Crisis, the Border Idea and the Rite\/Right of Passage in Mohsin Hamid\u2019s Exit West (2017)
\nAlexandre Melay \u00ab Spectacularisation \u00bb de la fronti\u00e8re entre art et politique. Un Art du mur comme paradigme du monde contemporain
\nB\u00e9n\u00e9dicte Miyamoto et Marie Ruiz \u00ab Les artistes sont la quintessence du paradigme migratoire \u00bb. Le pouvoir de l\u2019art d\u2019\u00e9branler les fronti\u00e8res politiques
\nClaudie Servian La Fronti\u00e8re, facteur d\u2019hybridit\u00e9 dans la danse th\u00e9\u00e2trale \u00e9tats-unienne du d\u00e9but du XXe si\u00e8cle aux ann\u00e9es 1950
\n\u2003<\/p>\n","protected":false},"excerpt":{"rendered":"