{"id":2811,"date":"2022-10-28T16:36:49","date_gmt":"2022-10-28T14:36:49","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/publication-e-jouve-classiques-garnier-2022\/2811\/"},"modified":"2022-10-28T16:36:49","modified_gmt":"2022-10-28T14:36:49","slug":"publication-e-jouve-classiques-garnier-2022","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/publication-e-jouve-classiques-garnier-2022\/2811\/","title":{"rendered":"Publication: , E. Jouve (Classiques Garnier, 2022)"},"content":{"rendered":"

Cher.e.s tou.te.s,<\/p>\n

Je suis heureuse de vous annoncer la publication de Paradise Now en paradis. Une histoire du Living Theatre \u00e0 Avignon et apr\u00e8s (1968\/2018)<\/em>. L’ouvrage, pr\u00e9fac\u00e9 par Pascal Ory, est publi\u00e9 chez Classiques Garnier.<\/p>\n

4\u00e8me de couverture:
\n\u00c9tude culturelle et esth\u00e9tique, l\u2019ouvrage consid\u00e8re l\u2019\u0153uvre avant-gardiste du Living Theatre, Paradise Now<\/em>, dans son contexte de cr\u00e9ation, celui de 1968 en France, o\u00f9 la troupe fut invit\u00e9e pour participer au Festival d\u2019Avignon alors dirig\u00e9 par Jean Vilar. Le cinquantenaire de la pi\u00e8ce qui, en 2018, fut revisit\u00e9e par des artistes, appelait \u00e0 revenir sur ce spectacle qui marqua l\u2019histoire du th\u00e9\u00e2tre et l\u2019histoire sociopolitique en raison de son r\u00f4le dans les contestations de juillet 1968 dans la Cit\u00e9 des Papes, o\u00f9 se rejouaient les \u00e9v\u00e9nements de mai. En proposant de nouvelles interpr\u00e9tations de la pi\u00e8ce cinquante ans apr\u00e8s sa cr\u00e9ation, les artistes qui nous sont contemporains interrogent la r\u00e9ussite esth\u00e9tique et politique de Paradise Now<\/em>.<\/p>\n

Table des mati\u00e8res: cf. ci-dessous<\/p>\n

Lien vers le site:<\/p>\n

https:\/\/classiques-garnier.com\/paradise-now-en-paradis-une-histoire-du-living-theatre-a-avignon-et-apres-1968-2018.html<\/a><\/p>\n

Bien cordialement,
\nEmeline Jouve<\/p>\n

***TABLE DES MATI\u00c8RES
\nPr\u00e9face<\/strong>
\nIntroduction. \u00ab Des Espaces autres \u00bb<\/strong>
\nProl\u00e9gom\u00e8nes : d\u00e9finition du projet
\nAnnonce du plan<\/em>
\nIntroduction de la m\u00e9thode<\/em>
\nContexte : 1968, le temps des h\u00e9t\u00e9rotopies
\nDevenir-r\u00e9volution : l\u2019utopie du pr\u00e9sent<\/em>
\n\u00ab L\u2019Imagination prend le pouvoir \u00bb : le romantisme agissant<\/em>
\nI. Th\u00e9\u00e2tre de la marge : le Living Theatre, 1947-1967<\/strong>
\n\u00ab Une Histoire du Living Theatre \u00bb : rep\u00e8res chronologiques
\n\u00ab Premiers plans pour un th\u00e9\u00e2tre \u00bb : 1947-1959<\/em>
\nLa transition : 1959-1963<\/em>
\n\u00ab La lib\u00e9ration \u00bb : 1963-1967<\/em>
\nInfluences esth\u00e9tiques : rep\u00e8res th\u00e9oriques
\n\u00ab Au-del\u00e0 du drame \u00bb : le Living Theatre, pr\u00e9curseur du th\u00e9\u00e2tre \u00ab post-dramatique \u00bb<\/em>
\nTh\u00e9\u00e2tre politique : l\u2019influence allemande<\/em>
\nTh\u00e9\u00e2tre de la cruaut\u00e9 : l\u2019h\u00e9ritage d\u2019Artaud<\/em>
\n\u00ab Le corps perdu red\u00e9couvert \u00bb : mystique du corps<\/em>
\nLe spectateur paradisiaque : magie et politique<\/em>
\nII. H\u00e9t\u00e9rotopie de crise : Paradise Now<\/em>, rites et passages<\/strong>
\nTh\u00e9\u00e2tre sacr\u00e9 : voyage int\u00e9rieur
\nParadis sur terre : de l\u2019utopie \u00e0 l\u2019eu-topos, rappels pr\u00e9liminaires sur les origines<\/em>
\nLe magico-religieux : syncr\u00e9tisme spirituel<\/em>
\nTh\u00e9\u00e2tre-performance : au-del\u00e0 de la mimesis<\/em>
\nEffet r\u00e9el : exp\u00e9rience du pr\u00e9sent<\/em>
\nViolence purificatrice<\/em>
\nCorps vibrants<\/em>
\nTh\u00e9\u00e2tre r\u00e9volutionnaire : voyage ext\u00e9rieur
\nTh\u00e9\u00e2tre de r\u00e9ponses ou du devenir-performatif<\/em>
\nLe spectateur \u00e9mancip\u00e9 ?<\/em>
\nIII. \u00ab H\u00e9t\u00e9rotopie de d\u00e9viation \u00bb : Avignon 68 ou la naissance de la trag\u00e9die<\/strong>
\n\u00ab Le R\u00eave et l\u2019Ivresse \u00bb : th\u00e9\u00e2tre populaire, th\u00e9\u00e2tre r\u00e9volutionnaire
\nLe r\u00eave : l\u2019utopie n\u00e9cessaire<\/em>
\nL\u2019ivresse : le th\u00e9\u00e2tre, le peuple, la r\u00e9volution<\/em>
\n\u00ab Le Sublime et le Comique \u00bb : les r\u00e9volutions de juillet
\n1967-1968 : l\u2019invitation du Living Theatre<\/em>
\nMai 68 : la prise de l\u2019Od\u00e9on<\/em>
\nJuin 68 : les \u00ab Satan[s] \u00e0 Avignon \u00bb<\/em>
\nJuillet 68 : trag\u00e9die avignonnaise en trois actes<\/em>
\nLe syndrome d\u2019Antigone : d\u00e9viation et trag\u00e9die moderne
\n\u00ab H\u00e9t\u00e9rotopie de d\u00e9viation \u00bb : de la r\u00e9publique libre \u00e0 la Bastille<\/em>
\nHybris : paradoxes comme fautes tragiques<\/em>
\nIV. 2018, des Paradis aujourd\u2019hui : la survivance des lucioles ?<\/strong>
\n1968-1969 : d\u00e9nouement tragique ou mort des utopies ?
\nConflit des g\u00e9n\u00e9rations : le Living Theatre a-t-il tu\u00e9 le Festival ?<\/em>
\nL\u2019\u00c9norme D\u00e9sespoir : le Festival a-t-il tu\u00e9 le Living Theatre ?<\/em>
\n\u00ab De l\u2019Utopie au d\u00e9senchantement \u00bb : la mort de la culture ?<\/em>
\n2018, \u00ab Le Living Theatre, toujours envie ? \u00bb : un h\u00e9ritage complexe
\nMai<\/em> vs. juillet<\/em>
\nL\u2019\u00c9vanouissement m\u00e9moriel du Living Theatre<\/em>
\n50 ans apr\u00e8s : l\u2019ombre et la lumi\u00e8re ou l\u2019institutionnalisation des h\u00e9t\u00e9rotopies<\/em>
\nParadise Now 2018 : \u00ab des th\u00e9\u00e2tres qui veulent changer le monde \u00bb ?<\/em>
\nConclusion. Paradise Now<\/em> : de l\u2019autre c\u00f4t\u00e9 du miroir<\/strong>
\nBibliographie<\/strong>
\nIndex<\/strong>
\nTable des illustrations<\/strong>
\nTable des mati\u00e8res<\/strong><\/p>\n

Emeline Jouve<\/p>\n

Professeure des Universit\u00e9s
\nTh\u00e9\u00e2tre \u00e9tasunien
\nUniversit\u00e9 Toulouse-Jean Jaur\u00e8s, France
\nLaboratoire CAS<\/p>\n

https:\/\/cas.univ-tlse2.fr\/accueil-cas\/membres\/emeline-jouve<\/a><\/p>\n

\"AIorK4yKYhr__COVOCIjkfvBjTlM89omRBPKeYyd3UWJgdJ7Ig_NwEbaxIV9M3QJZPcOcs8sD52omcA\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Cher.e.s tou.te.s, Je suis heureuse de vous annoncer la publication de Paradise Now en paradis. Une histoire du Living Theatre […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[1099,575],"class_list":["post-2811","post","type-post","status-publish","format-standard","hentry","category-publication","tag-paradis","tag-theatre"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Cher.e.s tou.te.s, Je suis heureuse de vous annoncer la publication de Paradise Now en paradis. Une histoire du Living Theatre […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2811"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2811"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2811\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}