Cher.e.s coll\u00e8gues,<\/p>\n
Nous avons le plaisir de vous annoncer la parution du nouveau num\u00e9ro de la revue R\u00e9sonances<\/em> autour du th\u00e8me \u00ab femmes et pouvoir \u00bb.<\/p>\n Bien \u00e0 vous, Pour tout renseignement, merci d\u2019\u00e9crire \u00e0 l\u2019adresse resonances.association<\/p>\n R\u00c9SONANCES<\/em>, Num\u00e9ro 19, \u00ab Femmes et pouvoir\/Women and Power \u00bb<\/p>\n SOMMAIRE<\/strong> \u2022 Femmes et pouvoir<\/p>\n Marie Penin<\/p>\n \u2022 Pr\u00e9face<\/p>\n Hanane Boutenbat<\/p>\n \u2022 Historique pour \u201cL\u2019Indompt\u00e9e\u201d (illustration de la couverture)<\/p>\n MarieDanielle Koechlin<\/p>\n \u2022 Introduction<\/p>\n Hanane Boutenbat, Stephanie Genty, Patrycja Kurjatto-Renard, G\u00e9rald Pr\u00e9her<\/p>\n STRAT\u00c9GIES DE R\u00c9SISTANCE AU POUVOIR PATRIARCAL <\/strong><\/p>\n \u2022 Les Anglaises : Sujets ou objets \u00e0 l\u2019\u00e8re des Lumi\u00e8res ?<\/p>\n Guyonne Leduc<\/p>\n \u2022 Three Women\u2019s Empowerment in the Novels of Thomas Clayton Wolfe<\/p>\n Am\u00e9lie Moisy<\/p>\n \u2022 \u201cWoman is the Nigger of the World\u201d (John Lennon, 1972): Working-Class Women and Power in British Cinema (1959-2020)<\/p>\n Anne-Lise Marin-Lamellet<\/p>\n \u2022 L\u2019expression du pouvoir f\u00e9minin noir am\u00e9ricain dans les blues de Bessie Smith et de Langston Hughes<\/p>\n Christine Dual\u00e9<\/p>\n \u2022 Le double entendre <\/em>ou le pouvoir de la femme noire dans l\u2019ordre du discours : \u201cThe Free Black Woman\u201d (2005) d\u2019Akiba Solomon<\/p>\n Fran\u00e7oise Clary<\/p>\n DU POUVOIR PATRIARCAL<\/strong><\/p>\n \u00c0 LA R\u00c9VISION DE LA NOTION DE POUVOIR <\/strong>123<\/p>\n \u2022 From Rome to Rome: Margaret Fuller\u2019s Revolutions<\/p>\n Yves Carlet<\/p>\n \u2022 Carabine & Pistole Niki de Saint Phalle & Valerie Solanas<\/p>\n Jacques Charles<\/p>\n \u2022 Reflections on Beyond Power: On Women, Men and Morals <\/em>(1985) by Marilyn French<\/p>\n Stephanie Genty<\/p>\n \u2022 Power and Change in Adrienne Rich\u2019s Poetry, or Toward a Female Alternative Vision of Power<\/p>\n Patricia Godi<\/p>\n \u2022 \u201cWe\u2019ll keep cutting\u201d: Mountainous Hunger or Power in Ron Rash\u2019s Serena <\/em>(2008)<\/p>\n Fr\u00e9d\u00e9rique Spill<\/p>\n LE POUVOIR DE L\u2019\u00c9CRITURE<\/strong><\/p>\n \u2022 Feminism, Femininity and the Empowerment of Women in Maya Rodale\u2019s Gilded Age Girls Club <\/em>series<\/p>\n Inmaculada P\u00e9rez-Casal<\/p>\n \u2022 Desperate Powerfulness or Powerful Desperation: The Female Body in Melanie Wallace\u2019s Blue Horse Dreaming <\/em>(2003)<\/p>\n Ineke Jolink<\/p>\n \u2022 A Woman\u2019s Performance: The Masquerade of Power in Joyce Carol Oates\u2019s Mudwoman <\/em>(2013)<\/p>\n St\u00e9phanie Ida M. Maerten<\/p>\n \u2022 Effacements et rayonnements de l\u2019artiste contemporaine : pouvoirs de la cr\u00e9ation transg\u00e9n\u00e9rique dans The Blazing World <\/em>(2014) de Siri Hustvedt<\/p>\n Julie Beynel<\/p>\n VARIA<\/strong><\/p>\n \u2022 P\u00e9rilleux jeux et enjeux du \u201cclair-obscur\u201d : l\u2019art du non-dit dans Passing <\/em>de Nella Larsen, entre esth\u00e9tique narrative et strat\u00e9gie identitaire<\/p>\n Val\u00e9rie Croisille<\/p>\n \u2022 Les corps au miroir dans les romans de Laura Kasischke<\/p>\n Claire Fabre-Clark<\/p>\n \u2022 Traveller Singing in the Dark<\/p>\n Helen E. Mundler<\/p>\n \u2022 Choix de po\u00e8mes<\/p>\n Marie Penin<\/p>\n \u2022 Recensions d\u2019ouvrages<\/p>\n \u2022 Revue R\u00e9sonances <\/em>: sommaires des num\u00e9ros pr\u00e9c\u00e9dents<\/p>\n","protected":false},"excerpt":{"rendered":" Cher.e.s coll\u00e8gues, Nous avons le plaisir de vous annoncer la parution du nouveau num\u00e9ro de la revue R\u00e9sonances autour du […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[1088,898,1087],"class_list":["post-2800","post","type-post","status-publish","format-standard","hentry","category-publication","tag-femmes","tag-pouvoir","tag-resonances"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Cher.e.s coll\u00e8gues, Nous avons le plaisir de vous annoncer la parution du nouveau num\u00e9ro de la revue R\u00e9sonances autour du […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2800"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2800"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2800\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nHanane Boutenbat, Stephanie Genty, Patrycja Kurjatto-Renard, G\u00e9rald Pr\u00e9her<\/p>\n
\nLiminaires<\/strong><\/p>\n