{"id":2743,"date":"2022-10-10T22:50:19","date_gmt":"2022-10-10T20:50:19","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/publ-the-real-in-fiction-representations-dans-le-monde-anglophone-2022-2\/2743\/"},"modified":"2022-10-10T22:50:19","modified_gmt":"2022-10-10T20:50:19","slug":"publ-the-real-in-fiction-representations-dans-le-monde-anglophone-2022-2","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/publ-the-real-in-fiction-representations-dans-le-monde-anglophone-2022-2\/2743\/","title":{"rendered":"PUBL : The Real in Fiction – Repr\u00e9sentations dans le monde anglophone 2022.2"},"content":{"rendered":"

Ch\u00e8res et chers coll\u00e8gues,<\/p>\n

Nous avons le plaisir de vous annoncer la mise en ligne du dernier num\u00e9ro de Repr\u00e9sentations dans le monde anglophone<\/em>, intitul\u00e9 The Real in fiction<\/em>, sous la direction d’Anne-Laure Tissut. Vous le trouverez \u00e0 l’adresse suivante :<\/p>\n

https:\/\/representations.univ-grenoble-alpes.fr\/The-Real-in-Fiction<\/a><\/p>\n

Ci-dessous le sommaire de ce num\u00e9ro, dont nous vous souhaitons bonne lecture.<\/p>\n

Bien cordialement,<\/p>\n

Claire Maniez et Estelle Rivier-Arnaud (LISCA, Universit\u00e9 Grenoble Alpes)<\/p>\n

The Real in Fiction<\/em><\/p>\n

Introduction<\/a>
\nAnne-Laure Tissut<\/p>\n

The Concept of Contamination in Transuniverse Relations : Napoleon in a Fictional World<\/a>
\nArnaud Schmitt<\/p>\n

\u201cThe texture of et cetera\u201d \u2013 synchronizing with the blurry real in 21st century artists\u2019 novels (Sheila Heti, Ben Lerner, Kate Zambreno)<\/a>
\nYannicke Chupin<\/p>\n

Off-Centring the Real in Postcolonial Fiction<\/a>
\nArijana Luburi\u0107-Cvijanovi\u0107<\/p>\n

The Dark Side of Branding : Language and the Real in Colson Whitehead\u2019s Apex Hides the Hurt<\/em> (2006)<\/a>
\nMichel Feith<\/p>\n

Kind One<\/em> by Laird Hunt, or a tale of a real twice lost : writing the individual and collective memory of slavery<\/a>
\nAnne-Julie Debare<\/p>\n

\u201cMissing people never make sense\u201d : Don DeLillo\u2019s Point Omega<\/em> or, Addressing the Terroristic Real to Oneself<\/a>
\nKarim Daanoune<\/p>\n

Introduction to Character<\/em> by Paul Heintz<\/a>
\nFlorian Beauvallet<\/p>\n

Character<\/em> (excerpts)*<\/a>
\nPaul Heintz<\/p>\n

The Realism of Speculative Fiction : Planetary Polyphony and Scale in Kim Stanley Robinson\u2019s The Ministry for the Future <\/em><\/a>
\nPierre-Louis Patoine<\/p>\n

Reception and the Real in the Reception of 20th and 21st Century American Short Fiction : Robert Coover\u2019s \u201cThe Babysitter\u201d (1969), Ben Marcus\u2019s \u201cCold Little Bird\u201d (2018) and Brian Evenson\u2019s \u201cBorn Stillborn\u201d (2019)<\/a>
\nMaud Bougerol<\/p>\n

Wargames as realistic tabletop simulations of fictional events : the case of Warhammer games<\/a>
\nMartin Buthaud<\/p>\n

* Our warmest thanks go to artist Paul Heintz and the Extensibles publishing house for having generously allowed the reproduction of excerpts from Character<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la mise en ligne du dernier num\u00e9ro de Repr\u00e9sentations […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[115,1027,1028],"class_list":["post-2743","post","type-post","status-publish","format-standard","hentry","category-publication","tag-fiction","tag-revue-representations-dans-le-monde-anglophone","tag-the-real"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la mise en ligne du dernier num\u00e9ro de Repr\u00e9sentations […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2743"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2743"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2743\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}