(Version fran\u00e7aise ci-dessous)<\/p>\n
Collective Seminar: Aesthetic(s) of Secrecy (2022-2024)<\/strong><\/p>\n Centre Pompidou, Biblioth\u00e8que Kandinsky\u2014DEMOSERIES, University of Paris 1 Panth\u00e9on-Sorbonne<\/strong> Presentation:<\/strong> Session 1. The Art of Concealment: Disguise and Gadgets<\/strong> Wigs, costumes, poisoned lipstick, booby-trapped pens: this inaugural session questions disguise as a process, in both the spy\u2019s and artist\u2019s work.<\/em><\/p>\n With Jonna Mendez<\/strong>, former Chief of Disguise at the CIA; Anna Slafer<\/strong>, International Spy Museum, Washington, D.C.; Brice Dellsperger<\/strong>, artist.<\/p>\n Registration: https:\/\/bk.reservio.com\/events\/f192f6a9-5028-4996-a4b9-b64f04805b92\/<\/a><\/p>\n This seminar will be held on 13 October 2022<\/strong>, 1 December 2022<\/strong>, 2 February 2023<\/strong>, 6 April 2023<\/strong>, and 1 June 2023<\/strong> from 18:30 to 20:30 <\/strong>at the Kandinsky Library (Centre Pompidou, 3rd floor). For full program, please see attached file.<\/p>\n Collective seminar under the responsibility of:<\/strong> The seminar is part of the ERC DEMOSERIES research program (University of Paris 1 Panth\u00e9on-Sorbonne\/European Research Council)<\/p>\n Coordination<\/strong> : Thomas Bertail (art historian, Biblioth\u00e8que Kandinsky, Centre Pompidou); Anastasia Krutikova (DEMOSERIES, Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne).<\/p>\n For more information, please contact Thomas.BERTAIL<\/p>\n ***<\/p>\n S\u00e9minaire collectif : \u00ab Esth\u00e9tique(s) du secret \u00bb (2022-2024)<\/strong><\/p>\n Centre Pompidou, Biblioth\u00e8que Kandinsky\u2013DEMOSERIES, Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne<\/strong> Pr\u00e9sentation<\/strong> Perruque, costume, rouge \u00e0 l\u00e8vre empoisonn\u00e9, stylo pi\u00e9g\u00e9 : cette s\u00e9ance inaugurale questionne la dissimulation comme proc\u00e9d\u00e9, chez l\u2019espion ou l\u2019artiste.<\/em><\/p>\n Avec : Jonna Mendez<\/strong>, ancienne Chief of Disguise de la CIA ; Anna Slafer<\/strong>, International Spy Museum ; Brice Dellsperger<\/strong>, artiste.<\/p>\n
\nwith the support of the European Research Council (ERC)<\/strong><\/p>\n
\nWhether it\u2019s the James Bond saga, the series The Bureau<\/em> or Homeland<\/em>, or films like The Conversation<\/em> or Zero Dark Thirty<\/em>, the secret world of espionage fascinates. This attraction to the occult, in the literal sense, often intersects with artistic creation, in works like Marcel Duchamp’s \u00c0 bruit secret<\/em> (1916), a mysterious object of desire, or Ren\u00e9 Magritte’s The double secret<\/em> (1927), a paradoxical materialization of the invisible. Drawing on popular culture and the collections and archives held by the Centre Pompidou, from Guy de Cointet to Jill Magid and Mark Lombardi, the seminar \u2018Aesthetic(s) of Secrecy\u2019 puts the world of espionage and artistic creation in dialogue through unprecedented exchanges between intelligence professionals, artists, art historians, and exhibition curators. The first cycle of the seminar (2022-2023) will focus on the processes, means or techniques deployed both by spies and artists. Disguises, gadgets, optical and surveillance devices, coded language, plots (real or imaginary), top secret buildings: the seminar will explore the art of concealment in a variety of its manifestations and materializations. The second cycle (2023-2024) will place art and creators at the heart of past and present ideological confrontations by questioning the modalities of \u2018cultural wars\u2019 (by exploring topics such as artist-spy; propaganda and influence; resistance, etc.).<\/p>\n
\n13 October 2022, 18:30-20:30<\/strong><\/p>\n
\nNicolas Liucci-Goutnikov (curator, head of the Kandinsky Library, Centre Pompidou), Pauline Blist\u00e8ne (philosopher and political scientist, DEMOSERIES, University of Paris 1 Panth\u00e9on-Sorbonne), and Tatsiana Zhurauliova (art historian, DEMOSERIES, University of Paris 1 Panth\u00e9on-Sorbonne).<\/p>\n
\navec le soutien du Conseil Europ\u00e9en de la Recherche (ERC)<\/strong><\/p>\n
\nDe la saga James Bond aux s\u00e9ries Le Bureau des l\u00e9gendes<\/em> ou Homeland<\/em>, sans oublier les films Conversation secr\u00e8te<\/em> ou Zero Dark Thirty<\/em>, le monde secret de l\u2019espionnage fascine. Cet attrait pour l\u2019occulte, au sens propre, traverse \u00e9galement la cr\u00e9ation artistique, \u00e0 l\u2019instar d\u2019\u00c0 bruit secret<\/em>, de Marcel Duchamp (1916), myst\u00e9rieux objet de convoitise, ou du Double secret<\/em> de Ren\u00e9 Magritte (1927), mat\u00e9rialisation paradoxale de l\u2019invisible. Prenant appui sur la culture populaire tout en puisant dans les collections ou fonds d\u2019archives conserv\u00e9s par le Mus\u00e9e national d\u2019art moderne\/Centre Pompidou (MNAM), de Guy de Cointet \u00e0 Jill Magid, en passant par Mark Lombardi, le s\u00e9minaire \u00ab Esth\u00e9tique(s) du secret \u00bb met en dialogue univers de l\u2019espionnage et cr\u00e9ation artistique \u00e0 travers des \u00e9changes in\u00e9dits entre professionnels du renseignement, d\u2019une part, et artistes, historiens d\u2019art ou commissaires d\u2019exposition, d\u2019autre part. Un premier cycle (2022-2023) s\u2019int\u00e9ressera aux proc\u00e9d\u00e9s, moyens ou techniques d\u00e9ploy\u00e9s par l\u2019espion et les bureaucraties du secret, et manifestes dans certaines pratiques artistiques modernes et contemporaines. D\u00e9guisements, gadgets, dispositifs optiques et de surveillance, langage cod\u00e9, complots (r\u00e9els ou imaginaires), b\u00e2timents secret-d\u00e9fense : seront ainsi esquiss\u00e9es les limites sensibles de cet art de la dissimulation, humaine ou technologique. L\u2019ann\u00e9e suivante (2023-2024) replacera l\u2019art et les cr\u00e9ateurs au c\u0153ur des confrontations id\u00e9ologiques pass\u00e9es et pr\u00e9sentes en interrogeant les modalit\u00e9s des \u00ab guerres culturelles \u00bb (artiste-espion ; propagande et influence ; r\u00e9sistances).
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\nS\u00e9ance 1. L\u2019art de la dissimulation : d\u00e9guisements et gadgets
\n13 octobre 2022, de 18h30 \u00e0 20h30 <\/strong><\/p>\n