{"id":2640,"date":"2022-09-27T11:12:19","date_gmt":"2022-09-27T09:12:19","guid":{"rendered":"https:\/\/afea.fr\/news\/?p=2640"},"modified":"2022-09-27T11:17:10","modified_gmt":"2022-09-27T09:17:10","slug":"je-penser-lintermedialite-la-transmedialite-aux-ameriques","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/cfp\/je-penser-lintermedialite-la-transmedialite-aux-ameriques\/2640\/","title":{"rendered":"JE Penser l’interm\u00e9dialit\u00e9 \/ la transm\u00e9dialit\u00e9 aux Am\u00e9riques"},"content":{"rendered":"

Dans le cadre du r\u00e9seau th\u00e9matique IDA p\u00f4le Nord-Est \u00ab\u00a0Ecrire la peinture dans les Am\u00e9riques, 1920-2020\u00a0\u00bb, Nathalie Galland-Boudon et H\u00e9l\u00e8ne Gaillard organisent \u00e0 l’Universit\u00e9 de Bourgogne (amphith\u00e9\u00e2tre de la MSH) le 20 janvier 2023 la journ\u00e9e d’\u00e9tude \u00ab\u00a0Penser l’interm\u00e9dialit\u00e9 \/ la transm\u00e9dialit\u00e9 aux Am\u00e9riques\u00a0\u00bb, et vous prient de trouver l’appel \u00e0 communications en pi\u00e8ce-jointe. La date butoir d’envoi des propositions est \u00e9tendue jusqu’au 10 octobre 2022.<\/p>\n

Texte_Penser_lintermedialite_aux_Ameriques_.pdf<\/a><\/p>\n

—<\/p>\n

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Candice LEMAIRE
Ma\u00eetre de conf\u00e9rences<\/span><\/div>\n
Responsable de L2 LLCE (D\u00e9partement d’anglais)<\/span><\/div>\n
Correspondante Alliance FORTHEM (UFR Langues et Communication)\u00a0<\/span>https:\/\/www.forthem-alliance.eu\/<\/a>\u00a0<\/span>
<\/span><\/div>\n
Co-directrice de l’\u00e9quipe de recherche \u00ab\u00a0Image et Critique\u00a0\u00bb<\/span><\/div>\n
Centre Interlangues – Texte, Image, Langage (EA 4182)<\/span><\/div>\n
Univ. Bourgogne Franche-Comt\u00e9, F-21000, Dijon<\/span><\/div>\n
Page recherche :\u00a0https:\/\/til.u-bourgogne.fr\/equipe\/enseignants-chercheurs\/3-equipes\/enseignants-chercheurs\/365-candice-lemaire.html<\/a>\u00a0<\/span><\/div>\n
Email :\u00a0<\/span>cpr.lemaire@gmail.com<\/a>\u00a0\/\u00a0<\/span>candice.lemaire@u-bourgogne.fr<\/a>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Dans le cadre du r\u00e9seau th\u00e9matique IDA p\u00f4le Nord-Est \u00ab\u00a0Ecrire la peinture dans les Am\u00e9riques, 1920-2020\u00a0\u00bb, Nathalie Galland-Boudon et H\u00e9l\u00e8ne […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[99],"tags":[925,924,926,928,927],"class_list":["post-2640","post","type-post","status-publish","format-standard","hentry","category-cfp","tag-1920-2020","tag-amerique","tag-intermedialitie","tag-peinture","tag-transmedialite"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Dans le cadre du r\u00e9seau th\u00e9matique IDA p\u00f4le Nord-Est \u00ab\u00a0Ecrire la peinture dans les Am\u00e9riques, 1920-2020\u00a0\u00bb, Nathalie Galland-Boudon et H\u00e9l\u00e8ne […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2640"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2640"}],"version-history":[{"count":4,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2640\/revisions"}],"predecessor-version":[{"id":2647,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2640\/revisions\/2647"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}