{"id":2518,"date":"2022-09-07T11:26:25","date_gmt":"2022-09-07T09:26:25","guid":{"rendered":"https:\/\/afea.fr\/news\/cfp\/cfp-iconomorphoses-universite-de-bourgogne-mars-2023\/2518\/"},"modified":"2022-09-07T11:34:49","modified_gmt":"2022-09-07T09:34:49","slug":"cfp-iconomorphoses-universite-de-bourgogne-mars-2023","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/cfp\/cfp-iconomorphoses-universite-de-bourgogne-mars-2023\/2518\/","title":{"rendered":"CFP Iconomorphoses, Universit\u00e9 de Bourgogne, mars 2023"},"content":{"rendered":"

APPEL \u00c0 COMMUNICATIONS<\/strong>
\nColloque international<\/strong>
\nUniversit\u00e9 de Bourgogne, 16 et 17 mars 2023<\/strong><\/p>\n

ICONOMORPHOSES : APPROPRIATION, ETHIQUE ET PARTAGE<\/strong><\/p>\n

Conf\u00e9rencier\u00b7\u00e8res invit\u00e9\u00b7es :<\/strong><\/p>\n

Natalie Bookchin (artiste, \u00c9tats-Unis), Sin\u00e9ad Morrissey (po\u00e9tesse, Irlande du Nord)<\/strong>
\net Juan Mart\u00edn Prada (Universit\u00e9 de Cadix, Espagne) <\/strong><\/p>\n

L\u2019\u00e9quipe Image & critique<\/em> du laboratoire TIL (EA 4182) de l\u2019Universit\u00e9 de Bourgogne organise un colloque international trilingue (anglais\/espagnol \/fran\u00e7ais) qui portera sur nos nouvelles relations aux images telles qu\u2019elles sont d\u00e9finies par les pratiques techniques et mat\u00e9rielles contemporaines. Il s\u2019inscrit dans le cadre g\u00e9n\u00e9ral des humanit\u00e9s num\u00e9riques et prolonge les travaux entam\u00e9s dans le s\u00e9minaire \u00ab M\u00e9tamorphoses des images \u00bb. Nous invitons enseignant\u00b7es-chercheur\u00b7euses et doctorant\u00b7es, praticien\u00b7nes, ing\u00e9nieur\u00b7es de recherche et artistes \u00e0 proposer leurs r\u00e9flexions sur les po\u00e9tiques, techniques et m\u00e9thodes de r\u00e9appropriation et d\u2019humanisation qui se consolident dans le domaine des arts graphiques et visuels, de la litt\u00e9rature et de l\u2019interm\u00e9dialit\u00e9. Nous sollicitons des propositions de communications portant sur les axes suivants, sans excepter d\u2019autres perspectives \u00e9ventuelles :<\/p>\n

Appropriation et adaptation : <\/strong>la d\u00e9mat\u00e9rialisation des donn\u00e9es, l\u2019intelligence artificielle ou encore l\u2019enrichissement de l\u2019\u00e9dition r\u00e9volutionnent nos protocoles de recherche, nos m\u00e9thodes de traitement d\u2019archives et de corpus, ainsi que la transmission des savoirs. Les chercheur\u00b7euses en SHS sont incit\u00e9\u00b7es ou contraint\u00b7es \u00e0 adapter leurs pratiques d\u2019enseignement, de recherche et d\u2019encadrement de la recherche. Ce colloque s\u2019int\u00e9ressera aux modalit\u00e9s de cette adaptation, qu\u2019elle porte sur les transformations de nos formations (par exemple la multiplication des th\u00e8ses mixtes), les relations entre SHS et sciences \u00ab dures \u00bb, ou les bouleversements herm\u00e9neutiques induits par les nouvelles visualisations de nos corpus. Ces interrogations ne seront pas limit\u00e9es au monde de la recherche mais tiendront compte des formes artistiques d\u2019hybridation qui elles aussi refl\u00e8tent ces modalit\u00e9s adaptatives.<\/p>\n

Ethique, corpor\u00e9it\u00e9 et \u00e9cocritique<\/strong> : \u00e0 rebours d\u2019une vision du tout immat\u00e9riel, ce colloque abordera les nouvelles modalit\u00e9s haptiques et relationnelles et les nouveaux modes d\u2019appr\u00e9hension de la mat\u00e9rialit\u00e9 qui permettent non seulement d\u2019humaniser le num\u00e9rique mais de cr\u00e9er des pratiques de rem\u00e9diation, dans les domaines de la r\u00e9alit\u00e9 augment\u00e9e, de l\u2019immersion ou encore des disability studies<\/em>. En adoptant une approche environnementale et \u00e9cocritique, il s\u2019agira aussi d\u2019interroger nos captivit\u00e9s digitales devenues hypnotiques dans la perspective de rendre ce monde hyperconnect\u00e9 habitable. La relation entre le num\u00e9rique et l\u2019image n\u2019est pas ici envisag\u00e9e comme une solution mais comme une pratique \u00e0 interroger, enrichir et faire \u00e9voluer dans divers domaines d\u2019application, de l\u2019art, \u00e0 la mus\u00e9ologie et \u00e0 l\u2019enseignement.<\/p>\n

Partage et r\u00e9appropriation<\/strong> : ce colloque propose enfin d\u2019envisager de nouvelles po\u00e9tiques de l\u2019appropriation et de la r\u00e9\u00e9criture, et de r\u00e9fl\u00e9chir \u00e0 leur articulation avec une \u00e9thique du partage et de l\u2019\u00e9change (pratiques participatives, coop\u00e9ration, cultures libres). Il accueillera des communications portant par exemple sur la r\u00e9appropriation des images partag\u00e9es et pass\u00e9es par le filtre des algorithmes, ou encore sur les avanc\u00e9es de la science ouverte. L\u2019hyperconnectivit\u00e9 et la surexposition des vies ouvrent, pour le monde de l\u2019art, une porte immense sur les po\u00e9tiques du partage ou du \u00ab braconnage \u00bb (car ce sont parfois des morceaux de vie glan\u00e9s sur les r\u00e9seaux sociaux qui sont r\u00e9cup\u00e9r\u00e9s et remodel\u00e9s). Il pourra ici \u00eatre question d\u2019\u00e9valuer les apports et les limites des pratiques de recherche et de cr\u00e9ation, mais aussi de mettre en lumi\u00e8re leur impact sur la communaut\u00e9 des chercheur\u00b7euses, des artistes et des praticien\u00b7nes du num\u00e9rique.<\/p>\n

Les r\u00e9sum\u00e9s de 300 mots environ<\/strong> (en anglais, en espagnol ou en fran\u00e7ais) accompagn\u00e9s d\u2019une biobibliographie sont \u00e0 faire parvenir pour le 30 septembre 2022 <\/strong>aux adresses suivantes : iconomorphosesetmyriam.segura
\nRetour : 31 octobre 2022<\/strong>
\nLe programme sera fix\u00e9 en d\u00e9cembre 2022<\/strong>
\nSoumission des articles \u00e0 publication : 1er septembre 2023<\/strong>
\nComit\u00e9 scientifique : <\/strong>Emmanuel Alloa, Laurent Baridon, Olivier Bonfait, Martine Clouzot, B\u00e9atrice Joyeux-Prunel, Marie-Laure Massot, Federico Nurra, Julien Schuh<\/strong><\/strong><\/p>\n

Comit\u00e9 d\u2019organisation : <\/strong>Sophie Aymes, B\u00e9n\u00e9dicte Coste, Sarah Hucy, Asma Laater, Candice Lemaire, Laureano Montero, Judite Rodrigues-Balbuena, Christelle Ser\u00e9e-Chaussinand<\/p>\n

Sites web des conf\u00e9rencier\u00b7\u00e8res invit\u00e9\u00b7es : <\/strong><\/p>\n

Natalie Bookchin : https:\/\/bookchin.net\/<\/a><\/p>\n

Sin\u00e9ad Morrissey : https:\/\/www.carcanet.co.uk\/cgi-bin\/indexer?owner_id=511<\/a><\/p>\n

Juan Mart\u00edn Prada : https:\/\/www.juanmartinprada.net\/<\/a><\/p>\n

Bibliographie indicative :<\/strong><\/p>\n

Acland Charles R. et Eric Hoyt (dir.). The Arclight Guidebook to Media History and the Digital Humanities<\/em>. Reframe Books, 2016. URL : https:\/\/projectarclight.org\/wp-content\/uploads\/ArclightGuidebook.pdf<\/a><\/p>\n

Baudry, Julien. Cases-pixels. Une histoire de la BD num\u00e9rique en France<\/em>. Tours : Presses Universitaires Fran\u00e7ois-Rabelais, 2018.<\/p>\n

Bihanic, David. Data design. Les donn\u00e9es comme mat\u00e9riau de cr\u00e9ation<\/em>. Paris : Alternatives ; Fondation EDF, 2018.<\/p>\n

\u2014. New Challenges for Data Design<\/em>. Londres: Springer, 2015<\/p>\n

Bonfait, Olivier, Antoine Courtin et Anne Klammt (dir.). \u00ab Humanit\u00e9s num\u00e9riques : de nouveaux r\u00e9cits en histoire de l\u2019art ? \u00bb. <\/strong>Histoire de l\u2019art<\/em> 87 (juin 2021).<\/p>\n

Citton, Yves. L\u2019avenir des humanit\u00e9s. Economie de la connaissance ou cultures de l\u2019interpr\u00e9tation ?<\/em> Paris : \u00c9ditions La D\u00e9couverte, 2010.<\/p>\n

\u2014. \u00ab Humanit\u00e9s num\u00e9riques. Une m\u00e9diapolitique des savoirs encore \u00e0 inventer \u00bb. Multitudes<\/em> 2015\/2 (n\u00b0 59) : 169-180. URL : https:\/\/www.cairn.info\/revue-multitudes-2015-2-page-169.htm<\/a><\/p>\n

Dacos, Marin et Pierre Mounier. Humanit\u00e9s num\u00e9riques : \u00c9tat des lieux et positionnement de la recherche fran\u00e7aise dans le contexte international<\/em>. [Rapport de recherche]. Institut fran\u00e7ais, 2015.<\/p>\n

Drucker, Johanna. Graphesis: Visual Forms of Knowledge Production<\/em>. Cambridge : Harvard University Press, 2014.<\/p>\n

\u2014. The Digital Humanities Coursebook: An Introduction to Digital Methods for Research and Scholarship.<\/em> Londres & New York: Routledge, 2021.<\/p>\n

\u2014. Visualization and Interpretation: Humanistic Approaches to Display<\/em>. Cambridge, Mass. : The MIT Press, 2020.<\/p>\n

Gemenne, Fran\u00e7ois et Aleksandar Rankovic. Atlas de l\u2019anthropoc\u00e8ne. Atelier de cartographie de Sciences Po<\/em>. Paris : Presses de Sciences Po, 2019.<\/p>\n

Gobert, Thierry (dir.). \u00ab Partage, \u00e9change, contribution, participation (I) \u00bb.Interfaces num\u00e9riques<\/em> 8:3 (2019). URL : https:\/\/www.unilim.fr\/interfaces-numeriques\/3979<\/a><\/p>\n

Kurgan, Laura. Si loin, si proche. Cartographie, technologie et politique<\/em>. 2013. Dijon : Les Presses du R\u00e9el, 2021. Trad. de l\u2019anglais Jean-Fran\u00e7ois Caro.<\/p>\n

Manovich, Lev. Cultural Analytics<\/em>. Cambridge, Mass.: <\/a>The MIT Press, 2020.<\/p>\n

\u2014. Software Takes Command<\/em>. New York : Bloomsbury Academic, 2013.<\/p>\n

Mart\u00edn Prada, Juan. El ver y las im\u00e1genes en el tiempo de Internet<\/em>. Editorial AKAL : Colecci\u00f3n Estudios Visuales, 2018.<\/p>\n

Mart\u00edn Prada, Juan (dir.). Art, Images and Network Culture<\/em>. [S\u00e9ville] : Aula Magna-McGraw Hill, 2021. URL: https:\/\/www.juanmartinprada.net\/textos\/Juan_Martin_Prada_BOOK_ART_IMAGES_AND_NETWORK_CULTURE.pdf<\/a><\/p>\n

Parisi. David. Archaeologies of Touch: Interfacing with Haptics from Electricity to Computing<\/em>. Minneapolis, [Minnesota]; Londres : University of Minnesota Press, 2018.<\/p>\n

Raux, Sophie et Daniel Dubuisson. \u00c0 perte de vue<\/em>. Les nouveaux paradigmes du visuel<\/em>. Dijon : Les Presses du R\u00e9el, 2015.<\/p>\n

Renoue, Marie et Anne Beyaert-Geslin (dir.). \u00ab L\u2019image artistique \u00e0 l\u2019\u00e8re de la reproduction num\u00e9rique : S\u00e9miotique visuelle et interfaces \u00bb. Interfaces num\u00e9riques<\/em> 2 :2 (2013). URL : https:\/\/www.unilim.fr\/interfaces-numeriques\/1639<\/a><\/p>\n

Schreibman, Susan, Ray Siemens et John Unsworth (dir.). A New Companion to Digital Humanities<\/em>. Malden, MA ; Chichester, West Sussex : Wiley\/Blackwell, 2016.<\/p>\n

Svensson, Patrik et David Theo Goldberg (dir.). Between Humanities and the Digital<\/em>. Cambridge, Mass. ; Londres : The MIT Press, 2015.<\/p>\n

******************************<\/p>\n

CALL FOR PAPERS<\/strong>
\nInternational conference<\/strong>
\nUniversit\u00e9 de Bourgogne, 16 & 17 March 2023<\/strong><\/p>\n

ICONOMORPHOSIS: APPROPRIATION, ETHICS AND SHARING<\/strong><\/p>\n

Keynote speakers:<\/strong><\/p>\n

Natalie Bookchin (artist, USA),Sin\u00e9ad Morrissey (poet, Northern Ireland)<\/strong>
\nand Juan Mart\u00edn Prada (University of <\/strong>C\u00e1diz<\/em>, Spain)<\/strong><\/p>\n

The TIL<\/em> research centre (EA 4182) of the Universit\u00e9 de Bourgogne (France) is organizing a trilingual (French-English-Spanish) international conference on our new relationships with images as defined by contemporary technical and material practices within the framework of Digital Humanities. The conference follows the sessions of the seminar \u201cMetamorphosis of images\u201d held by the Image & critique<\/em> team of TIL<\/em>. We invite academics and PhD students, practitioners, research engineers and artists to contribute papers on the poetics, techniques and methods of reappropriation and humanization that have taken root in literary studies, visual studies, art and intermediality. The papers may explore the following themes in this non-exhaustive list:<\/p>\n

Appropriation and adaptation: <\/strong>datafication, artificial intelligence and editorial enrichment are revolutionizing our research protocols, our methods for treating archives and corpuses, and the transmission of knowledge. Scholars in the Humanities are being encouraged or compelled to adapt their teaching, research and mentoring practices. This conference seeks to address the nature and scope of such adaptation and its consequences on higher education (up to mixed-research PhD programmes), the relations between the Humanities and \u201chard\u201d sciences, as well as the hermeneutic shifts induced by new ways of visualizing our corpus of materials. Beyond the world of academia, the papers should also discuss how such issues are reflected in hybrid artistic practices.<\/p>\n

Ethics, physicality and ecocriticism:<\/strong> against a vision of total dematerialization, this conference aims to tackle new haptic and relational modalities, and new ways of engaging with materiality that make it possible to humanize the digital and foster remedial practices in such areas as augmented reality, immersion and disability studies. From an environmental and ecocritical perspective, papers may examine how we can dwell in our hyperconnected world instead of being confined to digital addiction. In this sense, the conference does not seek to advocate the relation between images and the digital as a panacea but to discuss practices that should be questioned, enriched and monitored in a variety of areas, from art to museology and teaching.<\/p>\n

Sharing and reappropriating:<\/strong> the conference also welcomes papers that deal with new poetics of reappropriation and reprise in order to see how they tie in with an ethics of sharing and exchange (as participatory practices and forms of cooperation and free culture). Contributions may focus on the reappropriation of shared or algorithm-processed images, or the advances of open science; or on how hyperconnectivity and overexposure translate in the world of art as poetics of sharing or poaching insofar as parts of our lives are picked from social networks and reshaped. This will be an opportunity to assess the current benefits and limits of research and creative practices, as well as their impact on the communities of academics, artists and digital specialists.<\/p>\n

Please send a 300-word abstract<\/strong> and a biobibliography (in English, French or Spanish) before 30th September 2022<\/strong> to the following addresses: iconomorphoses and myriam.segura<\/p>\n

Notification<\/strong>: 31st October 2022. The programme<\/strong> will be finalized in December 2022<\/strong>.<\/p>\n

Deadline for the submission of papers for publication: 1st September 2023.<\/strong><\/p>\n

Scientific committee: <\/strong>Emmanuel Alloa, Laurent Baridon,Olivier Bonfait, Martine Clouzot, B\u00e9atrice Joyeux-Prunel, Marie-Laure Massot, Federico Nurra, Julien Schuh
\nOrganizing committee:<\/strong> Sophie Aymes, B\u00e9n\u00e9dicte Coste, Sarah Hucy, Asma Laater, Candice Lemaire, Laureano Montero, Judite Rodrigues-Balbuena, Christelle Ser\u00e9e-Chaussinand<\/p>\n

Keynote speakers\u2019 websites:<\/strong><\/p>\n

Natalie Bookchin: https:\/\/bookchin.net\/<\/a><\/p>\n

Sin\u00e9ad Morrissey: https:\/\/www.carcanet.co.uk\/cgi-bin\/indexer?owner_id=511<\/a><\/p>\n

Juan Mart\u00edn Prada: https:\/\/www.juanmartinprada.net\/<\/a><\/p>\n

Select bibliography:<\/strong><\/p>\n

Acland Charles R. and Eric Hoyt (eds.). The Arclight Guidebook to Media History and the Digital Humanities<\/em>. Reframe Books, 2016. URL: https:\/\/projectarclight.org\/wp-content\/uploads\/ArclightGuidebook.pdf<\/a><\/p>\n

Baudry, Julien. Cases-pixels. Une histoire de la BD num\u00e9rique en France<\/em>. Tours: Presses Universitaires Fran\u00e7ois-Rabelais, 2018.<\/p>\n

Bihanic, David. Data design. Les donn\u00e9es comme mat\u00e9riau de cr\u00e9ation<\/em>. Paris : Alternatives ; Fondation EDF, 2018.<\/p>\n

\u2014. New Challenges for Data Design<\/em>. Londres: Springer, 2015<\/p>\n

Bonfait, Olivier, Antoine Courtin et Anne Klammt (dir.). \u00ab Humanit\u00e9s num\u00e9riques : de nouveaux r\u00e9cits en histoire de l\u2019art ? \u00bb. <\/strong>Histoire de l\u2019art<\/em> 87 (juin 2021).<\/p>\n

Citton, Yves. L\u2019avenir des humanit\u00e9s. Economie de la connaissance ou cultures de l\u2019interpr\u00e9tation ?<\/em> Paris: \u00c9ditions La D\u00e9couverte, 2010.<\/p>\n

\u2014. \u00ab Humanit\u00e9s num\u00e9riques. Une m\u00e9diapolitique des savoirs encore \u00e0 inventer \u00bb. Multitudes<\/em> 2015\/2 (n\u00b0 59): 169-180. URL: https:\/\/www.cairn.info\/revue-multitudes-2015-2-page-169.htm<\/a><\/p>\n

Dacos, Marin and Pierre Mounier. Humanit\u00e9s num\u00e9riques: \u00c9tat des lieux et positionnement de la recherche fran\u00e7aise dans le contexte international<\/em>. [Rapport de
\nrecherche]. Institut fran\u00e7ais, 2015.<\/p>\n

Drucker, Johanna. Graphesis: Visual Forms of Knowledge Production<\/em>. Cambridge: Harvard University Press, 2014.<\/p>\n

\u2014. The Digital Humanities Coursebook: An Introduction to Digital Methods for Research and Scholarship.<\/em> London & New York: Routledge, 2021.<\/p>\n

\u2014. Visualization and Interpretation: Humanistic Approaches to Display<\/em>. Cambridge, Mass.: The MIT Press, 2020.<\/p>\n

Gemenne, Fran\u00e7ois and Aleksandar Rankovic. Atlas de l\u2019anthropoc\u00e8ne: Atelier de cartographie de Sciences Po<\/em>. Paris: Presses de Sciences Po, 2019.<\/p>\n

Gobert, Thierry (ed.). \u00ab Partage, \u00e9change, contribution, participation (I) \u00bb.Interfaces num\u00e9riques<\/em> 8:3 (2019). URL: https:\/\/www.unilim.fr\/interfaces-numeriques\/3979<\/a><\/p>\n

Kurgan, Laura. Close up at a Distance: Mapping, Technology, and Politics<\/em>. New York: Zone Books, 2013.<\/p>\n

Manovich, Lev. Cultural Analytics<\/em>. Cambridge, Mass.: <\/a>The MIT Press, 2020.<\/p>\n

\u2014. Software Takes Command<\/em>. New York: Bloomsbury Academic, 2013.<\/p>\n

Mart\u00edn Prada, Juan. El ver y las im\u00e1genes en el tiempo de Internet<\/em>. Editorial AKAL: Colecci\u00f3n Estudios Visuales, 2018.<\/p>\n

Mart\u00edn Prada, Juan (ed.). Art, Images and Network Culture<\/em>. [Seville]: Aula Magna-McGraw Hill, 2021. URL: https:\/\/www.juanmartinprada.net\/textos\/Juan_Martin_Prada_BOOK_ART_IMAGES_AND_NETWORK_CULTURE.pdf<\/a><\/p>\n

Parisi. David. Archaeologies of Touch: Interfacing with Haptics from Electricity to Computing<\/em>. Minneapolis, [Minnesota]; London: University of Minnesota Press, 2018.<\/p>\n

Raux, Sophie and Daniel Dubuisson.\u00c0 perte de vue:<\/em> Les nouveaux paradigmes du visuel<\/em>. Dijon: Les Presses du R\u00e9el, 2015.<\/p>\n

Renoue, Marie and Anne Beyaert-Geslin (eds.). \u00ab L\u2019image artistique \u00e0 l\u2019\u00e8re de la reproduction num\u00e9rique: S\u00e9miotique visuelle et interfaces \u00bb. Interfaces num\u00e9riques<\/em> 2 :2 (2013). URL: https:\/\/www.unilim.fr\/interfaces-numeriques\/1639<\/a><\/p>\n

Schreibman, Susan, Ray Siemens and John Unsworth (eds.). A New Companion to Digital Humanities<\/em>. Malden, MA; Chichester, West Sussex: Wiley\/Blackwell, 2016.<\/p>\n

Svensson, Patrik and David Theo Goldberg (eds.). Between Humanities and the Digital<\/em>. Cambridge, Mass.; London: The MIT Press, 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"

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