{"id":2508,"date":"2022-09-05T11:08:21","date_gmt":"2022-09-05T09:08:21","guid":{"rendered":"https:\/\/afea.fr\/news\/?p=2508"},"modified":"2022-09-05T11:08:21","modified_gmt":"2022-09-05T09:08:21","slug":"from-the-margins-to-the-mainstream-women-in-film-and-television-bloomsbury-2022","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/from-the-margins-to-the-mainstream-women-in-film-and-television-bloomsbury-2022\/2508\/","title":{"rendered":"From the Margins to the Mainstream: Women in Film and Television, Bloomsbury, 2022"},"content":{"rendered":"<p>AFEA NEWS: From the Margins to the Mainstream: Women in Film and Television, Bloomsbury, 2022<\/p>\n<p>Ch\u00e8res et chers coll\u00e8gues,<\/p>\n<p>Julie Assouly et moi-m\u00eame sommes heureuses de vous annoncer la parution de l&rsquo;ouvrage collectif, From the Margins to the Mainstream: Women in Film and Television, chez Bloomsbury.<br \/>\n<a href=\"https:\/\/www.bloomsbury.com\/uk\/from-the-margins-to-the-mainstream\">https:\/\/www.bloomsbury.com\/uk\/from-the-margins-to-the-mainstream<\/a><br \/>\nVous en trouverez le sommaire ci-dessous.<\/p>\n<p>Introduction, Marianne Kac-Vergne and Julie Assouly<br \/>\nPart 1 Women speaking from the margins<br \/>\nInterview with Vivienne Dick<br \/>\nChapter 1. Lizzie Borden and Vivienne Dick: Fighting for female filmmaking, C\u00e9line Murillo<br \/>\nChapter 2. Daughters behind the camera, Nicole Cloarec<br \/>\nChapter 3. Molly Haskell\u2019s take on feminist film theory: The place of feminist film criticism outside academia, Anne Hurault-Paupe<\/p>\n<p>Part 2 Women in semi-independent cinema<br \/>\nChapter 4. Racial bodies in Kathryn Bigelow\u2019s Strange Days (1995), H\u00e9l\u00e8ne Charlery<br \/>\nChapter 5. \u2018She\u2019s a whole lotta woman\u2019: Pam Grier\u2019s star image in Jackie Brown, David Roche<br \/>\nChapter 6. Women on the border: A cosmopolitan approach to the representation of contemporary femininity in It\u2019s a Free World \u2026 , Celestino Deleyto<br \/>\nChapter 7. Marie Antoinette, Fashion queens and Hollywood stars, Sara Pesce<\/p>\n<p>Part 3 Women protagonists in mainstream television and blockbusters<br \/>\nChapter 8. Voice-overs: Renewing gender representations in American TV series, Ana\u00efs Le F\u00e8vre-Berthelot<br \/>\nChapter 9. Moving into the mainstream: Pregnancy, motherhood and female TV action heroes,<br \/>\nAnne Sweet<br \/>\nChapter 10. In the mouth of fearfulness: Women, power and the vagina dentata in contemporary American cinema, Charles-Antoine Courcoux<br \/>\nChapter 11. Can women be superheroes? Reflections on American cinema and beyond, Yvonne Tasker<\/p>\n<p>Source: Marianne Kac-Vergne @gmail.com&gt;<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/afea.fr\/news\/wp-content\/uploads\/sites\/2\/2022\/09\/9781350120181.jpg?ssl=1\" rel=\"attachment wp-att-2509\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/afea.fr\/news\/wp-content\/uploads\/sites\/2\/2022\/09\/9781350120181.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" title=\"9781350120181-jpg\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-2509\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AFEA NEWS: From the Margins to the Mainstream: Women in Film and Television, Bloomsbury, 2022 Ch\u00e8res et chers coll\u00e8gues, Julie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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[&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2508"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2508"}],"version-history":[{"count":1,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2508\/revisions"}],"predecessor-version":[{"id":2510,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2508\/revisions\/2510"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}