{"id":2496,"date":"2022-09-01T15:12:42","date_gmt":"2022-09-01T13:12:42","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/publication-agregation-tender-is-the-night\/2496\/"},"modified":"2022-09-01T15:12:42","modified_gmt":"2022-09-01T13:12:42","slug":"publication-agregation-tender-is-the-night","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/publication-agregation-tender-is-the-night\/2496\/","title":{"rendered":"Publication agr\u00e9gation Tender Is the Night"},"content":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues,<\/p>\n<p>Nous sommes heureuses de vous annoncer la parution du recueil d\u2019articles que nous avons \u00e9dit\u00e9 chez Ellipses \u00e0 l\u2019occasion de l\u2019inscription de <em>Tender Is the Night <\/em>de F. Scott Fitzgerald au programme de l\u2019Agr\u00e9gation 2023. Vous en trouverez le sommaire ci-dessous.<\/p>\n<p>En esp\u00e9rant que vous avez pass\u00e9 des vacances reposantes et en vous souhaitant une bonne reprise.<\/p>\n<p>Bien cordialement,<br \/>\nElisabeth Bouzonviller et Marie-Agn\u00e8s Gay<\/p>\n<p><strong>Table des mati\u00e8res<\/strong><\/p>\n<p>Avant-propos. \u00c9lisabeth Bouzonviller et Marie-Agn\u00e8s Gay<\/p>\n<p>En guise de contextualisation. \u00ab The eternal Carnival by the Sea \u00bb (<em>The Crack-Up<\/em>)<br \/>\n\u00b7 \u00c9lisabeth Bouzonviller : \u00ab De Paris \u00e0 la C\u00f4te d\u2019Azur, \u00e9crire l\u2019Am\u00e9rique depuis l\u2019autre rive \u00bb<\/p>\n<p>Partie I. \u00ab A burning of the candle at both ends \u00bb (<em>The Crack-Up<\/em>)<br \/>\n\u00b7 Kirk Curnutt : \u00ab The Spoiled Priest vs. The Dying Fall: What Exactly Ails Dick Diver \u00bb<br \/>\n\u00b7 Sophie Chapuis: \u00ab \u201cMagnificent possibilities\u201d, \u201cmagnificent failure\u201d : trajectoire de l\u2019\u00e9chec dans <em>Tender Is the Night<\/em> \u00bb<br \/>\n\u00b7 J. Gerald Kennedy : \u00ab Cryptic Sacramentalism: Dick Diver\u2019s Quest in a World without Sureties \u00bb<\/p>\n<p>Partie II. \u00ab Americans, restless and with shallow roots \u00bb (<em>The Notebooks<\/em>)<br \/>\n\u00b7 Pascal Bardet : \u00ab A Generation Lost and Found: Displacement and Self-Awareness in F. Scott Fitzgerald\u2019s <em>Tender Is the Night<\/em> and a Selection of International Short Stories \u00bb<br \/>\n\u00b7 Bonnie Shannon McMullen : \u00ab \u201cL\u2019amour de famille\u201d in the \u201cH\u00f4tel des \u00c9trangers\u201d: The Idea of Home in <em>Tender Is the Night<\/em> \u00bb<br \/>\n\u00b7 H\u00e9l\u00e8ne Cottet : \u00ab Love Battles: Of Home and Hospitality in F. Scott Fitzgerald\u2019s <em>Tender Is the Night<\/em> \u00bb<\/p>\n<p>Partie III. \u00ab [A]ll Gods dead, all wars fought, all faiths in man shaken\u2026 \u00bb (<em>This Side of Paradise<\/em>)<br \/>\n\u00b7 Niklas Salmose : \u00ab Nostalgic Is the Night \u00bb<br \/>\n\u00b7 William Bla\u017eek: \u00ab Abe North: Dadaist War Veteran in <em>Tender Is the Night <\/em>\u00bb<\/p>\n<p>Partie IV. \u00ab [T]o make you hear [\u2026] to make you see \u00bb (Joseph Conrad, Pr\u00e9face \u00e0 \u00ab The Nigger of the \u201cNarcissus\u201d \u00bb)<br \/>\n\u00b7 Aliette Vent\u00e9joux: \u00ab \u201cA sound split the air outside\u201d : Pr\u00eater l\u2019oreille dans <em>Tender Is the Night<\/em> \u00bb<br \/>\n\u00b7 David Reckford: \u00ab The Object Fitzgerald: Relating the Writer and his Characters to Objects in <em>Tender Is the Night<\/em> \u00bb<\/p>\n<p>Partie V. \u00ab \u201cTender Is the Night\u201d [\u2026] seems to live on \u00bb (Lettre \u00e0 Harold Ober, 10 janvier 1934)<br \/>\n\u00b7 G\u00e9rald Pr\u00e9her : \u00ab Textual Travels: A Few Pre-Texts of Fitzgerald\u2019s \u201cMost Splendid Failure\u201d \u00bb<br \/>\n\u00b7 V\u00e9ronique B\u00e9ghain : \u00ab Lectures d\u00e9viantes de <em>Tender Is the Night<\/em> : le texte au filtre de ses traductions fran\u00e7aises \u00bb<\/p>\n<p>En guise de coda. \u00ab Tender Is the Night [\u2026], Fitzgerald\u2019s unfinished symphony \u00bb (Ronald Berman, 30 mars 2022)<br \/>\n\u00b7 Marie-Agn\u00e8s Gay : \u00ab <em>Tender Is the Night<\/em>, Livre III, chapitre XIII: Fondu au noir \u00bb<\/p>\n<p><a href=\"https:\/\/www.editions-ellipses.fr\/accueil\/14348-26602-agregation-anglais-2023-francis-scott-fitzgerald-tender-is-the-night-9782340069527.html#description-scroll-tricks\">https:\/\/www.editions-ellipses.fr\/accueil\/14348-26602-agregation-anglais-2023-francis-scott-fitzgerald-tender-is-the-night-9782340069527.html#description-scroll-tricks<\/a><\/p>\n<p><strong>Elisabeth Bouzonviller<\/strong><br \/>\nProfesseur de litt\u00e9rature nord-am\u00e9ricaine.<br \/>\nResponsable Mention Master LLCER et Parcours Master Etudes anglophones.<\/p>\n<p><strong>Facult\u00e9 Arts, Lettres, Langues<\/strong><br \/>\nCampus Tr\u00e9filerie<br \/>\n33 RUE du 11 Novembre<br \/>\n42023 SAINT-ETIENNE CEDEX 2<br \/>\nFRANCE<\/p>\n<p>elisabeth.bouzonviller<br \/>\n<strong><a href=\"http:\/\/fac-all.univ-st-etienne.fr\/\">http:\/\/fac-all.univ-st-etienne.fr<\/a><\/strong><br \/>\n<a href=\"http:\/\/www.universite-lyon.fr\/\">http:\/\/www.universite-lyon.fr<\/a><br \/>\n04 77 42 13 05<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues, Nous sommes heureuses de vous annoncer la parution du recueil d\u2019articles que nous avons \u00e9dit\u00e9 chez [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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[&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2496"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2496"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2496\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}