{"id":2481,"date":"2022-08-25T14:20:50","date_gmt":"2022-08-25T12:20:50","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/publ-parution-de-interfaces-47-borders-in-of-adaptations\/2481\/"},"modified":"2022-08-25T14:22:57","modified_gmt":"2022-08-25T12:22:57","slug":"publ-parution-de-interfaces-47-borders-in-of-adaptations","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/publ-parution-de-interfaces-47-borders-in-of-adaptations\/2481\/","title":{"rendered":"Parution de Interfaces #47, \u00ab\u00a0Borders in\/of Adaptations\u00a0\u00bb"},"content":{"rendered":"<p>Chers coll\u00e8gues,<br \/>\nShannon Wells-Lassagne et moi-m\u00eame sommes heureuses de vous annoncer la parution du num\u00e9ro 47 de la revue \u00ab\u00a0Interfaces\u00a0\u00bb, consacr\u00e9 \u00e0 l&rsquo;adaptation : \u00ab\u00a0Borders in\/of Adaptations\u00a0\u00bb (\u00ab\u00a0L&rsquo;adaptation \u00e0 ses fronti\u00e8res\/Fronti\u00e8res de l&rsquo;adaptation\u00a0\u00bb) dont vous trouverez le lien d&rsquo;acc\u00e8s ici : <a href=\"https:\/\/journals.openedition.org\/interfaces\/4415\">https:\/\/journals.openedition.org\/interfaces\/4415<\/a> et le sommaire ci-dessous. Nous remercions tr\u00e8s vivement l&rsquo;ensemble des auteurs pour leurs riches contributions.<br \/>\nNous vous souhaitons une agr\u00e9able fin d&rsquo;\u00e9t\u00e9. Bien cordialement, Candice Lemaire et Shannon Wells-Lassagne (Universit\u00e9 de Bourgogne).<\/p>\n<p><strong>SOMMAIRE<\/strong><\/p>\n<p>Sous la direction de <strong>Candice Lemaire et Shannon Wells-Lassagne<\/strong><\/p>\n<p><strong>Shannon Wells-Lassagne<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5189\" dir=\"ltr\">Tales of Twisters and Blurring Boundaries: Borders in\/of Adaptation<\/a> [Texte int\u00e9gral]<\/p>\n<ul>\n<li>\n<h2>Chronological, geographical and metaphysical displacement in adaptation<\/h2>\n<p>Adaptation et d\u00e9placements chronologiques, g\u00e9ographiques et m\u00e9taphysiques<\/p>\n<ul>\n<li><strong>Thomas Leitch<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5304\" dir=\"ltr\">Adaptation as Migration<\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Cordula B\u00f6cking<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5400\" dir=\"ltr\">Negotiating Borders in Anna Seghers\u2019 and Christian Petzold\u2019s <em>Transit<\/em><\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Andrea Reisenauer<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/4424\" dir=\"ltr\">Film adaptations crossing borders: The reception of Spanish literature in the United States through film<\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Polina Rybina<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/4729\" dir=\"ltr\">Between Poetics and Production. A Russian Trace in <em>Shakespeare: The Animated Tales<\/em> (Soyuzmultfilm \/ Christmas Films \/ S4C \/ BBC Wales)<\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Robert Geal<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/4943\" dir=\"ltr\">Enforcing Ecological Borders between the Human and the Nonhuman: Adapting <em>Pygmalion<\/em>\u2019s Benevolent Galatea into <em>Frankenstein<\/em>\u2019s and Contemporary Monsters<\/a> [Texte int\u00e9gral]<\/li>\n<\/ul>\n<\/li>\n<li>\n<h2>Liminal spaces and thresholds: the borders of adapting<\/h2>\n<p>Marges et seuils : fronti\u00e8res de l&rsquo;adaptation<\/p>\n<ul>\n<li><strong>Dagmar Brunow<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/4494\" dir=\"ltr\">Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies<\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Rebecca Anastasi<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/4589\" dir=\"ltr\">Borderline communities: aesthetic and authorial thresholds in the postcolonial script and film adaptations of Jhumpa Lahiri\u2019s <em>The Namesake<\/em><\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Juliane Blank<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/4798\" dir=\"ltr\">Berlin, Capital of Serial Adaptation. Exploring and Expanding a Political Storyworld in <em>Babylon Berlin<\/em><\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Camila Augusta Pires de Figueiredo<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5199\" dir=\"ltr\">Adapted into multiple media: what happens when adaptations meet transmedial franchises<\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Eli L\u00f8faldli<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5053\" dir=\"ltr\">\u201cWhat\u2019s in a Name?\u201d Authorship as (Micro)Genre in the Paratext of the Hogarth Shakespeare Project<\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Armelle Parey<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/4858\" dir=\"ltr\">Adapting fragmentation: changing borders in <em>Olive Kitteridge <\/em>(HBO 2014); <em>Case Histories,<\/em> (BBC 2011-2013); <em>Love and Friendship <\/em>(2016) and <em>Sanditon <\/em>(ITV 2019)<\/a> [Texte int\u00e9gral]<\/li>\n<\/ul>\n<\/li>\n<li>\n<h2>Interview<\/h2>\n<p>Entretien<\/p>\n<ul>\n<li><strong>Donald Friedman<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5188\" dir=\"ltr\">Art and Words are One<\/a> [Texte int\u00e9gral]<br \/>\nInterview with Roberta Allen<\/li>\n<\/ul>\n<\/li>\n<li>\n<h2>Reviews<\/h2>\n<p>Recensions<\/p>\n<ul>\n<li><strong>Am\u00e9lie de Chaisemartin<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5249\" dir=\"ltr\"><em>Marges et cimaises. Art et litt\u00e9rature au XIXe si\u00e8cle, du mus\u00e9e aux imprim\u00e9s<\/em>, Luce Ab\u00e9l\u00e8s<\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Eliane de Larminat<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5274\" dir=\"ltr\">Renaud Epstein, <em>On est bien arriv\u00e9s. Un tour de France des grands ensembles<\/em><\/a> [Texte int\u00e9gral]<\/li>\n<li><strong>Camille Rouquet<\/strong><br \/>\n<a href=\"https:\/\/journals.openedition.org\/interfaces\/5289\" dir=\"ltr\">Susan Schuppli. <em>Material Witness: Media, Forensics, Evidence<\/em><\/a> [Texte int\u00e9gral]<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Chers coll\u00e8gues, Shannon Wells-Lassagne et moi-m\u00eame sommes heureuses de vous annoncer la parution du num\u00e9ro 47 de la revue \u00ab\u00a0Interfaces\u00a0\u00bb, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[583,796,797],"class_list":["post-2481","post","type-post","status-publish","format-standard","hentry","category-publication","tag-adaptation","tag-frontiere","tag-interfaces"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Chers coll\u00e8gues, Shannon Wells-Lassagne et moi-m\u00eame sommes heureuses de vous annoncer la parution du num\u00e9ro 47 de la revue \u00ab\u00a0Interfaces\u00a0\u00bb, [&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2481"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2481"}],"version-history":[{"count":1,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2481\/revisions"}],"predecessor-version":[{"id":2485,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2481\/revisions\/2485"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}