{"id":2456,"date":"2022-07-08T11:29:09","date_gmt":"2022-07-08T09:29:09","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/publication-home-sweet-home\/2456\/"},"modified":"2022-07-08T11:29:09","modified_gmt":"2022-07-08T09:29:09","slug":"publication-home-sweet-home","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/publication-home-sweet-home\/2456\/","title":{"rendered":"Publication Home, Sweet Home"},"content":{"rendered":"<p>Ch\u00e8res\/chers coll\u00e8gues,<br \/>\nJe suis heureuse de vous annoncer la publication collective suivante :<\/p>\n<p>Elisabeth Bouzonviller (\u00e9d.)<em> \u201cHome, Sweet Home\u201d: Places of Belonging in Anglophone Narratives<\/em>, Faro, Universit\u00e9 d\u2019Algarve editora, 2022, 287 pages.<\/p>\n<p><strong>ISBN: <\/strong>978-989-9023-80-2 &#8211; (printed version).<\/p>\n<p>Disponible aupr\u00e8s du centre de recherche ECLLA, Universit\u00e9 Jean Monnet, Saint-Etienne ( \u00ab\u00a0Myriam Chanudet\u00a0\u00bb &lt;myriam.chanudet&gt;)<\/p>\n<p><strong>ISBN: <\/strong>978-989-9023 &#8211; (electronic version)<\/p>\n<p><strong>DOI: <\/strong><a href=\"https:\/\/doi.org\/10.34623\/r2md-mw86\">https:\/\/doi.org\/10.34623\/r2md-mw86<\/a><\/p>\n<p><strong>Available at:<\/strong><a href=\"http:\/\/hdl.handle.net\/10400.1\/17513\">http:\/\/hdl.handle.net\/10400.1\/17513<\/a><\/p>\n<p><strong> Contents<\/strong><\/p>\n<p><strong>Introduction<\/strong><\/p>\n<p>Reading Homes on the Map and Beyond<\/p>\n<p>Elisabeth Bouzonviller<\/p>\n<p><strong>Chapter 1<\/strong><\/p>\n<p>Robinson Crusoe at Home in a Desert Island: Dislocation and the Sense of Home in Defoe\u2019s <em>Robinson Crusoe<\/em> (1719)<\/p>\n<p>Emmanuelle Peraldo<\/p>\n<p><strong>Chapter 2<\/strong><\/p>\n<p>Thoreau Living at Walden and Writing <em>Walden<\/em> in a Home of His Own: The Roots, the Village, and the Cosmos<\/p>\n<p>David Latour<\/p>\n<p><strong>Chapter 3<\/strong><\/p>\n<p>Rented Accommodation: Houses in Novels by Hawthorne and James, Fitzgerald and West<\/p>\n<p>William Blazek<\/p>\n<p><strong>Chapter 4<\/strong><\/p>\n<p>Houses and Rooms: Virginia Woolf\u2019s Architectural Metaphors of the Self<\/p>\n<p>Floriane Reviron-Pi\u00e9gay<\/p>\n<p><strong>Chapter 5<\/strong><\/p>\n<p>Home Bittersweet Home. Hemingway and the Maternal Sovereign<\/p>\n<p>R\u00e9douane Abouddahab<\/p>\n<p><strong>Chapter 6<\/strong><\/p>\n<p>American Wanderings and Anchorings: F. Scott and Zelda Fitzgerald\u2019s Nomadic Artistic Home<\/p>\n<p>Elisabeth Bouzonviller<\/p>\n<p><strong>Chapter 7<\/strong><\/p>\n<p>Driving Home. The Car as Domestic Space in Two Female Road Trips: Barbara Kingsolver\u2019s <em>The Bean Trees<\/em> (1988) and Louise Erdrich\u2019s <em>Books and Islands in Ojibwe Country<\/em> (2003)<\/p>\n<p>Catherine Morgan-Proux<\/p>\n<p><strong>Chapter 8<\/strong><\/p>\n<p>\u201cHome\u201d in Ada Cambridge\u2019s Early Works, or the Search for Belonging in the Colonial Australian Context<\/p>\n<p>Alice Michel<\/p>\n<p><strong>Chapter 9<\/strong><\/p>\n<p>The Politics of Displacements: Homes within Home.<\/p>\n<p>Salhia Ben-Messahel<\/p>\n<p><strong>Chapter 10<\/strong><\/p>\n<p>Cosmopolitan Homes or Haunted Homes? Unsweetened Stories of Home in Transnational Culinary Memoirs<\/p>\n<p>Corinne Bigot<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ch\u00e8res\/chers coll\u00e8gues, Je suis heureuse de vous annoncer la publication collective suivante : Elisabeth Bouzonviller (\u00e9d.) \u201cHome, Sweet Home\u201d: Places [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[783,248,784],"class_list":["post-2456","post","type-post","status-publish","format-standard","hentry","category-publication","tag-homes","tag-literature","tag-novels"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res\/chers coll\u00e8gues, Je suis heureuse de vous annoncer la publication collective suivante : Elisabeth Bouzonviller (\u00e9d.) \u201cHome, Sweet Home\u201d: Places [&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2456"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2456"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2456\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}