Ch\u00e8res et chers coll\u00e8gues,<\/p>\n
Nous avons le plaisir de vous annoncer la publication d’un num\u00e9ro de la revue Res Futurae <\/em>consacr\u00e9 aux s\u00e9ries t\u00e9l\u00e9vis\u00e9es de science-fiction.<\/p>\n Le num\u00e9ro est en ligne : https:\/\/journals.openedition.org\/resf\/2250<\/a><\/p>\n En voici le sommaire :<\/p>\n Sous la direction de H\u00e9l\u00e8ne Machinal et Florent Favard<\/strong><\/p>\n Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la publication d’un num\u00e9ro de la revue Res Futurae […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[450,122],"class_list":["post-2434","post","type-post","status-publish","format-standard","hentry","category-publication","tag-science-fiction","tag-tv-series"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la publication d’un num\u00e9ro de la revue Res Futurae […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2434"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2434"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2434\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} S\u00e9ries t\u00e9l\u00e9vis\u00e9es de science-fiction <\/h2>\n
\n
\nLes s\u00e9ries de science-fiction au croisement d\u2019un genre fictionnel et d\u2019une forme narrative audiovisuelle<\/a> [Texte int\u00e9gral]
\nScience fiction series at the crossroads of a fictional genre and an audiovisual narrative form<\/li>\n
\nL\u2019important n\u2019est pas la destination, mais les seuils que l\u2019on franchit. L\u2019exemple des mondes possibles dans Fringe <\/em><\/a> [Texte int\u00e9gral]
\nIt\u2019s not the destination that matters, but the thresholds we cross: The example of the Fringe <\/em>multiverse<\/li>\n
\nYour Own Personal Jesus. Exp\u00e9riences d\u2019un t\u00e9l\u00e9-dispositif sp\u00e9culatif dans Devs<\/em> d\u2019Alex Garland (2020)<\/a> [Texte int\u00e9gral]
\nYour Own Personal Jesus. Experimenting a speculative tele-appartus in Alex Garland\u2019s Devs<\/em> (2020)<\/li>\n
\n\u00ab Never Meet Your Heroes \u00bb. G\u00e9n\u00e9alogie cin\u00e9matographique et matrice science-fictionnelle dans The Boys<\/em><\/a> [Texte int\u00e9gral]
\n\u00ab Never Meet Your Heroes \u00bb. Cinematic genealogy and science-fictional matrix in The Boys<\/em><\/li>\n<\/ul>\n\n
\nYears and Years<\/em>. Temps et politisation<\/a> [Texte
\nint\u00e9gral]
\nYears and Years<\/em>. Time and politicization<\/li>\n
\nExtension du champ t\u00e9l\u00e9cin\u00e9matographique de la science-fiction. The Mandalorian<\/em> (Disney+)<\/a> [Texte
\nint\u00e9gral]
\nExtension of science fiction. The Mandalorian<\/em> (Disney+)<\/li>\n
\nCe que les mondes parall\u00e8les font au personnage de s\u00e9rie t\u00e9l\u00e9vis\u00e9e : une esth\u00e9tique du character overhaul<\/em><\/a> [Texte int\u00e9gral]
\nWhat parallel worlds do to the TV series character : an aesthetic of duplication of identities<\/li>\n
\nD\u2019autres mondes pour d\u2019autres musiques : les dimensions sonores parall\u00e8les de The OA<\/em> (Partie 01)<\/a> [Texte
\nint\u00e9gral]
\nThe OA <\/em>(part one) : Sound, music and parallel universes<\/li>\n
\nLe temps des morts-vivants : formes s\u00e9rielles et potentiel critique des s\u00e9ries t\u00e9l\u00e9vis\u00e9es zombies<\/a> [Texte int\u00e9gral]
\nTime of the living dead : serial forms and critical potential of zombie television series<\/li>\n<\/ul>\n\n<\/pre>\n","protected":false},"excerpt":{"rendered":"