{"id":2422,"date":"2022-07-01T12:08:41","date_gmt":"2022-07-01T10:08:41","guid":{"rendered":"https:\/\/afea.fr\/news\/conference-symposium\/conference-programme-hybridity-in-life-writing-july-7-8-universite-paris-cite\/2422\/"},"modified":"2022-07-01T12:08:41","modified_gmt":"2022-07-01T10:08:41","slug":"conference-programme-hybridity-in-life-writing-july-7-8-universite-paris-cite","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/conference-symposium\/conference-programme-hybridity-in-life-writing-july-7-8-universite-paris-cite\/2422\/","title":{"rendered":"Conference Programme &#8211; Hybridity in Life Writing (July 7\/8, Universit\u00e9 Paris Cit\u00e9)"},"content":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues,<\/p>\n<p>J\u2019ai le plaisir de vous communiquer le programme du colloque <strong>Hybridity in Life Writing<\/strong> qui aura lieu la semaine prochaine \u00e0 l\u2019Universit\u00e9 Paris Cit\u00e9.<br \/>\nBien cordialement,<br \/>\nArnaud Schmitt (Universit\u00e9 de Bordeaux)<\/p>\n<p><strong><em>Hybridity in Life Writing: How Text and Images Work Together to Tell a Life<\/em><\/strong><\/p>\n<p><strong>Universit\u00e9 Paris Cit\u00e9 (Campus des Grands Moulins), July 7th and 8th 2022<br \/>\nOrganizers: Clare Brant (King\u2019s College) &amp; Arnaud Schmitt (University of Bordeaux)<br \/>\n<\/strong><\/p>\n<p><strong>July 7th<\/strong><br \/>\n<strong>09:00-09:30<\/strong>: Opening session (Amphith\u00e9\u00e2tre Turing): C\u00e9cile Roudeau (Director of LARCA, Universit\u00e9 Paris-Cit\u00e9), Clare Brant (Co-Director of Centre for Life Writing and Research, King\u2019s College) &amp; Arnaud Schmitt (University of Bordeaux, LARCA &amp; CLIMAS)<br \/>\n<strong>9h30-11h<\/strong>: Concurrent Session 1<br \/>\n<em>1A- Hybridity in Graphic Memoirs 1<\/em>, room 0011 (Chair: Cristina Garrig\u00f3s, UNED-National University of Distance Education, Spain)<br \/>\n&#8211; Maaheen Ahmed (Ghent University), \u201cGraphic Novel Children: <em>Loup y es-tu<\/em> ?\u201d<br \/>\n&#8211; H\u00e9l\u00e8ne Tison (University of Tours), \u201cAllie Brosh \u2013 Hyperbolically Ironic Authentication\u201d<br \/>\n&#8211; Nathalie Saudo-Welby (University of Picardy), \u201cSounds and Silence Made Visible: Cece Bell\u2019s <em>El Deafo<\/em> (2014)\u201d<br \/>\n<em>1B- Autobiographical Texts Embedding Images 1<\/em>, room 1021(Chair: Anne Green Munk, Aarhus University)<br \/>\n&#8211; Laure de Nervaux-Gavoty (Paris-Est Cr\u00e9teil University), \u201cIn Search of a Lost Past: Vladimir Nabokov\u2019s and Michael Ignatieff\u2019s Photo Albums in <em>Speak, Memory: An Autobiography<\/em> <em>Revisited<\/em> (1951, 1966) and <em>The Russian Album<\/em> (1997)\u201d<br \/>\n&#8211; Antonella Lipscomb (Oxford University), \u201cTextual and Visual Images of the Self in Annie Ernaux\u2019s Auto-Socio-Biographies\u201d<br \/>\n&#8211; Helga Lenart-Cheng (Saint Mary&rsquo;s College of California), \u201cThe Comtesse of Castiglione in the Mirror of Nathalie L\u00e9ger\u201d<br \/>\n<strong>11h-11h15<\/strong>: Coffee break<br \/>\n<strong>11h15-12h45<\/strong>: Concurrent Session 2<br \/>\n<em>2A- Autobiographical Texts Embedding Images 2<\/em>, room 0011 (Chair: Marieke Dwarswaard, Rijksuniversiteit Groningen)<br \/>\n&#8211; Cristina Garrig\u00f3s (UNED-National University of Distance Education, Spain), \u201cSelf\u2010Representing an Identity and a Life through Images and Words in Women\u2019s Rock Memoirs\u201d<br \/>\n&#8211; Silvia Hern\u00e1ndez Hell\u00edn (Universidad de Las Palmas de Gran Canaria), \u201cPointing the Lens Elsewhere: The Use of Photography in Patti Smith\u2019s Autobiographical Prose Work\u201d<br \/>\n&#8211; Anne Green Munk (Aarhus University), \u201cPicturing Ourselves through Others \u2013 Text and Photography in Women\u2019s Life Writing\u201d<br \/>\n<em>2B-<\/em> <em>Images in Archives, Diaries or Biographical Documents<\/em>, room 1021 (Chair: Maaheen Ahmed, Ghent University)<br \/>\n&#8211; Diana W. Anselmo (California State University, Long Beach), \u201cTo Bear Pain into Narrative: Autobiography &amp; Female Audience Reception in Early Hollywood\u201d<br \/>\n&#8211; Anthony S. Foy (Swarthmore College), \u201cBanknotes, Buildings, and the Displaced Body of Black Autobiography\u201d<br \/>\n<strong>12h45-14h<\/strong>: Buffet Lunch<br \/>\n<strong>14h-15h15<\/strong>: Concurrent Session 3<br \/>\n<em>3A- Photography and Text 1<\/em>, room 0011 (Chair: Helga Lenart-Cheng, Saint Mary&rsquo;s College of California)<br \/>\n&#8211; Julia Watson (The Ohio State University), \u201c\u2018This Counter-history\u2019: Teju Cole\u2019s 2020 Visual Diary on the Kitchen as a Domestic\/Postcolonial Medi[t]ation\u201d<br \/>\n&#8211; Niccol\u00f2 Amelii (University of Chieti-Pescara), \u201cPhotographic reality and autobiographical memory. The dialectic between text and image in <em>Every Day Is for the Thief<\/em> by Teju Cole\u201d<br \/>\n<em>3B- Hybridity in Digital Autobiography &amp; Social Media<\/em>, room 1021 (Chair: Antonella Lipscomb, Oxford University)<br \/>\n&#8211; Anamaria Radu &amp; Alexandra Cotoc (Babe\u015f-Bolyai University), \u201cThumbnails, Snippets and Instagram Photos of Romanian Microcelebrities. Telling a Life Story with a Social Impact\u201d<br \/>\n&#8211; Ana Isabel Galvan Garcia de las Bayonas (University of Murcia), \u201cA life in a Caption: Images Telling Stories in the Age of Social Media\u201d<br \/>\n<strong>15h15-15h30<\/strong>: Coffee break<br \/>\n<strong>15h30-16h15:<\/strong> Griselda Pollock (University of Leeds) &amp; Joanne Leonard (Artist, University of Michigan), Recorded collaborative paper on Joanne Leonard\u2019s <em>Being in Pictures: An Intimate Photo Memoir <\/em>+ Zoom Q &amp; A, Amphith\u00e9\u00e2tre Turing (Chair: Arnaud Schmitt, University of Bordeaux)<br \/>\n<strong>16h30-17h30<\/strong>: <strong>Keynote (+ discussion)<\/strong>: Teresa Bru\u015b (University of Wroclaw): \u201cArenas of Hybridity: Books and Boxes,\u201d Amphith\u00e9\u00e2tre Turing (Chair: Clare Brant, King\u2019s College)<br \/>\n<strong>20h<\/strong>&#8211; Conference Dinner<\/p>\n<p><strong>Friday July 8th<\/strong><br \/>\n<strong>09:00-10h30<\/strong>: Concurrent Session 4<br \/>\n<em>4A- Photography and Text 2 &amp; Ekphrasis as Hybridity<\/em>, room 0011 (Chair: Laure de Nervaux-Gavoty, Paris-Est Cr\u00e9teil University)<br \/>\n&#8211; Marie-Agn\u00e8s Gay (Jean Moulin \u2013 Lyon 3 University), \u201c\u2018Moving shadows disappearing\u2019: Erasure of Self in Theresa Hak Kyung Cha\u2019s Autobiographical \u2018Photo-Essay\u2019 (<em>Exil\u00e9e<\/em> \u2013 <em>Temps Morts<\/em> \u2013 <em>Selected Works<\/em>)\u201d<br \/>\n&#8211; Clare Brant (King\u2019s College London): \u201cInserting the Manfish: Hybridity in Underwater Memoir Illustrations\u201d<br \/>\n&#8211; Antoinette Sol (University of Texas Arlington), \u201cLife Drawings: Dany Laferri\u00e8re\u2019s <em>Autoportrait de Paris avec Chat <\/em>(2018)\u201d<br \/>\n<em>4B- Hybridity in Graphic Biographies<\/em>, room 1021 (Chair: Nancy Pedri, Memorial University of Newfoundland)<br \/>\n&#8211; Maria Juko (University of Hamburg); \u201cA Graphic (Re-)Encounter with Mary Shelley\u201d<br \/>\n&#8211; Elisabetta Varalda (Sapienza University of Rome), \u201cVirginia Woolf\u2019s Life through Narrative and Evocative Images\u201d<br \/>\n&#8211; Suzanne Joinson (University of Chichester), \u201cOrdinary Lives: Memoir, Testimony and Everyday Experience in the Graphic Novel\u201d<br \/>\n<strong>10h30-10h45<\/strong>: Coffee break<br \/>\n<strong>10h45-12h<\/strong>: Concurrent Session 5<br \/>\n<em>5A- Paintings, Drawings and Autobiographical Hybridity 1<\/em>, room 0011 (Chair: Niccol\u00f2 Amelii, University of Chieti-Pescara)<br \/>\n&#8211; Shiamin Kwa (Bryn Mawr College), \u201cTwo is Better Than One: Hybridity in the Works of \u2018Paintoonist\u2019 Jerry Moriarty\u201d<br \/>\n&#8211; Marieke Dwarswaard (Rijksuniversiteit Groningen), \u201cA Graphic Memoir Avant la Lettre? The Scholten Paintings as a Source in Life Writing\u201d<br \/>\n<em>5B- Autobiographical Texts Embedding Images 3<\/em>, room 1021 (Chair: Alex Belsey, King&rsquo;s College London)<br \/>\n&#8211; Wojciech Dr\u0105g (University of Wroclaw), \u201cText-Image Relations and the Poetics of the Scan in Mathew Timmons\u2019s <em>CREDIT<\/em> and Dana Teen Lomax\u2019s <em>Disclosure<\/em>\u201d<br \/>\n&#8211; Virginia Allen-Terry Sherman (Grenoble Alpes University), \u201cAmbiguous and Absent Imagery in Contemporary Culinary Memoirs\u201d<br \/>\n<strong>12h-13h30<\/strong>: Buffet Lunch<br \/>\n<strong>13h30-15h<\/strong>: Concurrent Session 6<br \/>\n<em>6A- Hybridity in Graphic Memoirs 2<\/em>, room 0011 (Chair: Maria Juko, University of Hamburg)<br \/>\n&#8211; Nancy Pedri (Memorial University of Newfoundland), \u201cPhotography and Graphic Illness Narratives\u201d<br \/>\n&#8211; Erin La Cour (Vrije Universiteit Amsterdam) &amp; Anna Poletti (Utrecht University), \u201cGraphic Medicine\u2019s Possible Futures: Reconsidering Poetics and Reading\u201d<br \/>\n&#8211; Olga Michael (University of Cyprus), \u201cThanatic Photo\/graphics in Thi Bui\u2019s Graphic Memoir, <em>The Best We Could Do<\/em>\u201d<br \/>\n<em>6B- Biographical Texts Embedding Images<\/em>, room 1021 (Chair: Wojciech Dr\u0105g, University of Wroclaw)<br \/>\n&#8211; Veronica Frigeni (Independent scholar), \u201cWriting a Life Written in Pictures: The Biography of Gerda Taro in Janeczek\u2019s <em>La ragazza con la Leica<\/em>\u201d<br \/>\n&#8211; Ruvani Ranasinha (King&rsquo;s College London), \u201cImage and Text: Writing the Life of Author and Filmmaker Hanif Kureishi\u201d<br \/>\n&#8211; Sophie Mayr (University of Vienna), \u201cBodies, Books or Buildings? Photographs and Phototext in Biographies about Ingeborg Bachmann and Sylvia Plath\u201d<br \/>\n<strong>15h-15h15<\/strong>: Coffee break<br \/>\n<strong>15h15-16h15<\/strong>: Session 7<br \/>\n<em>Paintings, Drawings and Autobiographical Hybridity 2<\/em>, room 0011 (Chairs: Anamaria Radu &amp; Alexandra Cotoc, Babe\u015f-Bolyai University)<br \/>\n&#8211; Pablo Allepuz Garc\u00eda (Universidad Complutense de Madrid, Museo Reina Sofia), \u201cAutobiography to Self-Portraiture, or Vice Versa. Narrativity and Visuality in Artists\u2019 Life Writings\u201d<br \/>\n&#8211; Alex Belsey (King&rsquo;s College London), \u201c\u2018Leaving the marks in\u2019: the Dialectic of <em>Journal &amp; Drawings <\/em>by Keith Vaughan\u201d<br \/>\n<strong>16h15-17h<\/strong>: <strong><em>Round table discussion<\/em><\/strong><em>: Themes, Terms and New Directions, <\/em>Amphith\u00e9\u00e2tre Turing (Chair: Julia Watson, Clare Brant &amp; Arnaud Schmitt)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues, J\u2019ai le plaisir de vous communiquer le programme du colloque Hybridity in Life Writing qui aura 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