{"id":2413,"date":"2022-06-30T09:51:12","date_gmt":"2022-06-30T07:51:12","guid":{"rendered":"https:\/\/afea.fr\/news\/?p=2413"},"modified":"2022-06-30T09:57:07","modified_gmt":"2022-06-30T07:57:07","slug":"transatlantica-parution-du-numero-1-2022","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/transatlantica-parution-du-numero-1-2022\/2413\/","title":{"rendered":"Transatlantica : parution du num\u00e9ro 1 | 2022"},"content":{"rendered":"

Ch\u00e8res et chers coll\u00e8gues,<\/p>\n

Nous avons le plaisir de vous annoncer la parution du num\u00e9ro 1 | 2022 de Transatlantica<\/em>.<\/p>\n

Ce num\u00e9ro comporte deux dossiers th\u00e9matiques : \u00ab Villes en ruines dans le r\u00e9cit de guerre am\u00e9ricain<\/strong> \u00bb coordonn\u00e9 par Nathalie Cochoy et David Roche et \u00ab Women\u2019s Sites of Struggles for Self-Determination: Rethinking the Long History of Woman Suffrage through Multidimensional Mobilizations (1800s-1970s)<\/strong> \u00bb coordonn\u00e9 par Claire Delahaye et Fatma Ramdani.<\/p>\n

Ce num\u00e9ro inclut aussi deux articles hors th\u00e8me. Dans les rubriques, vous trouverez onze recensions d\u2019ouvrages (Recensions), quatre comptes rendus de colloques (Actualit\u00e9 de la recherche), cinq comptes rendus d\u2019expositions (Trans\u2019Arts) et une contribution sur la l\u00e9gislation du travail aux \u00c9tats-Unis (Perspectives).<\/p>\n

Vous trouverez ci-dessous le sommaire complet. N\u2019h\u00e9sitez pas \u00e0 partager cette annonce autour de vous.<\/p>\n

En vous souhaitant bonne lecture et un bel \u00e9t\u00e9, bien cordialement,<\/p>\n

Guillaume Marche et Monica Manolescu
\n<\/strong>R\u00e9dacteur\u2219rices en chef de\u00a0Transatlantica<\/a><\/em><\/p>\n

\n

********<\/p>\n

Dear colleagues,<\/p>\n

\n

We are very pleased to let you know that the issue 1\u00a0|\u00a02022 of Transatlantica<\/em> has just been released.<\/p>\n

\n

This issue includes two thematic dossiers entitled \u201cCity Ruins in American War Narratives<\/strong>,\u201d edited by Nathalie Cochoy and David Roche, and \u201cWomen\u2019s Sites of Struggles for Self-Determination: Rethinking the Long History of Woman Suffrage through Multidimensional Mobilizations (1800s-1970s)<\/strong>,\u201d edited by Claire Delahaye and Fatma Ramdani.<\/p>\n

\n

The issue also features two articles in the Varia section. The various sections include eleven book reviews (Book reviews), four conference reports (Current scholarly events), five exhibition reviews (Trans\u2019Arts) and a contribution on labor legislation in the United States (Perspectives).<\/p>\n

\n

The table of contents is presented below. Feel free to spread the word.<\/p>\n

\n

Best regards, wishing you a great summer,<\/p>\n

\n

Guillaume Marche & Monica Manolescu
\n<\/strong>Editors in chief of\u00a0Transatlantica<\/a><\/em><\/p>\n

\n

\u00a0<\/strong><\/p>\n

Transatlantica 1\u00a0|\u00a02022<\/a><\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00bb src=\u00a0\u00bbblob:https:\/\/afea.fr\/ed0c5343-8e23-47e7-93f6-e1e9c680f05f\u00a0\u00bb alt=\u00a0\u00bbAll Quiet on the Western Front \/ \u201cThe Woman\u2019s Hour Has Struck\u201d\u00a0\u00bb border=\u00a0\u00bb0″ apple-inline=\u00a0\u00bbyes\u00a0\u00bb class=\u00a0\u00bbApple-web-attachment Singleton\u00a0\u00bb style=\u00a0\u00bbopacity: 1;\u00a0\u00bb><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Villes en ruines dans le r\u00e9cit de guerre am\u00e9ricain \/ City Ruins in American War Narratives.
\nDirig\u00e9 par Nathalie Cochoy et David Roche \/\u00a0Edited by Nathalie Cochoy and David Roche<\/strong><\/p>\n

Nathalie\u00a0Cochoy\u00a0et David\u00a0Roche, Villes en ruine dans le r\u00e9cit de guerre am\u00e9ricain. City Ruins in American War Narratives. Introduction<\/a><\/u><\/p>\n

Kevin\u00a0Powers, The City Is a Foreign Country<\/a><\/u><\/p>\n

Thomas\u00a0Constantinesco, Columbia\u00a0\/ New\u00a0York: The Ruins of the Civil War<\/a><\/u><\/p>\n

Vincent\u00a0Souladi\u00e9, De Falkenau aux ruines de\u00a0Verboten!\u00a0<\/em>(1959), les dialectiques formelles de Samuel\u00a0Fuller<\/a><\/u><\/p>\n

Mehdi\u00a0Achouche, Saving Private Ryan\u00a0(Spielberg, 1998) as a Post-Vietnam War Film in Search of Moral Legibility<\/a><\/u><\/em><\/p>\n

Beno\u00eet\u00a0Tadi\u00e9, Unreal Cities: the Veterans\u2019 Homecoming and the Fate of Postwar Noir<\/a><\/u><\/p>\n

Zachary\u00a0Baqu\u00e9, \u201cFirst they bomb as much as they please, then they film\u201d: The Politics of War Ruins in Two Vietnam War Documentaries<\/a><\/u><\/p>\n

Cristina\u00a0Alsina-R\u00edsquez, The Unhomed Vietnam Veteran: \u201cQueer Houses\u201d in Tim O\u2019Brien\u2019s Vietnam Works<\/a><\/u><\/p>\n

Lucie\u00a0Jammes, Veterans in Ruins: The Soldier\u2019s Impossible Homecoming in Tim O\u2019Brien\u2019s\u00a0The Things They Carried<\/em><\/a><\/u><\/p>\n

\n

Women\u2019s Sites of Struggles for Self-Determination: Rethinking the Long History of Woman Suffrage through Multidimensional Mobilizations (1800s-1970s).
\nDirig\u00e9 par \/ Edited by Claire Delahaye et Fatma Ramdani<\/strong><\/p>\n

Claire\u00a0Delahaye\u00a0et Fatma\u00a0Ramdani, Introduction: The Complex and Reciprocal Relations between Suffrage and Other Forms of Activism<\/a><\/u><\/p>\n

Allison\u00a0K.\u00a0Lange, The Legacy of the Nineteenth Amendment Centennial<\/a><\/u><\/p>\n

Aur\u00e9liane\u00a0Narvaez, D\u00e9fendre le corps des femmes. Libre pens\u00e9e et f\u00e9minisme aux \u00c9tats-Unis (1820-1920)<\/a><\/u><\/p>\n

Virginia\u00a0Scharff, Race, Gender, and Empire: The Strange Career of Women\u2019s Voting Rights in Wyoming<\/a><\/u><\/p>\n

Jeanne\u00a0Boiteux, The Boston Women\u2019s Educational and Industrial Union: When Business Undergirded Claims to Political Participation (1877-1920)<\/a><\/u><\/p>\n

Jean-Louis\u00a0Marin-Lamellet, \u201cNow Will Someone Kindly Tell Me What Is Her Proper Sphere?\u201d Woman Suffrage, Women\u2019s Political Participation, and the Populist Movement\u00a0<\/a><\/u><\/p>\n

Judy\u00a0Tzu-Chun\u00a0Wu, Pacific Feminist Imaginaries: The 1977 US National Women\u2019s Conference and the Politics of Territorial Representation<\/a><\/u><\/p>\n

\n

Hors-th\u00e8me \/ Varia<\/strong><\/p>\n

Camille\u00a0Marion, La femme migrante comme agent de contr\u00f4le social dans le contexte de la fronti\u00e8re am\u00e9ricaine. La Virginie au\u00a0xviie<\/sup>\u00a0si\u00e8cle et la Californie \u00e0 l\u2019\u00e9poque de la ru\u00e9e vers l\u2019or<\/a><\/u><\/p>\n

Alexandre\u00a0Mendes, William James and the Deepest South<\/a><\/u><\/p>\n

\n

Actualit\u00e9 de la recherch\u00e9 \/ Current Scholarly Events<\/strong><\/p>\n

Yana\u00a0Shtilman, About Time: Temporality in American Art and Visual Culture<\/a><\/u><\/p>\n

Gauthier\u00a0Simon, Biden Year\u00a01<\/a><\/u><\/p>\n

Rose\u00a0Borel, L\u2019abondance et le manque<\/a><\/u><\/p>\n

Sean\u00a0DeMoranville\u00a0et Clara\u00a0Sebastiani, Le personnel et la repr\u00e9sentation politiques\u00a0: travailler sur les \u00e9lu\u00b7e\u00b7s dans une perspective franco-am\u00e9ricaine<\/a><\/u><\/p>\n

\n

Recensions \/ Book Reviews<\/strong><\/p>\n

Nick\u00a0Bromell, Micha\u00ebl Roy, ed.,\u00a0Frederick Douglass in Context<\/em><\/a><\/u><\/p>\n

Nicoleta\u00a0Alexoae-Zagni, Long Le-Khac,\u00a0Giving Form to an Asian and Latinx America<\/em><\/a><\/u><\/p>\n

Bernard\u00a0Genton, \u00c9liane de Larminat,\u00a0Houses and Homes\u00a0: photographier la maison aux \u00c9tats-Unis. 1930-1990<\/em><\/a><\/u><\/p>\n

L\u00e9opold\u00a0Reigner, Vladimir Nabokov,\u00a0\u0152uvres romanesques compl\u00e8tes<\/em><\/a><\/u><\/p>\n

Tom\u00a0F.\u00a0Wright, Tim Sommer,\u00a0Carlyle, Emerson and the Transatlantic Uses of Authority: Literature, Print, Performance<\/em><\/a><\/u><\/p>\n

Jamie\u00a0Fenton, Jessica E. Teague,\u00a0Sound Recording Technology and American Literature: From the Phonograph to the Remix<\/em><\/a><\/u><\/p>\n

\u00c9douard\u00a0Marsoin, Xine Yao,\u00a0Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America<\/em><\/a><\/u><\/p>\n

Marine\u00a0Dass\u00e9, Josephine Ensign,\u00a0Skid Road: On The Frontier of Health and Homelessness in An American City<\/em><\/a><\/u><\/p>\n

\u00c9milie\u00a0Mitran, L\u2019Ind\u00e9pendance des Etats-Unis\u00a0: h\u00e9ritage et interpr\u00e9tations, Arts, lettres, politique (1776-2016), Bertrand van Ruymbeke,\u00a0Brigitte F\u00e9lix et Audrey Fogels, dir.<\/a><\/u><\/em><\/p>\n

Laurence\u00a0Cossu-Beaumont, Isaac Mason,\u00a0Isaac Mason, une vie d\u2019esclave<\/em><\/a><\/u><\/p>\n

Seynabou\u00a0Thiam-Pereira, Anne-Claire Faucquez,\u00a0De la Nouvelle-N\u00e9erlande \u00e0 New York\u00a0: La naissance d\u2019une soci\u00e9t\u00e9 esclavagiste (1624-1712)<\/em><\/a><\/u><\/p>\n

\n

Perspectives<\/strong><\/p>\n

Kalilou\u00a0Barry\u00a0et Marie A.\u00a0Menard, Du Wagner Act au Pro Act\u00a0: les enjeux de la r\u00e9forme de la l\u00e9gislation du travail aux \u00c9tats-Unis<\/a><\/u><\/p>\n

\n

Trans\u2019Arts<\/strong><\/p>\n

Jonathan\u00a0Dentler, Review of\u00a0Masterworks of Modern Photography 1900-1940: The Thomas Walther Collection<\/em>\u00a0exhibition at the Jeu de Paume (September 14th<\/sup>, 2021 \u2014February 13th<\/sup>, 2022).<\/a><\/u><\/p>\n

Carolin\u00a0G\u00f6rgen, Georgia O\u2019Keeffe, Centre Pompidou, September 8 \u2013 December 6, 2021<\/a><\/u><\/p>\n

Camille\u00a0Martin-Payre, Vivian Maier au mus\u00e9e du Luxembourg<\/a><\/u><\/p>\n

Eliane de\u00a0Larminat, \u00ab\u00a0Anni et Josef Albers, l\u2019art et la vie\u00a0\u00bb. Mus\u00e9e d\u2019Art Moderne de Paris, 10\u00a0septembre 2021 \u2013 9\u00a0janvier 2022.<\/a><\/u><\/p>\n

Clara\u00a0Salomon, Notes sur l\u2019exposition \u00ab\u00a0Anni et Josef Albers, l\u2019art et la vie\u00a0\u00bb\u00a0: \u00ab\u00a01+1 = 3\u00a0\u00bb ou la\u00a0joie intense<\/em>\u00a0de la cr\u00e9ation. Faire l\u2019exp\u00e9rience de l\u2019\u0153uvre d\u2019Anni et Josef Albers\u00a0<\/a><\/u><\/p>\n","protected":false},"excerpt":{"rendered":"

Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la parution du num\u00e9ro 1 | 2022 de Transatlantica. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[720,218,719,433],"class_list":["post-2413","post","type-post","status-publish","format-standard","hentry","category-publication","tag-struggles","tag-suffrage","tag-war-ruins","tag-women"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la parution du num\u00e9ro 1 | 2022 de Transatlantica. […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2413"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2413"}],"version-history":[{"count":2,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2413\/revisions"}],"predecessor-version":[{"id":2416,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2413\/revisions\/2416"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}