{"id":2395,"date":"2022-06-30T09:32:57","date_gmt":"2022-06-30T07:32:57","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/pub-nouveau-numero-revue-ties-musique-et-polar\/2395\/"},"modified":"2022-06-30T09:32:57","modified_gmt":"2022-06-30T07:32:57","slug":"pub-nouveau-numero-revue-ties-musique-et-polar","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/pub-nouveau-numero-revue-ties-musique-et-polar\/2395\/","title":{"rendered":"PUB nouveau num\u00e9ro revue TIES Musique et Polar"},"content":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues,<\/p>\n<p>Nous avons le plaisir de vous annoncer la parution du dernier num\u00e9ro de la revue <em><strong>TIES<\/strong><\/em>, <strong>Musique et Polar<\/strong>, coordonn\u00e9 par <strong>Cristelle Maury, Fr\u00e9d\u00e9ric Sounac et Nathalie Vincent-Arnaud<\/strong> (Universit\u00e9 Toulouse Jean-Jaur\u00e8s) :<br \/>\n<a href=\"http:\/\/revueties.org\/numero\/960-musique-et-polar\">http:\/\/revueties.org\/numero\/960-musique-et-polar<\/a><\/p>\n<p>Il rassemble les articles suivants :<\/p>\n<p>Cristelle Maury, Fr\u00e9d\u00e9ric Sounac et Nathalie Vincent-Arnaud : <a href=\"http:\/\/revueties.org\/document\/965-introduction\"><strong>Introduction<\/strong><\/a><\/p>\n<p>Karla Cotteau : <a href=\"http:\/\/revueties.org\/document\/969-intermediality-and-intertextuality-clues-to-reading-anthony-burgess-s-murder-to-music\"><strong>Intermediality and Intertextuality: Clues to Reading Anthony Burgess\u2019s \u201cMurder to Music\u201d<\/strong><\/a><\/p>\n<p>G\u00e9rard Dastugue : <a href=\"http:\/\/revueties.org\/document\/981-la-scenarisation-de-la-bande-son-dans-reservoir-dogs-une-esthetique-du-hors-champ\"><strong>La sc\u00e9narisation de la bande-son dans <em>Reservoir Dogs <\/em>: une esth\u00e9tique du hors-champ<\/strong><\/a><\/p>\n<p>Rapha\u00eblle Costa de Beauregard : <a href=\"http:\/\/revueties.org\/document\/992-la-musique-du-film-noir-la-grande-horloge-john-farrow-1948-et-victor-young-entre-tradition-et-modernite\"><strong>La musique du film noir : <em>La Grande Horloge <\/em>(John Farrow 1948) et Victor Young entre tradition et modernit\u00e9<\/strong><\/a><\/p>\n<p>Beno\u00eet Tadi\u00e9 : <a href=\"http:\/\/revueties.org\/document\/1010--how-high-the-moon-la-musique-de-david-goodis\"><strong>\u00ab How High the Moon \u00bb : la musique de David Goodis<\/strong><\/a><\/p>\n<p>Chantal Sch\u00fctz : <a href=\"http:\/\/revueties.org\/document\/1048-music-and-the-jacobean-thriller\"><strong>Music and the \u00ab\u00a0Jacobean thriller\u00a0\u00bb<\/strong><\/a><\/p>\n<p>Gilles Couderc : <a href=\"http:\/\/revueties.org\/document\/1062-meurtre-en-la-majeur-enquete-sur-les-epoux-schumann-potentiels-assassins\"><strong><em>Meurtre en la majeur <\/em> : Enqu\u00eate sur les \u00e9poux Schumann, potentiels assassins<\/strong><\/a><\/p>\n<p>Anne-Laure Dubrac et Fran\u00e7oise Barb\u00e9-Petit : <strong><a href=\"http:\/\/revueties.org\/document\/1038-echos-dissonances-et-discordances-mouvements-perpetuels-de-francis-poulenc-et-mouvements-de-l-ame-dans-rope-d-alfred-hitchcock\">\u00c9chos, dissonances et discordances : <em>Mouvements Perp\u00e9tuels <\/em>de Francis Poulenc et mouvements de l\u2019\u00e2me dans <em>Rope <\/em>d\u2019Alfred Hitchcock<\/a><\/strong><\/p>\n<p>En vous souhaitant une bonne lecture, je vous souhaite un tr\u00e8s bel \u00e9t\u00e9 !<\/p>\n<p><em>Marie Olivier<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la parution du dernier num\u00e9ro de la revue TIES, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[688,686,687,685],"class_list":["post-2395","post","type-post","status-publish","format-standard","hentry","category-publication","tag-intermedialite","tag-musique","tag-polar","tag-ties"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Ch\u00e8res et chers coll\u00e8gues, Nous avons le plaisir de vous annoncer la parution du dernier num\u00e9ro de la revue TIES, [&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2395"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2395"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2395\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}