{"id":2360,"date":"2022-06-22T10:54:02","date_gmt":"2022-06-22T08:54:02","guid":{"rendered":"https:\/\/afea.fr\/news\/?p=2360"},"modified":"2022-06-22T10:54:25","modified_gmt":"2022-06-22T08:54:25","slug":"la-figure-du-musicien-au-cinema","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/la-figure-du-musicien-au-cinema\/2360\/","title":{"rendered":"La figure du musicien au cin\u00e9ma"},"content":{"rendered":"

AFEA NEWS: La figure du musicien au cin\u00e9ma<\/p>\n

St\u00e9phan Etcharry et Julie Michot ont le plaisir de vous annoncer la parution du no 15 de la revue interdisciplinaire et internationale en ligne Savoirs en Prisme, consacr\u00e9 \u00e0 la figure du musicien au cin\u00e9ma.<\/p>\n

Ce no 15 constitue la premi\u00e8re partie d\u2019un double num\u00e9ro de la revue, et se concentre plus particuli\u00e8rement sur la th\u00e9matique du biopic de musiciens et musiciennes.<\/p>\n

La parution du no 16 (Partie 2) est quant \u00e0 elle pr\u00e9vue dans le courant de l\u2019automne 2022.<\/p>\n

Sommaire du no 15 (Partie 1) \u2013 le biopic de musiciens et musiciennes<\/p>\n

St\u00e9phan Etcharry et Julie Michot, \u00ab Introduction \u00bb<\/p>\n

Xavier Bittar, \u00ab British and French Approaches to the Representation of Vivaldi in Two Films: Stereotypes, Romanticism, and Novelization \u00bb<\/p>\n

Will Kitchen, \u00ab The Virtuoso Type: Cultural Representations of the Exceptional Musician \u00bb<\/p>\n

Virginia S\u00e1nchez Rodr\u00edguez, \u00ab Chopin en la Espa\u00f1a del franquismo: una mirada desde el arte cinematogr\u00e1fico (1959-1975) \u00bb<\/p>\n

Jean Du Verger, \u00ab Taking Sides (2001) d\u2019Istv\u00e1n Szab\u00f3 : la figure du musicien face au r\u00e9gime nazi \u00bb<\/p>\n

Enrique Encabo Fern\u00e1ndez, \u00ab La Bella Otero: representaciones en la pantalla de un mito de la Belle \u00c9poque \u00bb<\/p>\n

Pierre Degott, \u00ab M\u00e9lodies interrompues : brisures, f\u00ealures et ruptures dans les biopics consacr\u00e9s aux chanteuses d\u2019op\u00e9ra \u00bb<\/p>\n

Christelle Ringuet, \u00ab Repenser le biopic : Bessie de Dee Rees \u00bb<\/p>\n

C\u00e9line Bintein, \u00ab \u201cDonnez-lui un masque et il vous dira la v\u00e9rit\u00e9\u201d : les biopics musicaux de Todd Haynes et la mise \u00e0 nu des pi\u00e8ges de l\u2019identit\u00e9 \u00bb<\/p>\n

Yvelin Ducotey, \u00ab Last Days (Gus Van Sant, 2005) : biopic musical iconoclaste ou iconophile ? \u00bb<\/p>\n

J\u00e9r\u00f4me Rossi, \u00ab Chansons et musique originale dans Rocketman (2019) : un continuum musical pour une immersion dans la psych\u00e9 d\u2019Elton John \u00bb<\/p>\n

Comptes rendus<\/p>\n

Machteld Meullemann, \u00ab \u00c9liane Viennot, En finir avec l\u2019homme : chronique d\u2019une imposture, 2021 \u00bb<\/p>\n

Varia<\/p>\n

Fran\u00e7oise Heitz et Audrey Louyer, \u00ab Fen\u00eatre sur Biarritz 2021 \u00bb (sur le 30e anniversaire du Festival de Biarritz Am\u00e9rique Latine, consacr\u00e9 \u00e0 la culture et au cin\u00e9ma latino-am\u00e9ricains \u2013 27 septembre-3 octobre 2021 \u2013, le P\u00e9rou \u00e9tant cette ann\u00e9e le pays \u00e0 l\u2019honneur).<\/p>\n

url de r\u00e9f\u00e9rence
\nhttps:\/\/savoirsenprisme.univ-reims.fr\/index.php\/sep\/issue\/view\/15<\/a><\/p>\n

Source: Julie MICHOT<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

AFEA NEWS: La figure du musicien au cin\u00e9ma St\u00e9phan Etcharry et Julie Michot ont le plaisir de vous annoncer la […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[123,348],"class_list":["post-2360","post","type-post","status-publish","format-standard","hentry","category-publication","tag-cinema","tag-music"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"AFEA NEWS: La figure du musicien au cin\u00e9ma St\u00e9phan Etcharry et Julie Michot ont le plaisir de vous annoncer la […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2360"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2360"}],"version-history":[{"count":1,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2360\/revisions"}],"predecessor-version":[{"id":2362,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2360\/revisions\/2362"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}