{"id":2353,"date":"2022-06-22T10:08:27","date_gmt":"2022-06-22T08:08:27","guid":{"rendered":"https:\/\/afea.fr\/news\/publication\/renee-dickason-delphine-letort-michel-prum-stephanie-a-h-belanger-editors-war-and-remembrance-recollecting-and-representing-war\/2353\/"},"modified":"2022-06-22T10:08:27","modified_gmt":"2022-06-22T08:08:27","slug":"renee-dickason-delphine-letort-michel-prum-stephanie-a-h-belanger-editors-war-and-remembrance-recollecting-and-representing-war","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/publication\/renee-dickason-delphine-letort-michel-prum-stephanie-a-h-belanger-editors-war-and-remembrance-recollecting-and-representing-war\/2353\/","title":{"rendered":"Ren\u00e9e Dickason, Delphine Letort, Michel Prum, St\u00e9phanie A.H. B\u00e9langer (Editors), War  and Remembrance: Recollecting and Representing War"},"content":{"rendered":"<p>Bonjour \u00e0 tou.te.s,<\/p>\n<p>Pour information vient de para\u00eetre:<\/p>\n<p>Ren\u00e9e Dickason, Delphine Letort, Michel Prum, St\u00e9phanie A.H. B\u00e9langer (Editors), <em>War and Remembrance: Recollecting and Representing War<\/em> (Human Dimensions In Foreign Policy, Military Studies, And Security Studies Series), McGill-Queen&rsquo;s University Press (June 2022), 536 pages<br \/>\nISBN-10 \u200f : \u200e 0228010683 \/ ISBN-13 \u200f : \u200e 978-0228010685<br \/>\nURL : <a href=\"https:\/\/www.mqup.ca\/war-and-remembrance-products-9780228010685.php\">https:\/\/www.mqup.ca\/war-and-remembrance-products-9780228010685.php<\/a><\/p>\n<p>Contents<br \/>\nFigures and Plates xiii<br \/>\nAcknowledgments xv<\/p>\n<p>Introduction<br \/>\nRen\u00e9e Dickason, Delphine Letort, Michel Prum, St\u00e9phanie B\u00e9langer<\/p>\n<p>Part 1 \u2013 Remembering War from Indigenous Perspectives<\/p>\n<p>1 War Voices: Australian Aboriginal Political Revolt<br \/>\nPost-First World War 25<br \/>\nJohn Maynard<\/p>\n<p>2 War Memories and Indigenous Stereotypes:<br \/>\nThe Fabrication of the Maori Warrior 36<br \/>\nCorinne David-Ives<\/p>\n<p>3 \u201cThis Day Is Not for You\u201d:<br \/>\nThe Commemorative Displacement of Black Wars<br \/>\nin White Australia 57<br \/>\nElizabeth Rechniewski and Matthew Graves<\/p>\n<p>4 Allies or Enemies? The Representation of Black Soldiers<br \/>\nin Recent French, British, and Canadian Great War Fiction 76<br \/>\nAnna Branach-Kallas<\/p>\n<p>5 Selective Remembering and Motivated Forgetting:<br \/>\nThe Primacy of National Identity in Australia\u2019s Differential<br \/>\nMemorialization of Its Wars 89<br \/>\nSheila Collingwood-Whittick<\/p>\n<p>Part 2 \u2013 Memories of Colonial Involvement and Civil Wars<\/p>\n<p>6 The Gurkha with the Khukuri between His Teeth:<br \/>\nFirst World War Postcards and Combat Representations of<br \/>\nNepalese and Indian Colonial Troops 111<br \/>\nGilles Teuli\u00e9<\/p>\n<p>7 The Humour of an Indian Soldier\u2019s Memories of the First World<br \/>\nWar in M.R. Anand\u2019s Across the Black Waters (1939) 143<br \/>\nFlorence Cabaret<\/p>\n<p>8 Picturing Control:<br \/>\nThe Visual Representation of the Kenya Emergency 158<br \/>\nKeith Bell<\/p>\n<p>9 The Meaning of the American Civil War in<br \/>\nSouthern Memory 175<br \/>\nStephen J. Whitfield<\/p>\n<p>10 Between Nigeria and Biafra: Locating Ethnic Minorities<br \/>\nin Narratives of the Nigerian Civil War, 1967\u201370 193<br \/>\nDominique Otigbah<\/p>\n<p>Part 3 \u2013 Recollections of World Wars<\/p>\n<p>11 Light and Not-So-Light Reflections in the Wipers Times\u2019<br \/>\nTrench Journal and in the Satirical Magazine Punch or The London<br \/>\nCharivari (1939\u201345): What Narratives, What Recollections? 219<br \/>\nRen\u00e9e Dickason<\/p>\n<p>12 Writing the Blitz, Listening to the Nation: Personal Narratives<br \/>\nof the Blitz and the Construction of a Collective Aural Identity<br \/>\nin British Cinema of the Second World War 260<br \/>\nAnita Jorge<\/p>\n<p>13 The Literature of Intervention: US Participation<br \/>\nin the Second World War 277<br \/>\nTatiana Prorokova-Konrad<\/p>\n<p>14 Fighting Fascism? The Second World War in British<br \/>\nFar-Right Memory 295<br \/>\nPaul Stocker<\/p>\n<p>15 The National World War II Museum, New Orleans:<br \/>\nAn Architectural Interpretation of War 311<br \/>\nVictoria Young<\/p>\n<p>Part 4 \u2013 Remembering and Forgetting War<\/p>\n<p>16 War on Memorialization: Constructive and Destructive<br \/>\nHolocaust Remembrance on American Sitcoms, 1990\u20132000s 327<br \/>\nJeffrey Demsky<\/p>\n<p>17 Of Wars, Scars, and Celluloid Memory: Representations<br \/>\nof War in Sri Lankan Cinema (2000\u201310) 348<br \/>\nVilasnee Tampoe\u2013Hautin<\/p>\n<p>18 The Spanish-American War on Film:<br \/>\nAn International Approach 363<br \/>\nAndr\u00e1s L\u00e9n\u00e1rt<\/p>\n<p>19 Wings (William Wellman, 1927) and Broken Lullaby<br \/>\n(Ernst Lubitsch, 1932): The Psychological Drama of Memory<br \/>\nand the Modern Pacifist Narrative 379<br \/>\nRapha\u00eblle Costa de Beauregard<\/p>\n<p>20 Peacekeeping Forces and Their Filmic Representations:<br \/>\nThe Case of Peter Kosminsky\u2019s Warriors (1999) and<br \/>\nThe Promise (2011) 394<br \/>\nGeorges Fournier<\/p>\n<p>Part 5 \u2013 Intimate Memories of War<\/p>\n<p>21 Requiem for a Tommy: Impersonality and Subjectivity<br \/>\nin Stuart Cooper\u2019s Overlord (1975) 415<br \/>\nNicole Cloarec<\/p>\n<p>22 \u201cOur Visit to Waterloo\u201d: Representing the Battlefield in the<br \/>\nMemoirs of Charlotte Eaton and Elizabeth Butler 432<br \/>\nNathalie Saudo-Welby<\/p>\n<p>23 Historically Estranged Generations: Memorials and the<br \/>\nRelevance Effect in Nigel Farndale\u2019s The Blasphemer and<br \/>\nTatiana de Rosnay\u2019s Sarah\u2019s Key 448<br \/>\nMarzena Sokolowksa-Paryz\u02d9<\/p>\n<p>24 An \u201cAbominable Epoch\u201d:<br \/>\nAn Australian Woman\u2019s Perception of Occupied France 464<br \/>\nSylvie Pomi\u00e8s-Mar\u00e9chal<\/p>\n<p>25 Robert Briffault\u2019s War Letters:<br \/>\nA Divided Self under Fire 480<br \/>\nEmmanuel Roudaut<\/p>\n<p>Contributors 497<br \/>\nIndex 511<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bonjour \u00e0 tou.te.s, Pour information vient de para\u00eetre: Ren\u00e9e Dickason, Delphine Letort, Michel Prum, St\u00e9phanie A.H. B\u00e9langer (Editors), War and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[103],"tags":[220,654,574,331],"class_list":["post-2353","post","type-post","status-publish","format-standard","hentry","category-publication","tag-memory","tag-remembrance","tag-representation","tag-war"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Bonjour \u00e0 tou.te.s, Pour information vient de para\u00eetre: Ren\u00e9e Dickason, Delphine Letort, Michel Prum, St\u00e9phanie A.H. B\u00e9langer (Editors), War and [&hellip;]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2353"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2353"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2353\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}