Cher.e.s coll\u00e8gues,<\/p>\n
Christine Kiehl (Lyon 2) nous annonce la tenue de l’atelier "Th\u00e9\u00e2tre et Minorit\u00e9s" dans le cadre du congr\u00e8s de The European Society of the Study of English<\/a>.<\/p>\n Bien chaleureusement, ********<\/p>\n We are pleased to announce that RADAC is chairing a seminar at ESSE 15th conference 2021\/LYON France (Monday 30th August- Friday 3rd September).<\/p>\n To join our session online: ‘ Seminar 41: "Theatre and Minorities<\/strong>", (Thursday 2nd Sept : 15:30 – 17:30 \/ and Friday 3rd Sept 10.30-12.30), please register online => http:\/\/www.esse2020lyon.fr\/fr\/pages\/esse-2021-registration-info<\/a><\/p>\n ( the registration is free for SAES members). ESSE will send you the links to access the seminars and plenary sessions.<\/p>\n You will find below the titles of papers in Seminar 41 <\/strong>co-chaired by RADAC members.<\/p>\n Abstracts can de found on the ESSE web-site.<\/p>\n \u02bb\u02bb\u02bbSeminar \u201cS41: Theatre and Minorities\u201d Thursday Sept 2, 2021 3.30 – 5.00 PM Friday Sept 3rd, 2021, 10.30- 12.30 PM<\/strong><\/p>\n Co-Convenors: * Christine Kiehl (Universit\u00e9 Lumi\u00e8re Lyon 2, France), christine.kiehl * Serena Guarracino (Universit\u00e0 dell’Aquila, Italy), serena.guarracino *Vesna Tripkovi\u0107- Samard\u017ei\u0107 (Mediterranean University, Montenegro), vesna.tripkovicsamardzic<\/p>\n Theatre and Minorities<\/strong> The birth of theatre is historically related to the birth of democracy, but it may have become an elitist artform. And yet, by nature and scope, theatre has always been a welcoming space for voices of dissent in the city, the \u2018Polis\u2019. The seminar \u201cTheatre and Minorities\u201d contemplates the representation and the expression of minorities (migrant communities, groups discriminated on the grounds of race, ethnicity, class, gender, or ability, LGBTIQ, intersectional identities) in contemporary Anglophone theatre since the 1990s. Such questions as staging alterity, stereotyping minorities, repression and transgression, specific dramatic voices and aesthetics for minority groups may be raised.<\/p>\n NEW SCHEDULE Slot 1 Thursday Sept 2, 2021 3.30 \u2013 3.50 PM<\/strong><\/p>\n Sebnem Nazli Karali Edith Cowan University, School of Arts and Humanities, Western Australia skarali<\/p>\n \u201cPost-Catastrophe Drama and Theatre: Postmemorial Politico-Aesthetics of the Armenian Genocide (1894-1923)\u201d<\/strong><\/p>\n Slot 2 Thursday Sept 2, 2021. 3.50 \u2013 4.10 PM<\/strong><\/p>\n Professor Vicky Angelaki Mid Sweden University vicky.angelaki<\/p>\n \u201cUrban and Rural Spatialities of Self in Contemporary Anglophone Drama: Modes of Othering and Forms of Belonging\u201d<\/strong><\/p>\n Slot 3 Thursday Sept 2, 2021 4.10 \u2013 4.30 PM<\/strong><\/p>\n Maria Elena Capitani, University of Parma, Italy mariaelena.capitani<\/p>\n \u201c\u02bbThe Dignity That Comes with Being Heard\u2019: Changing Attitudes to Sexuality in Alexi Kaye Campbell\u2019s The Pride<\/em>\u201d<\/strong><\/p>\n Slot 4 \u2013 Thursday Sept 2, 2021 4.30 \u2013 4.50 PM<\/strong><\/p>\n Dr. Juanjo Berm\u00fadez de Castro Associate Professor j.bermudezcastro<\/p>\n \u201cUniversity Theatre of the Oppressed: the UIB Theatre Company Stages Class, Gender, and Race Thought-Provoking Plays to Awake Social Consciousness (2018-2020)\u201d<\/strong><\/p>\n Slot 1 Friday Sept 3, 2021 10.30 \u2013 10. 50 AM<\/strong><\/p>\n Ludmila Martanovschi, Associate Professor at the Faculty of Letters, Ovidius University, Constanta, Romania. ludmila.martanovschi<\/p>\n \u201cStaging African American Women\u2019s Empowerment in Katori Hall\u2019s Memphis Plays\u201d<\/strong><\/p>\n Slot 2 Friday Sept 3, 2021 10.50 \u2013 11.10 AM<\/strong><\/p>\n \u00c9lise Rale, PhD student at Sorbonne Universit\u00e9 in Paris elise.v.rale<\/p>\n \u201cReclaiming History: The Theater of Lynn Nottage and Suzan-Lori Parks\u201d<\/strong><\/p>\n Slot 3 Friday Sept 3, 2021 11.10 \u2013 11.30 AM<\/strong><\/p>\n Rapha\u00eblle Tchamitchian, PhD in Theatre Studies. Universit\u00e9 Sorbonne Nouvelle raphaelle<\/p>\n \u201c\u02bbIs Contemporary African American Theatre \u00ab Post-Black\u2019 ? Suzan-Lori Parks\u2019s legacy in the work of Branden Jacobs-Jenkins, Jackie Sibblies Drury and Tarell Alvin M Craney\u201d.<\/strong><\/p>\n Slot 4 Friday Sept 3, 2021 11.30 \u201311.50 AM<\/strong><\/p>\n Cyrielle Garson, Lecturer in contemporary Anglophone theatre at Avignon University cyrielle.garson<\/p>\n \u201cIntersectionality in Contemporary Anglophone Canadian Theatre: Perspectives on a 21st-century Political Praxis\u201d<\/strong><\/p>\n Emeline JOUVE, Pr.<\/strong> http:\/\/cas.univ-tlse2.fr\/accueil-cas\/pratique\/membres\/jouve-emeline-53849.kjsp?RH=UTM<\/a><\/p>\n Vice-President of the International Susan Glaspell Society<\/a><\/p>\n Media Secretary of RADAC <\/a>(Recherche sur les Arts Dramatiques Anglophones Contemporains)<\/p>\n Author of Susan Glaspell’s Poetics and Politics of Rebellion<\/a> & Avignon 68 & le Living Theatre. M\u00e9moires d’une r\u00e9volution.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Cher.e.s coll\u00e8gues, Christine Kiehl (Lyon 2) nous annonce la tenue de l’atelier "Th\u00e9\u00e2tre et Minorit\u00e9s" dans le cadre du congr\u00e8s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[568],"tags":[184,401,575],"class_list":["post-2155","post","type-post","status-publish","format-standard","hentry","category-conference-symposium","tag-democracy","tag-minorities","tag-theatre"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Cher.e.s coll\u00e8gues, Christine Kiehl (Lyon 2) nous annonce la tenue de l’atelier "Th\u00e9\u00e2tre et Minorit\u00e9s" dans le cadre du congr\u00e8s […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2155"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2155"}],"version-history":[{"count":0,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2155\/revisions"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nEmeline Jouve pour la soci\u00e9t\u00e9 RADAC (Recherches sur les Arts Dramatiques Anglophones<\/a>)<\/p>\n
\nProfessor (US Theatre)
\n<\/strong>
\nToulouse Jean-Jaur\u00e8s University, France<\/strong><\/p>\n