www.eventbrite.com\/e\/financial-structures-and-practices-on-the-art-market-registration-154255114199<\/a><\/p>\n\n
\n
DAY 1, June 11 – ONLINE (hosted by Universit\u00e9 Sorbonne Nouvelle\/Crew)<\/p>\n
9.45<\/p>\n
Opening<\/p>\n
B\u00e9n\u00e9dicte Miyamoto (Universit\u00e9 Sorbonne Nouvelle, France)<\/p>\n
Nathalie Moureau (Universit\u00e9 Paul Val\u00e9ry Montpellier 3, France)<\/p>\n
10.00 -11.00 keynote:<\/p>\n
Sophie Cras (Universit\u00e9 Panth\u00e9on-Sorbonne, France): Art as an investment: between fact and fiction<\/p>\n
11.00-11.25<\/p>\n
Coffee break<\/p>\n
11.25 \u2013 12.50<\/p>\n
Session One \u2013 Privatization and financialization of art<\/p>\n
Chair: B\u00e9n\u00e9dicte Miyamoto<\/p>\n
Henrique Grimaldi Figueredo (University of Campinas, Brazil\/ \u00c9cole des Hautes \u00c9tudes en Sciences Sociales, France)<\/p>\n
A brief history of patronage in France: political and institutional roots of the public-private model in contemporary art (1950s to 2000s)<\/p>\n
Christine Zumello (Universit\u00e9 Sorbonne Nouvelle, France)<\/p>\n
Corporatization and monetization of art in the United States in the last 20 years: hard and soft<\/p>\n
Charlotte Gould ((Universit\u00e9 Sorbonne Nouvelle, France)<\/p>\n
Buying art before it is made: creating the British model of (semi-) independent art commissioning agencies since the end of the 20th century<\/p>\n
12.50- 13.50 Lunch break<\/p>\n
13.50-15.15<\/p>\n
Session Two \u2013 Government, Subsidies and Taxation<\/p>\n
Chair: Charlotte Gould<\/p>\n
Sela Kodjo Adjei (University of Ghana Business School, Ghana)<\/p>\n
Ghanaian artists on the global art market: A socio-economic inquiry into the \u201cSilent Revolution\u201d<\/p>\n
Shuo Hua (University of Hong Kong, Hong Kong)<\/p>\n
Rise of Hong Kong as Asia\u2019s art hub (1990-2020)<\/p>\n
Nizan Shaked (School of Art, California State University, USA)<\/p>\n
Toward taxing the American resale market<\/p>\n
13.50-15.15<\/p>\n
Session Three \u2013 Private Investment<\/p>\n
Chair: Nathalie Moureau<\/p>\n
Anne-Sophie Radermecker (Erasmus University Rotterdam, The Netherlands & Universit\u00e9 libre de Bruxelles, Belgium)<\/p>\n
Investing in the low-end art market<\/p>\n
Antonia von Appen (Bocconi University, Milan, Italy)<\/p>\n
The untouchable \u2013 the art market as last bastion of unregulated investment?<\/p>\n
Sarah Bakkali (Universit\u00e9 Paris Nanterre, France)<\/p>\n
Speculating on Old Master paintings during the French Revolution: the Trumbull, Parker and Lebrun partnership<\/p>\n
15.15-15.30 Break<\/p>\n
16.40 \u2013 17.50<\/p>\n
Session Four \u2013 Digitization and New Financial Structures<\/p>\n
Chair: Christine Zumello<\/p>\n
Giovanni Maria Riccio (University of Salerno, Italy) and Federica Pezza (Hogan Lovells Alicante, Spain)<\/p>\n
Crowdfunding and art market: rise and regulation of contemporary forms of patronage<\/p>\n
Elisabetta Lazzaro (Business School for the Creative Industries, University for the Creative Arts, UK) and Daniel Nordg\u00e4rd (University of Agder, Norway)<\/p>\n
Crowdfunding for visual artists: alternative or complementary source of income?<\/p>\n
Paul Melton (Fashion Institute of Technology, State University of New York, USA)<\/p>\n
Instagram is to the art market as Bloomberg is to the stock market<\/p>\n
\n
DAY 2, June 12 – ONLINE (hosted by IESA Arts&Culture)<\/p>\n
9.45<\/p>\n
Welcome and introduction<\/p>\n
Adriana Turpin (IESA, France)<\/p>\n
Elisabetta Lazzaro (Business School for the Creative Industries, University for the Creative Arts, UK)<\/p>\n
10.00 Keynote:<\/p>\n
Doroth\u00e9e Wimmer (Centre for art Market Studies, Technische Universit\u00e4t Berlin, Germany)<\/p>\n
Art as a subsidized asset class? Tax Politics and Art Collecting in Berlin 1871-1933<\/p>\n
11.00- 11.25<\/p>\n
Coffee<\/p>\n
11.25-12.50<\/p>\n
Session Five \u2013 Agents & Agencies<\/p>\n
Chair: Adriana Turpin<\/p>\n
Marie Tavinor (Royal Academy of Arts, UK)<\/p>\n
One should always play fairly when one has the winning cards\u2019: Duveen\u2019s support of living British artists, 1927-1934<\/p>\n
Darius A. Speith (Louisiana State University, USA)<\/p>\n
Nineteenth-century auction house satires\u2019 relation to stock markets and behavioral finance<\/p>\n
Ginevra Odone (Universit\u00e9 d’Aix-Marseille, France) and Maurizio Vaccari (Business consultant and entrepreneur)<\/p>\n
\u201cCaylus Ltd\u201d or the informal international art dealing company designed by the Count of Caylus (1692-1765)<\/p>\n
12.50-13.50 Lunch<\/p>\n
13.50-15.15<\/p>\n
Session Six – Intermediaries Strategies
\nChair: Elisabetta Lazzaro<\/p>\n
Marie Blum (Universit\u00e9 de Strasbourg, France)<\/p>\n
Understanding the impact of auction houses and auctioneers on sale outcomes: evidence from art auctions<\/p>\n
Tom Simpson (University Western Australia, Australia)<\/p>\n
Revisiting the art market burn effect: are auction reserve prices efficient? \ufeff<\/p>\n
Mina Soltangheys (Wondeur Ai, USA)<\/p>\n
Quantifying the power of representation in the art market network<\/p>\n
15.15-15.30 Break<\/p>\n
15.30 \u2013 16.40<\/p>\n
Session Seven \u2013 Museums\u2019 strategies<\/p>\n
Chair: Nathalie Moureau<\/p>\n
Marek Prok\u016fpek (Prague University of Economics and Business, Czech Republic) and Diana Betzler (Basel University, Switzerland), Ellen Loots (Erasmus University Rotterdam, The Netherlands)<\/p>\n
Are museums pulling out all the stops? An exploration of museums\u2019 financial strategies during and after COVID-19<\/p>\n
Yvonne Muchitsch (TU Dortmund University, Germany)<\/p>\n
Museum collections and strategies. A quantitative analysis of budgets, acquisitions and donations<\/p>\n
Leandro Le\u00e3o (University of S\u00e3o Paulo, Brazil\/\u00c9cole des Haute \u00c9tude en Sciences Sociales, France)<\/p>\n
New vertice in S\u00e3o Paulo and Rio de Janeiro axe of art and architecture modern historiography: Bras\u00edlia through Wladimir and Tuni Murtinhos<\/p>\n
16.40 -17.50<\/p>\n
Chair: B\u00e9n\u00e9dicte Miyamoto<\/p>\n
Session Eight \u2013 Economic Valuation<\/p>\n
Filip Vermeylen and Alessia Crotta (Erasmus University Rotterdam, The Netherlands)<\/p>\n
Does nudity sell? An econometric analysis of the value of female nudity in Modigliani portraits<\/p>\n
Avigail Moss (University of Southern California, USA)<\/p>\n
Valued risks: insuring exhibitions in nineteenth-century Europe<\/p>\n
Chiara Pilozzi (Universit\u00e0 di Roma, Sapienza, Italy)<\/p>\n
Art funds and fractional ownership: two sides of the same coin?<\/p>\n
17.50 \u2013 18.00
\nClosing of the workshop: Adriana Turpin and B\u00e9n\u00e9dicte Miyamoto<\/p>\n
\n
\n
For further information, please contact
\n
\nbenedicte.miyamoto@sorbonne-nouvelle.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"[category\u00a0conference \/ symposium] ONLINE PROGRAMME All times are Paris, Continental Summer Time The conference will be held online for all […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[568],"tags":[215,403,397],"class_list":["post-2017","post","type-post","status-publish","format-standard","hentry","category-conference-symposium","tag-art","tag-economics","tag-finance"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"[category\u00a0conference \/ symposium] ONLINE PROGRAMME All times are Paris, Continental Summer Time The conference will be held online for all […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2017"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=2017"}],"version-history":[{"count":1,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2017\/revisions"}],"predecessor-version":[{"id":2037,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/2017\/revisions\/2037"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=2017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=2017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=2017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}