Nous avons le plaisir de vous convier au deuxi\u00e8me colloque international consacr\u00e9 \u00e0 l’\u0153uvre de William Faulkner, "Faulkner’s Fetishized Words," organis\u00e9 par l’UR UPJV 4295, avec la coop\u00e9ration de Richmond University.<\/p>\n
Vous trouverez ci-dessous le programme de ce colloque, qui se tiendra exclusivement en distanciel, ainsi que les liens d’invitation pour vous inscrire aux deux journ\u00e9es.<\/p>\n
Faulkner\u2019s Fetishized Words<\/strong><\/p>\n International ZOOM Symposium,<\/p>\n organized by the University of Picardy Jules Verne (France) and the University of Richmond (USA)<\/p>\n Thursday, May 20 and Friday May 21, 2021<\/strong><\/p>\n All timings of this schedule are based on the Central European Summer Time Zone. Please make sure to adapt this schedule to your local time zone.<\/p>\n DAY ONE <\/strong><\/p>\n (Thursday 20 May, 2021)<\/strong><\/p>\n 2:00-2:15 Introduction \u2013 Fr\u00e9d\u00e9rique Spill<\/strong> (Universit\u00e9 de Picardie-Jules Verne)<\/p>\n 2:15-4:00 PANEL#1 Spatial Faulkner<\/strong><\/p>\n (Chair: Ahmed Honeini)<\/p>\n St\u00e9phanie Eyrolles Suchet<\/strong> (Universit\u00e9 de Clermont-Ferrand, France): \u201c\u2018Motionless, locked, incapable of moving\u2019: Arresting Motion in Faulkner\u2019s novels\u201d<\/p>\n Yvan Drion <\/strong>(Universit\u00e9 de Rouen\/Universit\u00e9 de Picardie-Jules Verne, France): \u201cTranslating the \u2018whirling\u2019 text of William Faulkner\u2019s Sanctuary<\/em>\u201d<\/p>\n Liza Tishchenko<\/strong> (University of Michigan, USA): \u201cEquipped Rooms and Fictitious Names: Narrating Rent and Renting Narratives in The Wild Palms<\/em> and Soldiers\u2019 Pay<\/em>\u201d<\/p>\n Solveig Dunkel <\/strong>(Universit\u00e9 de Picardie-Jules Verne\/Boston University): \u201cFaulkner\u2019s Corridors\u201d<\/p>\n 4:00-4:15 BREAK<\/em><\/strong><\/p>\n 4:15-5:30 KEYNOTE<\/strong> \u2013 Pr Jay Watson <\/strong>(University of Mississippi, USA): \u201c\u2018The Working of That Word:\u2019 Racial and Fossil Energies in Light in August<\/em>\u201d<\/p>\n (Chair: Peter Lurie)<\/p>\n 5:30-6:00 LONGER BREAK<\/em><\/strong><\/p>\n 6:00-7:45 PANEL#2 Race and Form<\/strong><\/p>\n (Chair: John T. Matthews)<\/p>\n Jenna Grace Sciuto<\/strong> (Massachusetts College of Liberal Arts, USA): \u201cRepetition and the Reifying of Racial Lines in Halld\u00f3r Laxness and William Faulkner\u201d<\/p>\n Peter Lurie<\/strong> (University of Richmond, USA): \u201cFaulkner\u2019s Racialized Light\u201d<\/p>\n Aur\u00e9lie Guillain<\/strong> (Universit\u00e9 Toulouse-Jean Jaur\u00e8s, France): \u201cWhat is \u2018impenetrable\u2019 in Go Down Moses<\/em>: the Power of a Transferred Epithet\u201d<\/p>\n Susan Scott Parrish<\/strong> (University of Michigan, USA) and Johannes Burgers<\/strong> (Ashoka University, India): \u201cThe Bitter Sum: Accounting for Racist Words in Absalom, Absalom!<\/em>\u201d<\/p>\n 7:45-8:05 Micha\u0142 Choinski <\/strong>(Jagiellonian University, Poland):\u201cA Stylometric Approach to Some of Faulkner\u2019s Fetishized Words\u201d<\/p>\n (Chair: Fr\u00e9d\u00e9rique Spill)<\/p>\n DAY TWO<\/strong><\/p>\n (Friday 21 May, 2021)<\/strong><\/p>\n 2:00-3:30 PANEL#3 Faulkner\u2019s She(s)<\/strong><\/p>\n (Chair: Solveig Dunkel)<\/p>\n Astrid Maes<\/strong> (Universit\u00e9 de Picardie-Jules Verne, France): \u201cFaulkner\u2019s Serene Women\u201d<\/p>\n Laura Wilson <\/strong>(Fisk University, USA): \u201c\u2018Women, shit,\u2019 the tall convict said\u2019: Female Bodily Functions in the Fiction of William Faulkner\u201d<\/p>\n Mary Knighton <\/strong>(Aoyama Gakuin University, Japan): \u201cTransformative Bovine Figures in Faulkner\u2019s Fictions\u201d<\/p>\n 3:30-5:15 PANEL#4 Faulkner in Absentia<\/em>: Language and \u201cnotlanguage\u201d<\/strong><\/p>\n (Chair: Astrid Maes)<\/p>\n Ahmed Honeini <\/strong>(Royal Holloway, University of London, UK): \u201cThe Word that Quentin cannot say: Evasion and the linguistics of suicide in The Sound and the Fury<\/em> (1929)\u201d<\/p>\n Ineke Jolink<\/strong> (Universit\u00e9 Catholique de Paris, France): \u201cFaulkner\u2019s Use of the Prefixes Un, No<\/em> and Not<\/em>: A Study in Deviant Morphology\u201d<\/p>\n Beno\u00eet Tadi\u00e9<\/strong> (Universit\u00e9 Rennes 2, France): \u201c\u2018Little verbal toys:\u2019 Words in<\/p>\n \u2018-less\u2019 in Sanctuary<\/em>\u201d<\/p>\n Phillip \u201cPip\u201d Gordon<\/strong> (University of Wisconsin-Platteville, USA): \u201cThe Missing Word: Describing the \u2018(Un)Real Thing\u2019 in Sanctuary<\/em>\u201d<\/p>\n 5:15-5:45 LONGER BREAK<\/em><\/strong><\/p>\n 5:45-7:00 KEYNOTE<\/strong> \u2013 Pr John T. Matthews <\/strong>(Boston University, USA): \u201c\u2018Dispossessed Him Dispossessed:\u2019 The Fetish of Recursive Forms\u201d<\/p>\n (Chair: Fr\u00e9d\u00e9rique Spill)<\/p>\n 7:00-7:15 BREAK<\/em><\/strong><\/p>\n 7:15-8:30 PANEL#5 Faulkner and Aesthetic Production<\/strong><\/p>\n (Chair: Jay Watson)<\/p>\n Bernard T. Joy <\/strong>(University of Glasgow, Scotland): \u201cBoth Virgin and Pregnant: An Impossible Confluence of Referent and Reference in Faulkner\u2019s \u2018A Portrait of Elmer\u2019\u201d<\/p>\n Benjamin Robbins<\/strong> (University of Innsbruck, Austria): \u201cFaulkner\u2019s Hollywood Allusions and the Semantic Fields of Contagion or Commodification\u201d<\/p>\n Randall Wilhelm<\/strong> (Anderson University, USA): \u201cFaulkner\u2019s Silhouettes\u201d<\/p>\n 8:30-8:45 Conclusion \u2013 Peter Lurie <\/strong>(University of Richmond)<\/p>\n ***<\/p>\n Voici le liens d’inscription :<\/p>\n DAY ONE : https:\/\/u-picardie-fr.zoom.us\/meeting\/register\/tZAuduCpqDovE9auB2kZXMRKna3j__q6BJh3<\/a><\/p>\n