{"id":1761,"date":"2021-01-07T14:05:40","date_gmt":"2021-01-07T13:05:40","guid":{"rendered":"https:\/\/afea.fr\/news\/soutenance\/soutenance-yohann-lucas-produire-reproduire-et-preserver-les-magazines-et-anthologies-de-la-renaissance-d-e-harlem-et-du-black-arts-movement-dans-la-construction-dun-canon-litteraire-africain-am\/1761\/"},"modified":"2021-05-13T10:08:41","modified_gmt":"2021-05-13T08:08:41","slug":"soutenance-yohann-lucas-produire-reproduire-et-preserver-les-magazines-et-anthologies-de-la-renaissance-d-e-harlem-et-du-black-arts-movement-dans-la-construction-dun-canon-litteraire-africain-am","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/soutenance\/soutenance-yohann-lucas-produire-reproduire-et-preserver-les-magazines-et-anthologies-de-la-renaissance-d-e-harlem-et-du-black-arts-movement-dans-la-construction-dun-canon-litteraire-africain-am\/1761\/","title":{"rendered":"Yohann LUCAS: Produire, reproduire et pr\u00e9server : les magazines et anthologies de la Renaissance d e Harlem et du Black Arts Movement dans la construction d’un canon litt\u00e9raire africain-am\u00e9ricain"},"content":{"rendered":"

Yohann LUCAS<\/strong> soutiendra une th\u00e8se en vue de l’obtention du grade de Docteur d’Universit\u00e9 Paris-Est \/ Universit\u00e9 Gustave Eiffel sur le sujet suivant :<\/p>\n

Produire, reproduire et pr\u00e9server : <\/strong><\/p>\n

les magazines et anthologies de la Renaissance de Harlem et du Black Arts Movement dans la construction d’un canon litt\u00e9raire africain-am\u00e9ricain<\/strong><\/p>\n

le samedi 09 janvier 2021 \u00e0 14 heures<\/strong><\/p>\n

La soutenance aura lieu en visioconf\u00e9rence (CapVisio) et <\/strong><\/p>\n

est accessible au public \u00e0 partir du lien suivant : <\/strong><\/p>\n

https:\/\/youtu.be\/cBUnWOUgAAk<\/strong><\/a><\/p>\n

Le jury est compos\u00e9 de Mesdames et Messieurs :<\/p>\n

Monica MICHLIN,<\/strong> Professeure \u00e0 l’Universit\u00e9 Montpellier 3-Paul Val\u00e9ry<\/p>\n

Claire PARFAIT, <\/strong>Professeure \u00e0 l’Universit\u00e9 Sorbonne Paris Nord (pr\u00e9-rapporteure)<\/p>\n

Claudine RAYNAUD,<\/strong> Professeure \u00e0 l’Universit\u00e9 Montpellier 3-Paul Val\u00e9ry (pr\u00e9-rapporteure)<\/p>\n

Jean-Paul ROCCHI, <\/strong>Professeur \u00e0 l’Universit\u00e9 Gustave Eiffel (co-directeur)<\/p>\n

Marie-Jeanne ROSSIGNOL, <\/strong>Professeure \u00e0 l’Universit\u00e9 de Paris<\/p>\n

Fr\u00e9d\u00e9ric SYLVANISE, <\/strong>Ma\u00eetre de Conf\u00e9rences \u00e0 l’Universit\u00e9 Sorbonne Paris Nord (co-directeur)<\/p>\n

R\u00e9sum\u00e9 :<\/p>\n

La Renaissance de Harlem et le Black Arts Movement furent deux p\u00e9riodes d\u2019\u00e9bullition artistique et \u00e9ditoriale qui ont fortement contribu\u00e9 \u00e0 dessiner les contours du canon litt\u00e9raire africain- am\u00e9ricain. Cette th\u00e8se examine l\u2019histoire \u00e9ditoriale de magazines et d\u2019anthologies publi\u00e9s au cours de ces p\u00e9riodes afin de mettre en lumi\u00e8re divers processus de canonisation propres \u00e0 cette litt\u00e9rature. L\u2019\u00e9tude de publications qui, dans l\u2019ensemble, ont fait l\u2019objet de relativement peu de commentaires r\u00e9v\u00e8le que les circonstances de production, de reproduction et de pr\u00e9servation des textes influent sur l\u2019\u00e9valuation litt\u00e9raire et esth\u00e9tique qui en est faite. La th\u00e8se souligne la fa\u00e7on dont une multitude de facteurs sociaux, politiques, \u00e9conomiques, intellectuels ou encore \u00e9ditoriaux eurent une incidence directe sur la production de la litt\u00e9rature africaine-am\u00e9ricaine, en servant d\u2019inspiration th\u00e9matique, en circonscrivant les espaces d\u2019expression ou, au contraire, en permettant de cr\u00e9er de nouvelles publications. Les reproductions successives des m\u00eames textes permettent de voir appara\u00eetre une tradition litt\u00e9raire en filigrane. Cependant, au gr\u00e9 de cadrages divergents, les anthologistes ne cessent d\u2019\u00e9tendre ou de r\u00e9duire le p\u00e9rim\u00e8tre de cette tradition qui laisse entrevoir toute sa labilit\u00e9, fluctuant d\u2019un volume \u00e0 un autre, d\u2019une \u00e9poque \u00e0 une autre. Les modalit\u00e9s de pr\u00e9servation de la litt\u00e9rature sont multiples et d\u00e9coulent de pratiques et de politiques susceptibles d\u2019alt\u00e9rer sensiblement le statut des \u0153uvres et, partant, de permettre une red\u00e9finition des contours du canon litt\u00e9raire africain-am\u00e9ricain.<\/p>\n

Mots-clefs : Magazine \u2013 Anthologie \u2013 Renaissance de Harlem \u2013 Black Arts Movement \u2013 Canon litt\u00e9raire \u2013 Histoire du livre \u2013 Africain-Am\u00e9ricain \u2013 Archive \u2013 Esth\u00e9tique \u2013 Identit\u00e9 \u2013 M\u00e9dias<\/p>\n

Summary:<\/p>\n

The Harlem Renaissance and the Black Arts Movement were two periods, characterized by an artistic and editorial outburst, which contributed to outline the African-American literary canon. This dissertation examines the editorial history of magazines and anthologies published during these periods in order to shed light on various canon-formation processes specific to this literature. Studying publications which, on the whole, have seldom elicited comments reveals that the circumstances of production, reproduction and preservation of texts influence how the latter are evaluated from a literary and aesthetic standpoint. The present work highlights how multiple social, political, economic, intellectual or editorial factors have had a direct sway on the African-American literary production, by serving as thematic inspiration, by limiting spaces of expression or, on the contrary, by fostering the creation of new publications. Thanks to the successive reproductions of the same texts, it is possible to see a literary tradition emerge almost imperceptibly. However, anthologists have repeatedly offered various interpretations of this tradition, reducing or expanding its scope. It betrays the instability of this tradition which changes from one volume to the next, and from era to era. The different methods involved in the preservation of literature are practices and policies which are likely to alter substantially the status of literary works and, by extension, to allow for the African-American literary canon to be redefined.<\/p>\n

Keywords: Magazine \u2013 Anthology \u2013 Harlem Renaissance \u2013 Black Arts Movement \u2013 Literary canon \u2013 Book history \u2013 African-American \u2013 Archive \u2013 Aesthetics \u2013 Identity \u2013 Media<\/p>\n

Bien cordialement,<\/p>\n

Jean-Paul Rocchi.<\/p>\n","protected":false},"excerpt":{"rendered":"

Yohann LUCAS soutiendra une th\u00e8se en vue de l’obtention du grade de Docteur d’Universit\u00e9 Paris-Est \/ Universit\u00e9 Gustave Eiffel sur […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[102],"tags":[260,261,257],"class_list":["post-1761","post","type-post","status-publish","format-standard","hentry","category-soutenance","tag-black-arts-movement","tag-harlem-renaissance","tag-these"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"Yohann LUCAS soutiendra une th\u00e8se en vue de l’obtention du grade de Docteur d’Universit\u00e9 Paris-Est \/ Universit\u00e9 Gustave Eiffel sur […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/1761"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=1761"}],"version-history":[{"count":2,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/1761\/revisions"}],"predecessor-version":[{"id":1952,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/1761\/revisions\/1952"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=1761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=1761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=1761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}