{"id":1395,"date":"2021-02-18T13:30:00","date_gmt":"2021-02-18T11:30:00","guid":{"rendered":"http:\/\/localhost\/news\/?p=1395"},"modified":"2021-04-14T21:59:36","modified_gmt":"2021-04-14T19:59:36","slug":"cadres-et-espaces-dans-le-monde-anglophone-strategies-dappropriation-et-daffranchissement","status":"publish","type":"post","link":"https:\/\/afea.fr\/news\/cfp\/cadres-et-espaces-dans-le-monde-anglophone-strategies-dappropriation-et-daffranchissement\/1395\/","title":{"rendered":"Cadres et espaces dans le monde anglophone. Strat\u00e9gies d’appropriation et d’affranchissement"},"content":{"rendered":"\n

15-16 octobre 2021<\/strong>UR SEARCH 2325, Universit\u00e9 de Strasbourg<\/strong>Invit\u00e9s d’honneur : Anne-Laure Amilhat Szary (g\u00e9ographe, Universit\u00e9 Grenoble Alpes) et Paul Duro (historien de l’art, University of Rochester)<\/strong> Apr\u00e8s plusieurs colloques et publications sur la fronti\u00e8re, SEARCH (UR2325) poursuit son travail sur l’espace et sa d\u00e9limitation en se penchant sur la question du cadre et de ses significations artistiques, litt\u00e9raires, historiques, sociologiques ou g\u00e9ographiques. Nous nous int\u00e9resserons d’une part aux op\u00e9rations d’isolement et de circonscription d’un espace, comme dans l’art du paysage, et d’autre part \u00e0 la \u00ab production de l’espace \u00bb (Lefebvre), sans pour autant n\u00e9cessairement opposer ces deux dimensions l’une \u00e0 l’autre. L’espace sera entendu au sens physique et g\u00e9ographique, mais aussi au sens social (les espaces sociaux et leurs r\u00e8gles) et au sens mat\u00e9riel (le tableau, la page, la sc\u00e8ne, l’espace photographique ou cin\u00e9matographique…). Le concept de cadre permettra d’envisager les modalit\u00e9s selon lesquelles on structure ou on d\u00e9structure l’espace, en accord avec les normes ou par leur transgression. Ces cadres peuvent \u00eatre mat\u00e9riels, g\u00e9ographiques ou visuels, mais aussi sociaux, id\u00e9ologiques ou \u00e9pist\u00e9mologiques. Ce sont ces cadres eux-m\u00eames, mais aussi la mani\u00e8re dont ils organisent notre exp\u00e9rience (Goffman), la fa\u00e7on dont on les cr\u00e9e ou on cherche \u00e0 les abolir, les modalit\u00e9s selon lesquelles on les subit ou on les impose, qui seront au c\u0153ur de nos interrogations.   D\u00e9limiter<\/strong>La notion de cadre implique une dualit\u00e9 int\u00e9rieur\/ext\u00e9rieur et un rapport d’inclusion, qui peut int\u00e9grer une dimension hi\u00e9rarchique. Elle entra\u00eene \u00e9galement la possibilit\u00e9 d’une transgression, ainsi qu’un certain nombre d’interactions entre le dedans et le dehors (Heller-Andrist). On pense \u00e0 des op\u00e9rations fondamentales de d\u00e9limitation de l’espace comme l’Ordonnance du Nord-Ouest (1787) qui organisa la r\u00e9partition mais aussi l’expansion du territoire des \u00c9tats-Unis, ou au quadrillage de Manhattan. Le cadrage g\u00e9ographique correspond ici d\u00e9j\u00e0 \u00e0 un cadrage conceptuel et\/ou id\u00e9ologique, qui peut \u00e9voluer au fil du temps : on n’h\u00e9sitera pas ainsi \u00e0 montrer le changement des rep\u00e8res spatiaux li\u00e9 par exemple \u00e0 la conqu\u00eate de l’Ouest, ou bien encore aux effets du d\u00e9r\u00e8glement climatique. Pour ce qui est des arts et de la litt\u00e9rature, on pourra se pencher sur les cadres qui d\u00e9limitent l’\u0153uvre en circonscrivant son espace (cadre du tableau, espace de la page, etc.) ou encore interroger les tentatives de remise en cause du cadre, que ce soit par transgression, dissolution ou extension du cadre, de l’anti-art dada\u00efste aux Happenings, ou encore au Land art. Concevoir<\/strong><\/p>\n\n\n\n

La d\u00e9limitation d’un espace peut difficilement s’envisager sans une forme de conception de cet espace, qu’il s’agisse d’appr\u00e9hender un espace pr\u00e9-existant ou bien de concevoir un nouvel espace (Derrida), comme peut le d\u00e9noter le verbe anglais \u00ab to frame \u00bb. Cette conception peut r\u00e9sulter des rapports de pouvoir, et relever d’un mouvement d’appropriation ou de confiscation de l’espace, comme le montre le d\u00e9coupage de l’Afrique entre \u00c9tats coloniaux officialis\u00e9 lors de la conf\u00e9rence de Berlin (1884-5), ainsi que les controverses sur la dimension genr\u00e9e de l’am\u00e9nagement urbain ou des cours de r\u00e9cr\u00e9ation. Cela vaut aussi pour les cadres historiographiques en tant qu’ils appliquent les r\u00e9gimes spatiaux d’une \u00e9poque \u00e0 des \u00e9poques pass\u00e9es. La peinture de paysage ne d\u00e9limite pas un espace tant qu’elle le construit. Cette construction constitue le paysage en objet en m\u00eame temps qu’elle fait \u00e9merger un sujet qui regarde cet objet. Le cadre, davantage qu’une interface, devient ainsi la trace de cette op\u00e9ration de r\u00e9partition. Pour Latour, la dichotomie m\u00eame de nature et culture conduit \u00e0 l’\u00e9mergence de la nature en tant qu’objet que s’approprie et qu’exploite le sujet occidental. Ainsi, la notion de cadre peut servir de point de d\u00e9part \u00e0 une r\u00e9flexion sur l’espace non pas en tant que donn\u00e9, mais bien plut\u00f4t en tant qu’ensemble de relations. La litt\u00e9rature construit elle aussi des espaces par la repr\u00e9sentation, tandis que les formes et genres litt\u00e9raires, comme du reste les \u00ab r\u00e8gles de l’art \u00bb, cr\u00e9ent des rapports d’inclusion et d’exclusion.Encastrements, superpositions, t\u00e9lescopages<\/strong>Plusieurs ph\u00e9nom\u00e8nes de cadrage peuvent se compl\u00e9ter, se superposer ou entrer en conflit. Dans le tableau, on pourra s’int\u00e9resser \u00e0 l’image dans l’image, aux ph\u00e9nom\u00e8nes de d\u00e9doublement, embo\u00eetement, encastrement etc. (Stoichita), c’est-\u00e0-dire d’agencement des cadres les uns par rapport aux autres. On portera \u00e9galement une attention toute particuli\u00e8re aux ph\u00e9nom\u00e8nes de transm\u00e9dialit\u00e9 et d’interm\u00e9dialit\u00e9, qui sont propices au cadrage \u00ab h\u00e9t\u00e9rom\u00e9dial \u00bb (Wolf & Bernahrt), qu’il s’agisse de l’ekphrasis<\/em> ou de l’hypotypose en litt\u00e9rature, de la mise en relation du texte et de l’image dans l’art de l’embl\u00e8me, des arts visuels et du performance art<\/em>, de l’art et de l’intervention politique, ou de la transposition aux m\u00e9dias \u00e9lectroniques de l’espace du tableau ou de la page. Il peut s’agir aussi, gr\u00e2ce aux ph\u00e9nom\u00e8nes de t\u00e9lescopage des cadres, de mieux comprendre comment ils fonctionnent, s’opposent, se renforcent, se transforment et permettent une circulation entre le dedans et le dehors. <\/p>\n\n\n\n

Nous encourageons les propositions touchant \u00e0 tous les pays de l’aire anglophone, quelle que soit l’\u00e9poque abord\u00e9e. Nous envisageons la publication d’une s\u00e9lection de travaux issus du colloque.<\/p>\n\n\n\n

Les propositions de communication pourront s’int\u00e9resser \u00e0 : Cadres esth\u00e9tiquesCadres et connaissance Cadres et pouvoirProduction de l’espaceEspaces sociaux et leurs r\u00e8glesCadres de la repr\u00e9sentationNormes et transgressions du cadreL’\u00e9volution des cadresInterm\u00e9dialit\u00e9\/transm\u00e9dialit\u00e9 
<\/p>\n\n\n\n

Les propositions de communications en anglais ou en fran\u00e7ais (300 mots) accompagn\u00e9es d’une courte notice biographique sont \u00e0 adresser \u00e0 Pauline Collombier-Lakeman (collombier@unistra.fr<\/a>) et R\u00e9mi Vuillemin (vuillem@unistra.fr<\/a>) avant le 31 mai 2021. <\/strong><\/p>\n\n\n\n

Site internet du colloque: <\/strong>https:\/\/langues.unistra.fr\/search\/actualites\/actualite\/news\/appel-a-communication-cadres-et-espaces-dans-le-monde-anglophone-strategies-dappropriation-et-d\/<\/a><\/p>\n\n\n\n

Comit\u00e9 d’organisation<\/strong>\u00a0: Sandrine Baudry, Pauline Collombier-Lakeman, Gwen Cressman, Yves Golder, H\u00e9l\u00e8ne Ibata, Monica Manolescu, M\u00e9lanie Meunier, Fanny Moghaddassi, Ghislain Potriquet, R\u00e9mi Vuillemin.\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

CFP:\u00a0Framing\/unframing spaces in the English-speaking world<\/strong><\/p>\n\n\n\n

UR SEARCH 2325, University of Strasbourg<\/strong><\/p>\n\n\n\n

\u00a0October 15-16, 2021<\/strong><\/p>\n\n\n\n

Keynote speakers: Anne-Laure Amilhat Szary (geographer, University of Grenoble Alpes) and Paul Duro (art historian, University of Rochester)<\/strong><\/p>\n\n\n\n

After having organized several conferences and published several collective volumes on borders, the SEARCH research group at the University of Strasbourg pursues its research on space and its organization by addressing the issue of frames and their artistic, literary, historical, sociological and geographic significance. The conference seeks to study operations of isolating and circumscribing space, as is the case in landscape painting, and also the \u00ab\u00a0production of space\u00a0\u00bb (Lefebvre), without setting the two in opposition. Space is understood in a physical and geographical sense, but also in a social sense (social spaces and their rules) and a material one (the canvas, the page, the stage, photographic or cinematic space, for instance). The notion of frame opens up a reflection on the ways in which space is constructed or deconstructed, according to norms or against them. Frames can be material, geographical or visual, but also social, ideological or epistemological. We seek to explore frames, but also the ways in which they organize experience (Goffman), the ways in which we create them or seek to abolish them, the ways in which we experience them or impose them. Delimiting space<\/strong> Frames imply a duality between inside and outside, and a relationship of inclusion, which is often informed by a hierarchical dimension. They also lead to transgression and interaction between inside and outside (Heller-Andrist). Such was the case in fundamental operations of delimiting space like the Northwest Ordinance (1787), which organized the division and the territorial expansion of the United States, and the Manhattan grid. This geographical framing corresponds to a conceptual and\/or ideological framing, which may evolve over time. From this perspective, it is useful to address the evolution of spatial landmarks related to the Western expansion of the United States, or to the effects of climate change. Regarding the arts and literature, the frames that delimit the work can be studied in terms of how they circumscribe space (as with picture frames or the space of the page, for example). Another possibility is to study the attempts to break the frame, be it through transgression, dissolution or extension, from Dada to Happenings to Land Art.  Conceiving space<\/strong><\/p>\n\n\n\n

Delimiting space is inextricably bound with a certain understanding of the latter, be it the apprehension of a pre-existing space or the emergence of a new space (Derrida), as the English verb \u00ab\u00a0to frame\u00a0\u00bb denotes. This conception can be the result of a power struggle or be entangled with attempts to appropriate and confiscate space, as demonstrated by the carving up of Africa at the Berlin conference (1884-5) or the controversies surrounding the gendered dimension of urban planning and schoolyards. This is also true of historiographic frames insofar as they apply the spatial regimes of a given era to a past era. Landscape painting does not delimit a space as much as it constructs one. This construction constitutes a represented object while simultaneously giving rise to a subject observer. Rather than an interface, the frame becomes the mark of this act of separation. For Latour, the dichotomy between nature and culture leads to the emergence of nature as object appropriated and exploited by the Western subject. Thus, the notion of frame can be a starting point for an exploration of space not as a given, but rather as a series of relations. Literature also constructs spaces of representation. Literary forms and genres create relations of inclusion and exclusion, as do all artistic rules.<\/p>\n\n\n\n

Embedding, superposing, telescoping spaces<\/strong><\/p>\n\n\n\n

Multiple framing phenomena can coexist and complement, superpose, or collide with one another.  In a painting, mise en abyme<\/em> and related effects of duplication, embedding and in-building (Stoichita), in other words the relationships among various embedded frames, make apparent the semantic potential of such superimpositions. Phenomena of intermediality and transmediality deserve further scrutiny in this context, since they are particularly suitable for \u00ab\u00a0heteromedial\u00a0\u00bb framing (Wolf & Bernhart), be it ekphrasis or hypotyposis in literature, the relation between text and image in the art of emblems, visual arts and performance art, in political art and action, or the transposition of the canvas\/the page to electronic media. The study of these heteromedial phenomena will allow us to better understand the nature of the varied relationships of opposition, reinforcement and transformation among frames, more specifically how they regulate the circulation between inside and outside.
 We encourage proposals on all English-speaking countries and all historical periods. We intend to publish a selection of papers in a peer-reviewed publication.  <\/p>\n\n\n\n

Possible topics:<\/strong> Aesthetic framesFrames and knowledgeFrames and powerProduction of spaceSocial spaces and their rulesFrames of representationNorms and transgressions related to the frameEvolution of framesIntermediality\/transmediality <\/p>\n\n\n\n

Conference website: <\/strong><\/p>\n\n\n\n

https:\/\/langues.unistra.fr\/search\/actualites\/actualite\/news\/appel-a-communication-cadres-et-espaces-dans-le-monde-anglophone-strategies-dappropriation-et-d\/<\/a><\/p>\n\n\n\n

Paper proposals in English or French (300 words) accompanied by a short bio should be sent to Pauline Collombier-Lakeman (collombier@unistra.fr<\/a>) and R\u00e9mi Vuillemin (vuillem@unistra.fr<\/a>) by May 31, 2021.<\/strong><\/p>\n\n\n\n

Organizing committee<\/strong>: Sandrine Baudry, Pauline Collombier-Lakeman, Gwen Cressman, Yves Golder, H\u00e9l\u00e8ne Ibata, Monica Manolescu, M\u00e9lanie Meunier, Fanny Moghaddassi, Ghislain Potriquet, R\u00e9mi Vuillemin.<\/p>\n","protected":false},"excerpt":{"rendered":"

15-16 octobre 2021UR SEARCH 2325, Universit\u00e9 de StrasbourgInvit\u00e9s d’honneur : Anne-Laure Amilhat Szary (g\u00e9ographe, Universit\u00e9 Grenoble Alpes) et Paul Duro (historien […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[99],"tags":[109,111,110],"class_list":["post-1395","post","type-post","status-publish","format-standard","hentry","category-cfp","tag-frame","tag-painting","tag-space"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Admin","author_link":"https:\/\/afea.fr\/news\/author\/yanb\/"},"uagb_comment_info":0,"uagb_excerpt":"15-16 octobre 2021UR SEARCH 2325, Universit\u00e9 de StrasbourgInvit\u00e9s d’honneur : Anne-Laure Amilhat Szary (g\u00e9ographe, Universit\u00e9 Grenoble Alpes) et Paul Duro (historien […]","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/1395"}],"collection":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/comments?post=1395"}],"version-history":[{"count":1,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/1395\/revisions"}],"predecessor-version":[{"id":1396,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/posts\/1395\/revisions\/1396"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/media?parent=1395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/categories?post=1395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/news\/wp-json\/wp\/v2\/tags?post=1395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}