This issue of Angles: New Perspectives on the Anglophone World seeks to present the very diverse ways artists of the Black diasporic space envision their art practice in close relation to history. The issue will foster an interdisciplinary dialogue between history, visual arts, museum studies, transatlantic studies, diaspora studies and post-colonial studies. We seek papers in line with the journal’s focus on innovative interdisciplinary research based on a wide range of methodologies. We welcome articles dealing with contemporary visual art, written or video interventions by contemporary visual artists commenting on their own practice and contributions related to pedagogical activities based on the classroom study of contemporary artworks and artists of the Black Diaspora.
Source: Anne-Claire Faucquez, Antonia Rigaud, Clémentine Tholas <antonia.rigaud>