{"id":174,"date":"2022-04-19T16:17:30","date_gmt":"2022-04-19T16:17:30","guid":{"rendered":"https:\/\/afea.fr\/bordeaux2022\/?p=174"},"modified":"2022-07-07T14:07:46","modified_gmt":"2022-07-07T14:07:46","slug":"programme-complet","status":"publish","type":"post","link":"https:\/\/afea.fr\/bordeaux2022\/2022\/04\/19\/programme-complet\/","title":{"rendered":"Programme complet"},"content":{"rendered":"\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\"  class=\"wp-block-file__embed\" data=\"https:\/\/afea.fr\/bordeaux2022\/wp-content\/uploads\/sites\/6\/2022\/05\/53eme-Congres-AFEA-2022-Programme-final-avec-doctoriales-maj-12-Mai.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Contenu embarqu\u00e9 Contenu embarqu\u00e9 53eme-Congres-AFEA-2022-Programme-final-avec-doctoriales-maj-12-Mai..\"><\/object><a id=\"wp-block-file--media-d10a9152-b351-4981-ab7b-33203ce6da85\" href=\"https:\/\/afea.fr\/bordeaux2022\/wp-content\/uploads\/sites\/6\/2022\/05\/53eme-Congres-AFEA-2022-Programme-final-avec-doctoriales-maj-12-Mai.pdf\">53eme-Congres-AFEA-2022-Programme-final-avec-doctoriales-maj-12-Mai<\/a><a href=\"https:\/\/afea.fr\/bordeaux2022\/wp-content\/uploads\/sites\/6\/2022\/05\/53eme-Congres-AFEA-2022-Programme-final-avec-doctoriales-maj-12-Mai.pdf\" class=\"wp-block-file__button\" download aria-describedby=\"wp-block-file--media-d10a9152-b351-4981-ab7b-33203ce6da85\">T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\t\t\t\t<div class=\"wp-block-uagb-table-of-contents uagb-toc__align-left uagb-toc__columns-1  uagb-block-7e149339      \"\n\t\t\t\t\tdata-scroll= \"1\"\n\t\t\t\t\tdata-offset= \"30\"\n\t\t\t\t\tstyle=\"\"\n\t\t\t\t>\n\t\t\t\t<div class=\"uagb-toc__wrap\">\n\t\t\t\t\t\t<div class=\"uagb-toc__title\">\n\t\t\t\t\t\t\tTable des mati\u00e8res\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"uagb-toc__list-wrap \">\n\t\t\t\t\t\t<ol class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#mardi-31-mai\" class=\"uagb-toc-link__trigger\">Mardi 31 mai<\/a><li class=\"uagb-toc__list\"><a href=\"#mercredi-1er-juin\" class=\"uagb-toc-link__trigger\">Mercredi 1er juin<\/a><li class=\"uagb-toc__list\"><a href=\"#jeudi-2-juin\" class=\"uagb-toc-link__trigger\">Jeudi 2 juin<\/a><li class=\"uagb-toc__list\"><a href=\"#vendredi-3-juin\" class=\"uagb-toc-link__trigger\">Vendredi 3 juin<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Mardi 31 mai<\/strong><\/h2>\n\n\n\n<p><strong>09h15-17h30 Doctoriales de litt\u00e9rature \/ Graduate symposium on literature (salle \/ room J 004)<\/strong><\/p>\n\n\n\n<p><em>Anne U<\/em><em>llmo<\/em><em> (Universit\u00e9 de Tours) et Ronan L<\/em><em>udot<\/em><em>-V<\/em><em>lasak<\/em><em> (Universit\u00e9 Sorbonne Nouvelle)<\/em><\/p>\n\n\n\n<p>R\u00e9pondant.e.s&nbsp;:<strong> <\/strong>Pascale Antolin (Universit\u00e9 Bordeaux Montaigne), Sylvie Bauer (Universit\u00e9 Rennes&nbsp;2), V\u00e9ronique B\u00e9ghain (Universit\u00e9 Bordeaux Montaigne), Mathieu Duplay (Universit\u00e9 Paris-Cit\u00e9), St\u00e9phanie Durrans (Universit\u00e9 Bordeaux Montaigne), Abigail Lang (Universit\u00e9 Paris-Cit\u00e9)<\/p>\n\n\n\n<p><strong>9h15-9h30 Accueil et introduction \/ Welcome and introduction (Anne Ullmo et Ronan Ludot-Vlasak)<\/strong><\/p>\n\n\n\n<p><strong>9h30-11h New Perspectives on the American Canon<\/strong><\/p>\n\n\n\n<p>Gabriel Daveau (Universit\u00e9 de Lille \/ Institut des Am\u00e9riques), \u201cMoving South(s): the Short Fiction of William Gilmore Simms (1806-1870) and the Reconfiguration of Southern Spaces\u201d<\/p>\n\n\n\n<p>Direction&nbsp;: Ronan Ludot-Vlasak (Universit\u00e9 Sorbonne Nouvelle)<\/p>\n\n\n\n<p>Estelle Jardon (Universit\u00e9 de Lorraine), \u00ab&nbsp;Taking the Detective Story Seriously: Production and Reception Challenges&nbsp;\u00bb<\/p>\n\n\n\n<p>Direction&nbsp;: Monica Latham (Universit\u00e9 de Lorraine) et Beno\u00eet Tadi\u00e9 (Universit\u00e9 Rennes 2)<\/p>\n\n\n\n<p><strong>11h<\/strong><strong>00<\/strong><strong>-11h15 Pause<\/strong><strong> \/ Break<\/strong><\/p>\n\n\n\n<p><strong>11h15-12h45 Postmodern Narrative Constructions<\/strong><\/p>\n\n\n\n<p>Lisa Haristoy (Universit\u00e9 de Bretagne Occidentale), \u201cTime and History in (Eco)feminist Dystopias: Lidia Yuknavitch\u2019s <em>The Book of Joan<\/em> (2017) and Jennie Melamed\u2019s <em>Gather the Daughters<\/em> (2017)\u201d<\/p>\n\n\n\n<p>Direction&nbsp;: H\u00e9l\u00e8ne Machinal (Universit\u00e9 de Bretagne Occidentale)<\/p>\n\n\n\n<p>Ivo Janjusevic (Universit\u00e9 de Tours), \u201cThe Poetics of Bricolage in the Narrative Fiction of P. Everett\u201d<\/p>\n\n\n\n<p>Direction&nbsp;: Anne Ullmo (Universit\u00e9 de Tours)<\/p>\n\n\n\n<p><strong>12h45-14h <\/strong><strong>D\u00e9jeuner \/ Lunch<\/strong><\/p>\n\n\n\n<p>CROUS Cafet\u2019 Le Veracruz, Esplanade des Antilles, 33600 Pessac<\/p>\n\n\n\n<p><strong>14h-16h15 The Poetics and Politics of Modernism<\/strong><\/p>\n\n\n\n<p>Pascale-Marie Deschamps (Universit\u00e9 Paris-Cit\u00e9), \u201cT.S. Eliot in French and in France\u201d<\/p>\n\n\n\n<p>Direction&nbsp;: Antoine Caz\u00e9 (Universit\u00e9 Paris-Cit\u00e9)<\/p>\n\n\n\n<p>Elena Dobre (Universidad Jaume I.), \u201cTrauma and Psychopathology in William Faulkner\u2019s 1929-1936 Novels\u201d<\/p>\n\n\n\n<p>Direction : Elena-Mar\u00eda &nbsp;Ortells Monton (Universidad Jaume I.)<\/p>\n\n\n\n<p>Nikos Stratigakis (National &amp; Kapodistrian University of Athens, Universit\u00e9 Paris Nanterre), \u201cCircumscribed in Stone: Lola Ridge\u2019s enchantment(s) in the Lower East Side\u201d<\/p>\n\n\n\n<p>Direction : H\u00e9l\u00e8ne Aji (ENS Ulm), Stamatina Dimakopoulou &amp; Anna Despotopoulou (National &amp; Kapodistrian University of Athens)<\/p>\n\n\n\n<p><strong>16h30-17h30&nbsp;Table ronde commune avec les doctoriales de civilisation<\/strong><strong> \/ Transdisciplinary roundtable (salle \/ room J 004)<\/strong><\/p>\n\n\n\n<p><strong>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/strong><\/p>\n\n\n\n<p><strong>09h15-17h30 Doctoriales de civilisation \/ Graduate symposium on civilization (salle \/ room J 006)<\/strong><\/p>\n\n\n\n<p><em>Fran\u00e7oise C<\/em><em>oste <\/em><em>(Universit\u00e9 Toulouse-Jean Jaur\u00e8s) et H\u00e9l\u00e8ne Q<\/em><em>uanquin<\/em><em> (Universit\u00e9 de Lille)<\/em><\/p>\n\n\n\n<p><strong>9h15-9h30 Accueil et introduction <\/strong><strong>\/ Welcome and introduction <\/strong><strong>(Fran\u00e7oise C<\/strong><strong>oste<\/strong><strong> et H\u00e9l\u00e8ne Q<\/strong><strong>uanquin<\/strong><strong>)<\/strong><\/p>\n\n\n\n<p><strong>9h30-11h The U.S. in the World<\/strong><\/p>\n\n\n\n<p>Lucas Hellemeier (John F. Kennedy Institute, Freie Universit\u00e4t Berlin), \u201cDefense Industrial Globalization and US Hegemonic Strategy\u201d<\/p>\n\n\n\n<p>Direction : Lora Anne Viola (FU Berlin), Jonathan D. Caverley (US Naval War College), Kaija Schilde (Boston University)<\/p>\n\n\n\n<p>Discutant : Michael Stricof (Aix-Marseille Universit\u00e9)<\/p>\n\n\n\n<p>Chlo\u00e9 Pastourel (Universit\u00e9 Clermont-Auvergne), \u00ab&nbsp;Repenser la philanthropie am\u00e9ricaine en France de 1914 \u00e0 la fin des ann\u00e9es 1930&nbsp;\u00bb<\/p>\n\n\n\n<p>Direction&nbsp;: Nathalie Ponsard et Nicolas Beaupr\u00e9 (Universit\u00e9 Clermont-Auvergne)<\/p>\n\n\n\n<p>Discutante&nbsp;: Evelyne Payen-Varieras (Universit\u00e9 Sorbonne Nouvelle)<\/p>\n\n\n\n<p><strong>11h-11h15 Pause<\/strong><strong> \/ Break<\/strong><\/p>\n\n\n\n<p><strong>11h15-12h45 Identit\u00e9s et mobilisations dans les villes nord-am\u00e9ricaines<\/strong><\/p>\n\n\n\n<p>Marie M\u00e9nard (Universit\u00e9 Paris-Cr\u00e9teil), \u00ab&nbsp;Les mobilisations enseignantes de la derni\u00e8re d\u00e9cennie aux \u00c9tats-Unis, Chicago et Oklahoma-City&nbsp;\u00bb<\/p>\n\n\n\n<p>Direction&nbsp;: Donna Kesselman (Universit\u00e9 Paris-Cr\u00e9teil) et Christian Aza\u00efs (CNAM)<\/p>\n\n\n\n<p>Discutant&nbsp;: Olivier Burtin (AFEA)<\/p>\n\n\n\n<p>Lindsey Paek (Universit\u00e9 Bordeaux Montaigne), \u201cThe Hyphenated Canadian Identity: The Case Study of Korean immigrants in Toronto\u201d<\/p>\n\n\n\n<p>Direction : Lionel Larr\u00e9 (Universit\u00e9 Bordeaux Montaigne)<\/p>\n\n\n\n<p>Discutante : Christine Lorre (Universit\u00e9 Sorbonne Nouvelle)<\/p>\n\n\n\n<p><strong>12h45-14h <\/strong><strong>D\u00e9jeuner \/ Lunch<\/strong><\/p>\n\n\n\n<p>CROUS Cafet\u2019 Le Veracruz, Esplanade des Antilles, 33600 Pessac<\/p>\n\n\n\n<p><strong>14h-16h15 M\u00e9dias<\/strong><\/p>\n\n\n\n<p>Carole Darmon (Universit\u00e9 d\u2019Angers), \u00ab \u2018The Little Picture\u2019 : repr\u00e9sentations et consid\u00e9ration du&nbsp;common&nbsp;man&nbsp;dans les \u00e9missions radiophoniques et t\u00e9l\u00e9vis\u00e9es d&rsquo;Edward R. Murrow de 1950 \u00e0 1961&nbsp;\u00bb<\/p>\n\n\n\n<p>Direction&nbsp;: Gelareh Djahansouz-Yvard (Universit\u00e9 d\u2019Angers) et Jean-Michel Yvard (Universit\u00e9 d\u2019Angers)<\/p>\n\n\n\n<p>Discutant&nbsp;: S\u00e9bastien Mort (Universit\u00e9 de Lorraine \u2013 site de Metz)<\/p>\n\n\n\n<p>Jos\u00e9phine Sourgnes (Universit\u00e9 Paul Val\u00e9ry-Montpellier 3), \u00ab&nbsp;Expression et r\u00e9pression du traumatisme dans <em>Speak<\/em> et <em>Thirteen Reasons<\/em> Why : la repr\u00e9sentation du harc\u00e8lement scolaire et de la violence sexuelle dans les \u0153uvres fictionnelles pour adolescents. Vers une th\u00e9orie de la <em>teen trauma fiction<\/em> et de sa r\u00e9ception&nbsp;\u00bb<\/p>\n\n\n\n<p>Direction&nbsp;: Monica Michlin (Universit\u00e9 Paul Val\u00e9ry-Montpellier 3) et S\u00e9bastien Mort (Universit\u00e9 de Lorraine \u2013 site de Metz)<\/p>\n\n\n\n<p>Discutant&nbsp;: S\u00e9bastien Lefait (Aix-Marseille Universit\u00e9)<\/p>\n\n\n\n<p>Marine Soubeille (Universit\u00e9 Paul Val\u00e9ry-Montpellier 3), \u201cRepresenting Texas on screen: the influence of myths in the construction of a Texan identity\u201d<\/p>\n\n\n\n<p>Direction : David Roche (Universit\u00e9 Paul Val\u00e9ry-Montpellier 3) et Zachary Baqu\u00e9 (Universit\u00e9 Toulouse-Jean Jaur\u00e8s)<\/p>\n\n\n\n<p>Discutant : Christophe Chambost (Universit\u00e9 Bordeaux Montaigne)<\/p>\n\n\n\n<p><strong>16h30-17h30&nbsp;Table ronde commune avec les doctoriales de litt\u00e9rature<\/strong><strong> \/ Transdisciplinary roundtable <\/strong><strong>(salle \/ room J 004)<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>17h30-19h30 R\u00e9union du bureau \/ Board meeting (salle \/ room J 008)<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Mercredi 1<sup>er<\/sup> juin<\/strong><\/h2>\n\n\n\n<p><strong>08h30-09h00 Accueil des participant\u00b7e\u00b7s (Hall du b\u00e2timent administratif)<\/strong><\/p>\n\n\n\n<p><strong>09h00-09h30 Ouverture du congr\u00e8s \/ Conference opening (Amphi 1, b\u00e2t. Rosa Bonheur)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Lionel Larr\u00e9, pr\u00e9sident de l\u2019Universit\u00e9 Bordeaux Montaigne<\/li><li>Mathieu Duplay, pr\u00e9sident de l\u2019AFEA<\/li><li>Elizabeth Martin-Shukrun, conseill\u00e8re culturelle de l\u2019Ambassade des \u00c9tats-Unis \u00e0 Paris<\/li><li>Pascale Antolin, directrice de l\u2019unit\u00e9 de recherche CLIMAS<\/li><li>V\u00e9ronique B\u00e9ghain, responsable du comit\u00e9 organisateur<\/li><li>Sylvie Bauer, S\u00e9bastien Mort et Elisabeth Mullen, responsables scientifiques<\/li><\/ul>\n\n\n\n<p><strong>09h30-11h30 Ateliers \/ Panels<\/strong><\/p>\n\n\n\n<p><strong>Atelier 25 \/ Panel #25 (salle \/ room J 004)<\/strong><\/p>\n\n\n\n<p><strong>Alliances et alli\u00e9\u00b7es du socialisme : dynamiques de l\u00e9gitimation des socialismes \u00e9tats-uniens \/ <\/strong><strong><em>\u201cAlliances and allies of socialism: l<\/em><\/strong><strong><em>egitimization dynamics of American socialisms<\/em><\/strong><strong><em>\u201d<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p><em>Gr\u00e9gory Bekhtari (Universit\u00e9 Paris Nanterre, Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne) et Jeanne Boiteux (Universit\u00e9 Sorbonne Nouvelle, Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne)<\/em><\/p>\n\n\n\n<p>Ambre Ivol (Nantes Universit\u00e9), \u00ab&nbsp;Avantages et limites des alliances \u00e9lectorales avec le Parti d\u00e9mocrate : retour sur <em>The Lesser Evil? <\/em><em>Debates on the Democratic Party and Independent Working-Class Politics<\/em> (Pathfinder Press, 1977)&nbsp;\u00bb<\/p>\n\n\n\n<p>Sean DeMoranville (Universit\u00e9 Sorbonne Nouvelle), \u00ab&nbsp;\u201cBurlington is not for sale\u201d&nbsp;: la formation du projet socialiste municipal \u00e0 Burlington, Vermont dans les ann\u00e9es 1970&nbsp;\u00bb<\/p>\n\n\n\n<p>Lyais Ben Youssef (Universit\u00e9 Paris-Est Cr\u00e9teil), \u00ab&nbsp;Jesse Jackson et la Rainbow \/ Push Coalition&nbsp;: croisement entre le socialisme et la question raciale aux \u00c9tats-Unis dans les ann\u00e9es 1980&nbsp;\u00bb<\/p>\n\n\n\n<p>Thomas Jeangirard (Universit\u00e9 d\u2019Orl\u00e9ans), \u00ab&nbsp;La place des luttes syndicales chez les <em>Democratic Socialists of America<\/em> : \u00e9l\u00e9ments d\u2019analyse&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 18 <\/strong><strong>\/ Panel #18 \u2013 Session 1 (salle \/ room J 002)<\/strong><\/p>\n\n\n\n<p><strong>Canon(s) transnationaux en Am\u00e9rique&nbsp;: diasporas, mobilit\u00e9s et d\u00e9placements dans les arts \/ <em>Transnational canonicity in America: diasporas, mobilities, and placelessness in the arts<\/em><\/strong><\/p>\n\n\n\n<p><em>M\u00e9lanie Joseph-Vilain (Universit\u00e9 de Bourgogne) et Kerry-Jane Wallart (Universit\u00e9 d\u2019Orl\u00e9ans)<\/em><\/p>\n\n\n\n<p>H\u00e9l\u00e8ne Machinal, (Universit\u00e9 de Bretagne Occidentale), \u00ab Sortir du cadre : <em>Sense8<\/em>, une esth\u00e9tique de l\u2019\u00e9mancipation \u00bb<\/p>\n\n\n\n<p>Christine Lorre (Universit\u00e9 Sorbonne Nouvelle), \u201cAt the Edge of the US: Patricia Grace\u2019s <em>Chappy<\/em> and the Mobility of the Literary Canon\u201d<\/p>\n\n\n\n<p>Christelle Ha Soon-Lahaye (Universit\u00e9 de Rouen Normandie), \u00ab <em>\u201cA Chinese American is a type of American\u201d<\/em>: Maxine Hong Kingston ou la question du renouveau identitaire&nbsp;\u00bb<\/p>\n\n\n\n<p>Florian Bousquet (Universit\u00e9 Sorbonne Nouvelle \/ Paul Val\u00e9ry-Montpellier 3), \u00ab&nbsp;\u2019Un enfant d\u2019un autre pays\u2019 : James Baldwin, <em>Native Son<\/em> et le canon africain-am\u00e9ricain&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 2 \/ Panel #2 (salle \/ room J 006)<\/strong><\/p>\n\n\n\n<p><strong>L\u2019adaptation au cin\u00e9ma et \u00e0 la t\u00e9l\u00e9vision : l\u00e9gitimit\u00e9, autorit\u00e9, canon<\/strong><strong> \/ <em>Film and television adaptation: legitimacy, authority, canonicity<\/em><\/strong><\/p>\n\n\n\n<p><em>Shannon Wells-Lassagne et Candice Lemaire<\/em><em> (<\/em><em>Universit\u00e9 de Bourgogne)<\/em><\/p>\n\n\n\n<p>Asma Laater (Universit\u00e9 de Bourgogne), \u201cRebooting the Past: Traces of Authority in the TV adaptation \u2018Westworld\u2019 (HBO, 2016-present)\u201d<\/p>\n\n\n\n<p>Sylvaine Bataille-Brennetot (Universit\u00e9 de Rouen-Normandie),&nbsp;\u201cReconfiguring \u2018prestige\u2019 drama in <em>Homecoming<\/em> (Amazon, 2018)\u201d<\/p>\n\n\n\n<p>S\u00e9bastien Lefait (Aix-Marseille Universit\u00e9), \u201cPrompting the Online Canonization of TV Series: The Case of <em>Game of Thrones <\/em>\u2018Easter Egg\u2019 Fan Videos\u201d<\/p>\n\n\n\n<p>Shannon Wells-Lassagne (Universit\u00e9 de Bourgogne), \u201cEntente cordiale: <em>Lupin<\/em> (Netflix, 2021) and <em>Sherlock<\/em> (BBC, 2010-2017), a Tale of Two Fandoms\u201d<\/p>\n\n\n\n<p><strong>Atelier 8 \/ Panel #8 (salle \/ room J 008)<\/strong><\/p>\n\n\n\n<p><strong>L\u00e9gitimit\u00e9, autorit\u00e9 et canons dans le domaine \u00e9cocritique et \u00e9copo\u00e9tique<\/strong><strong> \/ <em>Legitimacy, Authority, and Canons in Ecocriticism and Ecopoetics<\/em><\/strong><\/p>\n\n\n\n<p><em>Yves-Charles Grandjeat (Universit\u00e9 Bordeaux Montaigne<\/em><em>)<\/em><em>, B\u00e9n\u00e9dicte Meillon, (Universit\u00e9 de Perpignan Via Domitia<\/em><em>)<\/em><em> et Fr\u00e9d\u00e9rique Spill<\/em><em> (<\/em><em>Universit\u00e9 de Picardie Jules Verne)<\/em><\/p>\n\n\n\n<p>Hommage \u00e0 Gelareh Yvard-Djahansouz (Universit\u00e9 d\u2019Angers) et pr\u00e9sentation de son projet de communication \u201cAmerican Women as Torchbearers of the Environmental Movement\u201d<\/p>\n\n\n\n<p>No\u00e9mie Moutel (Universit\u00e9 de Perpignan Via Domitia) \u00ab <em>Frankenstein<\/em>&nbsp;: un canon de la litt\u00e9rature \u00e9cof\u00e9ministe&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<p>Marie Melody Vidal (EHESS, Centre d\u2019\u00e9tudes nord-am\u00e9ricaines), \u00ab&nbsp;Kathleen Stewart, une anthropologue dans les Appalaches : pratiques narratives et \u00e9criture exp\u00e9rimentale&nbsp;\u00bb<\/p>\n\n\n\n<p>Claire Cajazous-Aug\u00e9 (Universit\u00e9 Toulouse-Jean Jaur\u00e8s), \u00ab \u2018New beliefs to replace the ones that fall\u2019: r\u00e9concilier la science et l\u2019animisme dans <em>The Overstory <\/em>de Richard Powers&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 11 \/ Panel #11 (salle \/ room J 010)<\/strong><\/p>\n\n\n\n<p><strong>L\u00e9gitimit\u00e9(s) politique(s) en temps de crise<\/strong><strong> <\/strong><strong>\/ <\/strong><strong><em>Political legitimacies in time of crisis<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p><em>Olivier Richomme (Universit\u00e9 Lyon 2) et \u00c9ric Rouby (Universit\u00e9 de Bordeaux)<\/em><\/p>\n\n\n\n<p>Manuel Dorion-Souli\u00e9 (Cambridge, FNS), \u201cNeoliberalism, the military draft, and the legitimacy of the American State\u201d<\/p>\n\n\n\n<p>Eric Rouby (Universit\u00e9 de Bordeaux), \u201cPresident Trump\u2019s Covid-19 rhetoric and the struggle for legitimacy\u201d<\/p>\n\n\n\n<p>Michael Stricof (Aix-Marseille Universit\u00e9), \u201cThe Military Exception to the Crisis of Legitimacy: History and Consequences\u201d<\/p>\n\n\n\n<p>J\u00e9r\u00f4me Viala-Gaudefroy (CY Cergy Paris Universit\u00e9), \u201cHow the Presidential Rhetoric of Heroism Has Delegitimized Democratic Deliberation and Depoliticized the Citizen\u201d<\/p>\n\n\n\n<p><strong>11h30-11h45 Pause-caf\u00e9 \/ Coffee break<\/strong><\/p>\n\n\n\n<p><strong>11h45-12h45 Conf\u00e9rence pl\u00e9ni\u00e8re \/ Keynote speech (Amphi 1, b\u00e2timent Rosa Bonheur)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"53\u00e8me Congre\u0300s de l\u2019Association Franc\u0327aise d\u2019\u00c9tudes Ame\u0301ricaines (AFEA)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/QmTWZMTk3g8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Lance Olsen, University of Utah<\/p>\n\n\n\n<p><em>Carnage Carnival: The Narratological Politics of What the Fuck?<\/em><\/p>\n\n\n\n<p>Discutante \/ Discussant&nbsp;: Sylvie Bauer<\/p>\n\n\n\n<p><strong>13h00-14h15 D\u00e9jeuner \/ Lunch<\/strong><\/p>\n\n\n\n<p>CROUS Cafet\u2019 Le Veracruz, Esplanade des Antilles, 33600 Pessac<\/p>\n\n\n\n<p><strong>14h30-16h00 Ateliers \/ Panels<\/strong><\/p>\n\n\n\n<p><strong>Atelier 4 \/ Panel #4 <\/strong><strong>(salle \/ room J 004)<\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Gestes cartographiques&nbsp;: le canon po\u00e9tique am\u00e9ricain \u00e0 l\u2019\u00e9preuve de l\u2019espace \/ <em>Cartographic Gestures: Putting the American Poetic Canon to the Test of Space<\/em><\/strong><\/p>\n\n\n\n<p><em>Yasna Bozhkova (Universit\u00e9 Sorbonne Nouvelle) et Aurore Clavier (Universit\u00e9 de Lille)<\/em><\/p>\n\n\n\n<p>Melba Boyd (Wayne State University), Nicole Ollier (Universit\u00e9 Bordeaux Montaigne) et Sophie Rachmuhl&nbsp;(Universit\u00e9 Bordeaux Montaigne), \u00ab&nbsp;Cartographie po\u00e9tique de la ville de Detroit par Melba Boyd&nbsp;\u00bb<\/p>\n\n\n\n<p>Amy Wells (Universit\u00e9 de Caen Normandie), \u201cGeographic attractions to the American Lesbian Canon: Djuna Barnes\u2019s <em>Repulsive<\/em> New York\u201d<\/p>\n\n\n\n<p>Stamatina Dimakopoulou (University of Athens), \u201cChanging Spaces: Mapping the Intimate and the Political in Ammiel Alcalay\u2019s&nbsp;poetry\u201d<\/p>\n\n\n\n<p><strong>Atelier 10 \/ Panel #10 (salle \/ room J 006)<\/strong><\/p>\n\n\n\n<p><strong>L\u2019\u00e9volution des canons hollywoodiens<\/strong><strong> \/ <em>The evolution of Hollywood canons<\/em><\/strong><\/p>\n\n\n\n<p><em>Julie Assouly (Universit\u00e9 Artois) et Christophe Chambost (Universit\u00e9 Bordeaux Montaigne).<\/em><\/p>\n\n\n\n<p>Adrienne Boutang (Universit\u00e9 de Franche-Comt\u00e9), \u201cThe invisible contemporary censorship: a lexical study of &nbsp;Hollywood\u2019s rating system since the 1990s\u201d<\/p>\n\n\n\n<p>Gr\u00e9goire Halbout (Universit\u00e9 de Tours), \u00ab&nbsp;Girl empowerment du chic au choc dans certaines formes de com\u00e9dies contemporaines&nbsp;\u00bb<\/p>\n\n\n\n<p>Costanza Salvi (Universit\u00e9 de Bologne), \u201cJohn Ford and the Counter-canon of the Classical Hollywood Western\u201d<\/p>\n\n\n\n<p><strong>Atelier 20 \/ Panel #20 \u2013 Session 1 (salle \/ room J 008)<\/strong><\/p>\n\n\n\n<p><strong>Argentique canonique ? Qui sont les photographes ?<\/strong><strong> \/ <\/strong><strong><em>The photographic canon? <\/em><\/strong><strong><em>Photographers and Practices in Perspective<\/em><\/strong><\/p>\n\n\n\n<p><em>Carolin G\u00f6rgen (Sorbonne Universit\u00e9) et Camille Rouquet (CY Cergy Paris)<\/em><\/p>\n\n\n\n<p>Martyna Zielinska (Universit\u00e9 de Paris), \u201cReinserting women photographers into the canon: Catharine Weed Barnes Ward\u2019s regular columns in the American and British photographic press 1890-1910\u201d<\/p>\n\n\n\n<p>Alice Morin (Philipps-Universit\u00e4t Marburg), \u00ab&nbsp;L\u2019envers du canon : strat\u00e9gies et processus de visibilisation\/et d\u2019invisibilisation de figures de photographes, l\u2019exemple des photobooks (1930-1980)&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 6<\/strong><strong> \/ Panel # 6 (salle \/ room J 002)<\/strong><\/p>\n\n\n\n<p><strong>\u00ab The world is full of books that narrate the deeds and utter the praises of men&nbsp;\u00bb : \u00c9critures et r\u00e9\u00e9critures canoniques de l\u2019histoire du long 19e si\u00e8cle \u00e9tatsunien au prisme des figures \u00ab&nbsp;\u00e9minentes&nbsp;\u00bb<\/strong><strong> \/<\/strong><strong><em>\u201cThe world is full of books that narrate the deeds and utter the praises of men\u201d: (re)writing the historical canon of the long 19<sup>th<\/sup> century through the United States\u2019 \u201ceminent\u201d figures<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p><em>H\u00e9l\u00e8ne Cottet et H\u00e9l\u00e8ne Quanquin (Universit\u00e9 de Lille)<\/em><\/p>\n\n\n\n<p>Gabriel Daveau (Universit\u00e9 de Lille), \u201cApproaching the contours of an American Man of Letters: William Gilmore Simms (1806-1870)\u201d<\/p>\n\n\n\n<p>Claire Delahaye (Universit\u00e9 Gustave Eiffel\/LEGS), \u201cLucy Stone: (Re)writing the suffrage historical canon\u201d<\/p>\n\n\n\n<p>Claire Sorin (Aix-Marseille Universit\u00e9), \u00ab&nbsp;Quels monuments pour le f\u00e9minisme&nbsp;? Le cas du <em>Women\u2019s Rights Pioneer Monument<\/em>&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 17 \/ Panel #17 (salle \/ room J 010)<\/strong><\/p>\n\n\n\n<p><strong>Contre-l\u00e9gitimit\u00e9s modernistes: les expatri\u00e9s am\u00e9ricains et le monde nocturne de l\u2019entre-deux-guerres en France (1919-1939)<\/strong><strong> \/<em> Modernist counter-legitimacies: American expatriates and French nightlife between the wars (1919-1939)<\/em><\/strong><\/p>\n\n\n\n<p><em>Beno\u00eet Tadi\u00e9 (Universit\u00e9 Rennes 2)<\/em><\/p>\n\n\n\n<p>Renaud Boukh (\u00c9ditions H\u00e9liotropisme) et Alexis Nuselovici (Aix-Marseille Universit\u00e9), \u00ab&nbsp;Le \u00ab&nbsp;Nocturne&nbsp;\u00bb marseillais&nbsp;de Claude McKay&nbsp;: la Fosse comme espace de subjectivation et d\u2019identification&nbsp;\u00bb<\/p>\n\n\n\n<p>C\u00e9line Mansanti (Universit\u00e9 de Picardie Jules Verne), \u00ab&nbsp;\u201cThe Other Magazines in Paris\u201d: divertissement, l\u00e9g\u00e8ret\u00e9, consum\u00e9risme&nbsp;\u00bb<\/p>\n\n\n\n<p>Anne Reynes-Delobel (Aix-Marseille Universit\u00e9), \u00ab&nbsp;Robert McAlmon, \u2018pretty strenuous night life\u2019 et anti-menckenisme dans le Paris expatri\u00e9 des ann\u00e9es 20&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>16h00-16h15 Pause-caf\u00e9 \/ Coffee break<\/strong><\/p>\n\n\n\n<p><strong>16h15-17h45 Ateliers \/ Panels<\/strong><\/p>\n\n\n\n<p><strong>Atelier 19 \/ Panel #19 (salle \/ room J 010)<\/strong><\/p>\n\n\n\n<p><strong>Les autobiographies militantes et politiques&nbsp;: strat\u00e9gies de l\u00e9gitimation et postures d\u2019autorit\u00e9 \/<em> Activist and Political Autobiographies: Legitimation Strategies and Postures of Authority<\/em><\/strong><\/p>\n\n\n\n<p><em>Hugo Bouvard et Guillaume Marche (Universit\u00e9 Paris-Est Cr\u00e9teil)<\/em><\/p>\n\n\n\n<p>Claire Bourhis-Mariotti (Universit\u00e9 Paris 8), \u00ab&nbsp;R\u00e9cit d\u2019esclave, R\u00e9cit d\u2019homme libre : Isaac Mason, une vie d\u2019esclave (1893)&nbsp;\u00bb<\/p>\n\n\n\n<p>Ambre Ivol (Nantes Universit\u00e9), \u00ab&nbsp;Ancien combattant ou historien? La place d\u2019Howard Zinn dans l\u2019historiographie de la Lib\u00e9ration de la France depuis 2010&nbsp;\u00bb<\/p>\n\n\n\n<p>Hugo Bouvard (Universit\u00e9 Paris-Est Cr\u00e9teil), \u00ab&nbsp;Du stigmate \u00e0 son retournement ? La diversification du personnel politique au prisme des autobiographies d\u2019\u00e9lu\u00b7e\u00b7s minoritaires&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 22 \/ Panel #22 \u2013 Session 1 (salle \/ room J 004)<\/strong><\/p>\n\n\n\n<p><strong><em>\u00ab&nbsp;Beating My Head Against the Wall&nbsp;\u00bb&nbsp;: <\/em><\/strong><strong>L\u00e9gitimit\u00e9, autorit\u00e9, canons dans la musique et la danse am\u00e9ricaines (19<sup>\u00e8me<\/sup>-21<sup>\u00e8me<\/sup> si\u00e8cles)<\/strong><strong><em> \/ \u201cBeating My Head Against the Wall&nbsp;\u201c: Legitimacy, Authority, and the Canon in American Music and Dance (19<sup>th<\/sup>-21<sup>st<\/sup> Centuries)<\/em><\/strong><\/p>\n\n\n\n<p><em>Adeline Chevrier-Bosseau (Universit\u00e9 Clermont-Auvergne), Mathieu Duplay (Universit\u00e9 Paris Cit\u00e9)<\/em><\/p>\n\n\n\n<p>Adeline Chevrier-Bosseau (Universit\u00e9 Clermont Auvergne) et Mattia Mantellato (performing artist), \u201cRecherche-cr\u00e9ation \/ academic and choreographic research\u2014dancing literary works\u201d<\/p>\n\n\n\n<p>Caroline Granger (Universit\u00e9 Caen Normandie), \u201c<em>\u2018Face the day, pumpkins! Crack the shell the way the chicks do.\u2019<\/em> Merce Cunningham\u201d<\/p>\n\n\n\n<p><strong>Atelier 14 \/ Panel # 14 \u2013 Session 1 (salle \/ room J 002)<\/strong><\/p>\n\n\n\n<p><strong>Faire, d\u00e9faire, refaire le canon po\u00e9tique <\/strong><strong>\/<\/strong><strong><em>Making, Unmaking, Remaking the poetic canon&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p><em>Abigail Lang<\/em><em> (<\/em><em>Universit\u00e9 Paris Cit\u00e9<\/em><em>) et <\/em><em>Vincent Broqua<\/em><em> (<\/em><em>Universit\u00e9 Paris 8<\/em><em>)<\/em><\/p>\n\n\n\n<p>Fr\u00e9d\u00e9ric Sylvanise (Sorbonne Paris Nord), \u00ab&nbsp;La constitution du canon po\u00e9tique africain-am\u00e9ricain:&nbsp;le cas de la&nbsp;<em>Norton Anthology<\/em><em>&nbsp;<\/em>\u00bb<strong><\/strong><\/p>\n\n\n\n<p>Yohann Lucas (Universit\u00e9 de Rouen Normandie), \u00ab&nbsp;Faire et refaire le canon au fil des publications&nbsp;: l\u2019exemple de Paul Laurence Dunbar&nbsp;\u00bb<strong><\/strong><\/p>\n\n\n\n<p>Martin George (Universit\u00e9 Paris Cit\u00e9), \u00ab&nbsp;Un contre-canon&nbsp;? John Giorno,&nbsp;<em>Dial-a-Poem<\/em>, et l\u2019anti-anthologie po\u00e9tique&nbsp;\u00bb<strong><\/strong><\/p>\n\n\n\n<p><strong>Atelier 10 \/ Panel #10 \u2013 Session 2 (salle \/ room J 006)<\/strong><\/p>\n\n\n\n<p><strong>L\u2019\u00e9volution des canons hollywoodiens<\/strong><strong> \/<em> The evolution of Hollywood canons<\/em><\/strong><\/p>\n\n\n\n<p><em>Julie Assouly (Universit\u00e9 Artois) et Christophe Chambost (Universit\u00e9 Bordeaux Montaigne).<\/em><\/p>\n\n\n\n<p>Christophe Chambost (Universit\u00e9 Bordeaux Montaigne), \u201cHollywood Canons and Colombian Guerilla: or How Far do American War Films go into the Jungle of Mil Colmillos \/ A Thousand Fangs (Jaime Osorio Marquez, 2021)\u201d<\/p>\n\n\n\n<p>Sven Weidner (University of Bamberg), \u201cIndiewood \u2013 The elegant and noiseless reconciliation of the Independent Cinema with Hollywood?\u201d<\/p>\n\n\n\n<p><strong>Atelier 20 \/ Panel #20 \u2013 Session 2 (salle \/ room J 008)<\/strong><\/p>\n\n\n\n<p><strong>Argentique canonique ? Qui sont les photographes ?<\/strong><strong> \/<\/strong><strong><em>The photographic canon? Photographers and Practices in Perspective<\/em><\/strong><\/p>\n\n\n\n<p><em>Carolin G\u00f6rgen (Sorbonne<\/em><em> Universit\u00e9<\/em><em>) et Camille Rouquet (CY Cergy Paris)<\/em><\/p>\n\n\n\n<p>Eliane de Larminat (Universit\u00e9 de Paris), \u00ab <em>\u2018Not just another record shot\u2019&nbsp;<\/em>: enjeux de l\u00e9gitimation et d\u2019inclusion dans le projet d\u2019archive visuelle Chicagoland-in-Pictures&nbsp;\u00bb &nbsp;<\/p>\n\n\n\n<p>Yves Figueiredo (Sorbonne Universit\u00e9), \u201cThe Camera in the Forest: amateur photography and the circulation of environmental ideas in California, 1880-1920\u201d<\/p>\n\n\n\n<p>Didier Aubert (Universit\u00e9 Sorbonne Nouvelle), \u00ab&nbsp;Lewis Wickes Hine et l\u2019\u00c9glise m\u00e9thodiste&nbsp;: ubiquit\u00e9 et anonymat d\u2019une&nbsp;\u00ab&nbsp;\u0153uvre&nbsp;\u00bb canonique&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>18h30-20h30 R\u00e9ception Mairie de Bordeaux \/ Reception at Bordeaux City Hall<\/strong> H\u00f4tel de Ville de Bordeaux, Place Pey-Berland, 33000 Bordeaux (tram&nbsp;B, \u00ab&nbsp;H\u00f4tel de Ville&nbsp;\u00bb)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Jeudi 2 juin<\/strong><\/h2>\n\n\n\n<p><strong>09h00-11h00 Ateliers \/ Panels<\/strong><\/p>\n\n\n\n<p><strong>Atelier 12 \/ Panel # 12 <\/strong><strong>(salle \/ room J 002)<\/strong><\/p>\n\n\n\n<p><strong>Can the master\u2019s tools ever dismantle the master\u2019s house? <\/strong><strong>R\u00e9cits canoniques, r\u00e9cits alternatifs et contre-r\u00e9cits LGBTQ<\/strong>+ \/<em> <strong>Can the Master\u2019s Tools Ever Dismantle the Master\u2019s House? LGBTQ+ Canonical, Alternative, and Counter-narratives in the US&nbsp;<\/strong><\/em><\/p>\n\n\n\n<p><em>Cassandre Di Lauro (Universit\u00e9 de Lille), Audrey Haensler (Universit\u00e9 Paul Val\u00e9ry-Montpellier 3) et Charlotte Thomas-H\u00e9bert (Universit\u00e9 Paris 1)<\/em><\/p>\n\n\n\n<p>H\u00e9lo\u00efse Thomas (Universit\u00e9 Jean Moulin Lyon 3), \u201cCanonical Dykes to Watch Out For\u201d<\/p>\n\n\n\n<p>S\u00e9bastien Mignot (Universit\u00e9 Le Havre Normandie), \u201cMaking Canon: a Comparative Study of <em>Moonlight<\/em> and <em>Call Me By Your Name<\/em>\u201d<\/p>\n\n\n\n<p>H.J.E. Champion (Universit\u00e9 Bordeaux Montaigne), \u00ab&nbsp;Construire le canon: effacement et \u00e9closion de la litt\u00e9rature queer dans la Nouvelle-Angleterre du XIXe si\u00e8cle&nbsp;\u00bb<\/p>\n\n\n\n<p>Aur\u00e9lie Journ\u00e9e Duez (EHESS), \u00ab&nbsp;Indig\u00e9niser le sigle \u2018LGBTQIA2+\u2019&nbsp;: L\u2019anthologie <em>Sovereign Erotics: A Collection of Two-Spirit Literature<\/em> (2011) comme moyen de visibilisation des personnes bispirituelles autochtones aux \u00c9tats-Unis et au Canada&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 14 \/ Panel # 14 \u2013 Session 2 (salle \/ room J 004)<\/strong><\/p>\n\n\n\n<p><strong>Faire, d\u00e9faire, refaire le canon po\u00e9tique <\/strong><strong>\/<\/strong><strong><em>Making, Unmaking, Remaking the poetic canon&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p><em>Abigail Lang (Universit\u00e9 Paris Cit\u00e9) et Vincent Broqua (Universit\u00e9 Paris 8)<\/em><\/p>\n\n\n\n<p>Yannick M. Blec&nbsp;(Universit\u00e9 Paris 8), \u201cShifting Canons in Hip Hop: African American Gay Rappers and the Visibility of Homosexuality?\u201d<strong><\/strong><\/p>\n\n\n\n<p>St\u00e9phanie Papa (Universit\u00e9 Sorbonne Paris Nord), \u201cSzeism: Contemporary Indigenous Poets and Decanonized Influences\u201d&nbsp;<strong><\/strong><\/p>\n\n\n\n<p>Elise Angioi (Universit\u00e9 Paris 8), \u00ab&nbsp;Vers un canon po\u00e9tique pluriel \u00e9tats-unien et non \u00e9tats-unien&nbsp;?&nbsp;Le cas de \u00ab&nbsp;March of the Stylized Natives: the lost verses of kantan pescado&nbsp;\u00bb de LaTasha N. Nevada Diggs&nbsp;\u00bb<strong><\/strong><\/p>\n\n\n\n<p><strong>Atelier 28 \/ Panel #28 \u2013 Session 1 \u2013 Ruptures et continuit\u00e9s (salle \/ room J 006)<\/strong><\/p>\n\n\n\n<p><strong>Le nouveau canon de la politique \u00e9trang\u00e8re am\u00e9ricaine&nbsp;: quelle l\u00e9gitimit\u00e9 ?<\/strong><strong> \/<em> What is the legitimacy of the new canon of US foreign policy?<\/em><\/strong><\/p>\n\n\n\n<p><em>Rapha\u00ebl Ricaud (Universit\u00e9 Paul Val\u00e9ry-Montpellier 3) et Pierre Guerlain (Universit\u00e9 Paris<\/em><em> <\/em><em>Nanterre)<\/em><\/p>\n\n\n\n<p>Fr\u00e9d\u00e9ric Heurtebize (Universit\u00e9 Paris Nanterre), \u00ab&nbsp;D\u00e9clin et \/ ou mutation de l\u2019exceptionnalisme dans le canon de la politique \u00e9trang\u00e8re am\u00e9ricaine&nbsp;\u00bb<\/p>\n\n\n\n<p>Pierre Guerlain&nbsp;(Universit\u00e9 Paris Nanterre), \u00ab&nbsp;Lignes de continuit\u00e9 entre Trump et Biden&nbsp;\u00bb<\/p>\n\n\n\n<p>Pierre Bourgois (UCO Angers), \u00ab&nbsp;L\u2019Am\u00e9rique est-elle de retour ? Le regard des n\u00e9oconservateurs sur la politique \u00e9trang\u00e8re de Joe Biden&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 24<\/strong><strong> \/ Panel #24 \u2013 Session 1 (salle \/ room J 008)<\/strong><\/p>\n\n\n\n<p><strong>F\u00e9miniser le Western au 21<sup>st<\/sup> si\u00e8cle : <\/strong><strong>L\u00e9gitimer le discours f\u00e9minin et d\u00e9fier l\u2019autorit\u00e9 masculine \/<\/strong><strong><em>Feminizing the Western in the 21<sup>st<\/sup> Century&nbsp;: <\/em><\/strong><strong><em>Legitimizing Female Discourse and Challenging Male Authority<\/em><\/strong><em><\/em><\/p>\n\n\n\n<p><em>Anne-Marie Paquet-Deyris (Universit\u00e9 Paris Nanterre) et Gilles Menegaldo (Universit\u00e9 de Poitiers)<\/em><em><\/em><\/p>\n\n\n\n<p>Jean-Marie Lecomte (Universit\u00e9 de Lorraine), \u00ab&nbsp;M\u00e9taphysique de la f\u00e9minit\u00e9 dans le cin\u00e9ma de King Vidor et westerns du 21\u00e8me si\u00e8cle : du classicisme au post-modernisme&nbsp;\u00bb<\/p>\n\n\n\n<p>Lara Cox (Universit\u00e9 de Paris), \u201cGun-toting Gals, Foreign Feminism, But What\u2019s New for Hollywood? An Analysis of Three Westerns from the 2010s\u201d<\/p>\n\n\n\n<p>Gilles Menegaldo (Universit\u00e9 de Poitiers), \u201cSubverting Classic Western Codes and Women\u2019s Empowerment in <em>Meek\u2019s Cutoff <\/em>(Kelly Reichardt, 2010)\u201d<em><\/em><\/p>\n\n\n\n<p><strong>Atelier 5<\/strong><strong> \/ Panel #5 \u2013 Session 1 (salle \/ room J 010)<\/strong><\/p>\n\n\n\n<p><strong>Confer : mais pour quoi faire ? <\/strong><strong>Strat\u00e9gies r\u00e9f\u00e9rentielles, entre l\u00e9gitimit\u00e9 et jeu d\u2019autorit\u00e9 \/ <em>When texts refer to other texts: playing with legitimacy and redefining authority through textual references<\/em><\/strong><\/p>\n\n\n\n<p><em>Pauline Pilote (Universit\u00e9 Bretagne Sud) et Julien N\u00e8gre (ENS Lyon)<\/em><\/p>\n\n\n\n<p>Pauline Pilote (Universit\u00e9 Bretagne Sud) et Julien N\u00e8gre (ENS Lyon)&nbsp;: \u00ab&nbsp;<em>Confer<\/em>&nbsp;: mais pour quoi faire&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<p>Caroline Hildebrandt (ENS Lyon), \u00ab&nbsp;D\u00e9construction du droit et \u00e0-venir de la justice dans \u201cBenito Cereno\u201d&nbsp;: \u00e0 propos de la d\u00e9position l\u00e9gale d\u2019Amasa Delano&nbsp;\u00bb<\/p>\n\n\n\n<p>Aliette Vent\u00e9joux (Universit\u00e9 Jean Monnet) : \u00ab&nbsp;\u00c9crire \u00e0 l\u2019ombre des auteurs disparus&nbsp;: autorit\u00e9 et intertextualit\u00e9 dans la litt\u00e9rature post-11 septembre&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>11h00-11h15 Pause-caf\u00e9 \/ Coffee break<\/strong><\/p>\n\n\n\n<p><strong>11h15-12h15 Conf\u00e9rence pl\u00e9ni\u00e8re \/ Keynote speech (Amphi 1, b\u00e2timent Rosa Bonheur)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"53\u00e8me Congre\u0300s de l\u2019Association Franc\u0327aise d\u2019\u00c9tudes Ame\u0301ricaines (AFEA)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/_UKjf81928E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Sarah J. Jackson, Annenberg School for Communication (UPenn)<\/p>\n\n\n\n<p><em>\u201cThe Light of Truth\u201d: Counterpublic Canons &amp; the Case of Black Mediamakers<\/em><\/p>\n\n\n\n<p>Discutant\u00b7e\u00b7s \/ Discussants&nbsp;: Elizabeth Mullen &amp; S\u00e9bastien Mort<\/p>\n\n\n\n<p><strong>12h30-13h30 D\u00e9jeuner \/ Lunch<\/strong><\/p>\n\n\n\n<p>CROUS Cafet\u2019 Le Veracruz, Esplanade des Antilles, 33600 Pessac<\/p>\n\n\n\n<p><strong>13h45-15h45 Ateliers \/ Panels<\/strong><\/p>\n\n\n\n<p><strong>Atelier 21 \/ Panel #21 \u2013 Session 1 (salle \/ room J 010)<\/strong><\/p>\n\n\n\n<p><strong>Les destin\u00e9es historiques comme fondement de la l\u00e9gitimit\u00e9 : le genre biographique dans la culture populaire \/<em> Historical destinies as the foundation of legitimacy: the biographical genre in pop cultural studies<\/em><\/strong><\/p>\n\n\n\n<p><em>Dani\u00e8le Andr\u00e9 (Universit\u00e9 de La Rochelle) et Jeanne Ferrier (Universit\u00e9 Paris Cit\u00e9)<\/em><\/p>\n\n\n\n<p>Gary Morra (Universit\u00e9 de Franche-Comt\u00e9), \u00ab&nbsp;William Wallace, une histoire transmise dans un film de fiction&nbsp;\u00bb<\/p>\n\n\n\n<p>Marc Arino (Universit\u00e9 de La R\u00e9union), \u00ab&nbsp;<em>Ma vie avec John F. Donovan<\/em>&nbsp;(2019) de Xavier Dolan : enjeux d\u2019un biopic fictionnel&nbsp;\u00bb<\/p>\n\n\n\n<p>Marie Bennett (York University, UK), \u201c<em>\u2018Any Way the Wind Blows\u2019<\/em>: The Portrayal of Freddie Mercury in the biopic&nbsp;<em>Bohemian Rhapsody<\/em>&nbsp;(2018)\u201d<\/p>\n\n\n\n<p>Yvelin Ducotey (Universit\u00e9 d\u2019Angers), \u00ab Un biopic \u2018mainstream\u2019 et militant est-il possible ? \u00bb<\/p>\n\n\n\n<p><strong>Atelier 18 <\/strong><strong>\/ Panel #18 \u2013 Session 2 (salle \/ room J 004)<\/strong><\/p>\n\n\n\n<p><strong>Canon(s) transnationaux en Am\u00e9rique&nbsp;: diasporas, mobilit\u00e9s et d\u00e9placements dans les arts<em> \/ Transnational canonicity in America: diasporas, mobilities, and placelessness in the arts<\/em><\/strong><\/p>\n\n\n\n<p><em>M\u00e9lanie Joseph-Vilain (Universit\u00e9 de Bourgogne) et Kerry-Jane Wallart (Universit\u00e9 d\u2019Orl\u00e9ans)<\/em><\/p>\n\n\n\n<p>Marine Paquereau (Universit\u00e9 de Bourgogne), \u201cBone soup and hot dogs: the exploration of transnational identity in Krik? Krak! by Edwidge Danticat\u201d<\/p>\n\n\n\n<p>Gabrielle Adjerad (Universit\u00e9 Paris Nanterre), \u201c\u2018Kerouac\u2019s America is nothing like this America\u2019\u2014rewriting the road-trip in Valeria Luiselli\u2019s <em>Lost Children Archive<\/em> (2019)\u201d<\/p>\n\n\n\n<p>Julie Irigaray (University of Huddersfield), \u201c\u2018An old-fashioned American\u2019 with a \u2018British tempo\u2019: Sylvia Plath, England and her Transnational Identity\u201d<\/p>\n\n\n\n<p>Aristi Trendel (Le Mans Universit\u00e9), \u201cPsychic Split and Transcultural Weave: The Transnational Outlook in Julia Alvarez\u2019s <em>How the Garcia Girls Lost their Accents<\/em> (1991), Andr\u00e9 Aciman\u2019s <em>Harvard Square<\/em> (2013), and Teju Cole\u2019s <em>Open City<\/em> (2011)\u201d<\/p>\n\n\n\n<p><strong>Atelier 16 \/ Panel #16 (salle \/ room J 006)<\/strong><\/p>\n\n\n\n<p><strong>Anthologies, canons et contre-canons<\/strong><strong> \/<em> Anthologies, canons, and counter canons<\/em><\/strong><\/p>\n\n\n\n<p><em>Marie-Jeanne Rossignol (Universit\u00e9 Paris Cit\u00e9) et Marl<\/em><em>e<\/em><em>ne Daut (University of Virginia) <\/em><em>Discutant&nbsp;: <\/em><em>Yohann Lucas (Universit\u00e9 de Rouen Normandie).<\/em><\/p>\n\n\n\n<p>Marie-Jeanne Rossignol (Universit\u00e9 Paris Cit\u00e9), \u201cRevisiting <em>De la litt\u00e9rature des n\u00e8gres<\/em>&nbsp;: The first anthology of African-American literature\u201d<\/p>\n\n\n\n<p>Claire Parfait (Universit\u00e9 Sorbonne Paris Nord), \u00ab&nbsp;Anthologies africaines am\u00e9ricaines publi\u00e9es par souscription fin 19\u00e8me-d\u00e9but 20\u00e8me si\u00e8cle&nbsp;\u00bb<\/p>\n\n\n\n<p>S\u00e9bastien Heininger (Institut des Mondes Africains \u2013 Campus Condorcet), \u00ab&nbsp;La <em>Nouvelle somme de po\u00e9sie du monde noir<\/em>, une tentative de construire un canon&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<p>Sara Vergari (Aix-Marseille Universit\u00e9), \u00ab&nbsp;Les anthologies de po\u00e9sie italienne f\u00e9minine dans les ann\u00e9es 1970 : le contre-canon \u00e0 la po\u00e9sie dominante&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 24<\/strong><strong> \/ Panel #24 \u2013 Session 2 (salle \/ room J 008)<\/strong><\/p>\n\n\n\n<p><strong>F\u00e9miniser le Western au 21<sup>st<\/sup> si\u00e8cle : <\/strong><strong>L\u00e9gitimer le discours f\u00e9minin et d\u00e9fier l\u2019autorit\u00e9 masculine \/<\/strong><strong><em>Feminizing the Western in the 21<sup>st<\/sup> Century&nbsp;: <\/em><\/strong><strong><em>Legitimizing Female Discourse and Challenging Male Authority<\/em><\/strong><em><\/em><\/p>\n\n\n\n<p><em>Anne-Marie Paquet-Deyris (Universit\u00e9 Paris Nanterre) et Gilles Menegaldo (Universit\u00e9 de Poitiers)<\/em><em><\/em><\/p>\n\n\n\n<p>Joanne Vrignaud (Universit\u00e9 Paris Nanterre), \u00ab\u2018<em>She sees things I don\u2019t<\/em><em>\u2019 <\/em>: Chloe Zhao\u2019s feminine gaze on the modern American West \u00bb<\/p>\n\n\n\n<p>Claire Dutriaux (Sorbonne Universit\u00e9) \u00ab Screening Gender: Femininities in <em>Deadwood <\/em>(2004-2006) \u00bb<\/p>\n\n\n\n<p>Anne-Marie Paquet-Deyris (Universit\u00e9 Paris Nanterre), \u201cOf Norms and Women in Scott Frank\u2019s Western Miniseries <em>Godless <\/em>(2017)\u201d<em><\/em><\/p>\n\n\n\n<p><strong>Atelier 13 \/ Panel # 13 \u2013 Session 1 (salle \/ room J 002)<\/strong><\/p>\n\n\n\n<p><strong>La mort de l\u2019auteur\u2013le retour (fiction, po\u00e9sie, arts visuels) <\/strong><strong>\/<em> The death of the author\u2013redux (fiction, poetry, visual arts)<\/em><\/strong><\/p>\n\n\n\n<p><em>H\u00e9l\u00e8ne Aji (<\/em><em>ENS Ulm<\/em><em>) et Monica Manolescu (Universit\u00e9 de Strasbourg\/IUF)<\/em><\/p>\n\n\n\n<p>B\u00e9atrice Pire (Universit\u00e9 Sorbonne Nouvelle), \u00ab&nbsp;La mort (r\u00e9elle) de l\u2019auteur d\u00e9crite par sa femme&nbsp;: autorit\u00e9 du <em>grant\u00e9crivain<\/em> David Foster Wallace et (il)l\u00e9gitimit\u00e9 de sa veuve Karen Green. \u00c0 propos de <em>Bough Down<\/em> (New York, Siglio Press, 2013) \u00bb<\/p>\n\n\n\n<p>Fiona McMahon (Universit\u00e9 Paul Val\u00e9ry-Montpellier 3), \u201cJena Osman\u2019s Connective Poetics\u201d&nbsp;<\/p>\n\n\n\n<p>Julien Brugeron (Universit\u00e9 Paris Nanterre), \u00ab&nbsp;\u201cDeath is a constant\u201d : \u00e9crire face \u00e0 sa mort \u2013 auteurs \u00e9tats-uniens contemporains en Irak&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>15h45-16h00 Pause-caf\u00e9 \/ Coffee Break<\/strong><\/p>\n\n\n\n<p><strong>16h00-18h00 Ateliers \/ Panels<\/strong><\/p>\n\n\n\n<p><strong>Table ronde \/ Roundtable (Amphi 1, b\u00e2timent Rosa Bonheur) (Event in French)<\/strong><\/p>\n\n\n\n<p><strong>\u00ab&nbsp;La libert\u00e9 acad\u00e9mique en p\u00e9ril&nbsp;?&nbsp;\u00bb<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"53\u00e8me Congre\u0300s de l\u2019Association Franc\u0327aise d\u2019\u00c9tudes Ame\u0301ricaines (AFEA)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/qxbPSyo0_38?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Avec la participation de<\/p>\n\n\n\n<p>Yves Gingras<\/p>\n\n\n\n<p>Professeur en histoire et sociopolitique des sciences \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/p>\n\n\n\n<p>Maboula Soumahoro<\/p>\n\n\n\n<p>Ma\u00eetresse de conf\u00e9rences en civilisation des \u00c9tats-Unis \u00e0 l\u2019Universit\u00e9 de Tours<\/p>\n\n\n\n<p>Michael Stambolis-Ruhstorfer<\/p>\n\n\n\n<p>Ma\u00eetre de conf\u00e9rences en civilisation des \u00c9tats-Unis \u00e0 l\u2019Universit\u00e9 Bordeaux Montaigne<\/p>\n\n\n\n<p>Mod\u00e9ratrice&nbsp;:<\/p>\n\n\n\n<p>Marie-Jeanne Rossignol<\/p>\n\n\n\n<p>Professeure des universit\u00e9s en histoire des \u00c9tats-Unis \u00e0 l\u2019Universit\u00e9 Paris Cit\u00e9<\/p>\n\n\n\n<p><strong>Atelier 14 \/ Panel # 14 \u2013 Session 3 (salle \/ room J 004)<\/strong><\/p>\n\n\n\n<p><strong>Faire, d\u00e9faire, refaire le canon po\u00e9tique <\/strong><strong>\/<\/strong><strong><em>Making, Unmaking, Remaking the poetic canon&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p><em>Abigail Lang<\/em><em> (<\/em><em>Universit\u00e9 Paris Cit\u00e9<\/em><em>) et <\/em><em>Vincent Broqua<\/em><em> (<\/em><em>Universit\u00e9 Paris 8<\/em><em>)<\/em><\/p>\n\n\n\n<p>Yves Gardes (Universit\u00e9 de Rouen Normandie), \u00ab The Cry of the Unfit : le paradoxe de la canonisation de Voltairine de Cleyre&nbsp;\u00bb<\/p>\n\n\n\n<p>John DeWitt (Universit\u00e9 Sorbonne Nouvelle), \u201cRebeginning with Clark Coolidge, or the Paradoxes of an Iconoclast\u2019s Canonization\u201d&nbsp;<strong><\/strong><\/p>\n\n\n\n<p>Antonia Rigaud (Universit\u00e9 Sorbonne Nouvelle), \u00ab \u201cIt\u2019s the stutter in American literature that interests me\u201d: r\u00e9p\u00e9tition et variation chez Susan Howe&nbsp;\u00bb<\/p>\n\n\n\n<p>Anne-Lise Solanilla (Universit\u00e9 Paris 8), \u00ab&nbsp;Contester les \u00ab post-avant \u00bb : la r\u00e9-\u00e9criture po\u00e9tique et th\u00e9orique des conceptuels&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 15 \/ Panel #15 (salle \/ room J 008)<\/strong><\/p>\n\n\n\n<p><strong>Crise de l\u00e9gitimit\u00e9 des m\u00e9dias traditionnels&nbsp;: n\u00e9gocier l\u2019autorit\u00e9<\/strong><strong> \/<em> Mainstream media\u2019s legitimacy crisis: negotiating authority<\/em><\/strong><\/p>\n\n\n\n<p><em>Charles Joseph (Le Mans Universit\u00e9), Ana\u00efs Le F\u00e8vre-Berthelot (Universit\u00e9 Rennes 2) et David Lipson (Universit\u00e9 de Strasbourg)<\/em><\/p>\n\n\n\n<p>Zachary Baqu\u00e9 (Universit\u00e9 Toulouse-Jean Jaur\u00e8s), \u201cRobert Drew\u2019s <em>Crisis <\/em>(1963) or How Direct Cinema\u2019s Attempt to Challenge Traditional Media Backfired\u201d&nbsp;<\/p>\n\n\n\n<p>Mathieu Bonzom (Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne), \u00ab&nbsp;Un magazine de gauche novateur, entre crise et qu\u00eate de l\u00e9gitimit\u00e9&nbsp;: enqu\u00eate sur <em>Jacobin<\/em>&nbsp;\u00bb<\/p>\n\n\n\n<p>Ana\u00efs Le F\u00e8vre-Berthelot (Universit\u00e9 Rennes 2), \u201c\u2018Naked Politics\u2019: (Re)Claiming Authority through Podcasting\u201d<\/p>\n\n\n\n<p><strong>Atelier 5<\/strong><strong> \/ Panel #5 \u2013 Session 2 (salle \/ room J 010)<\/strong><\/p>\n\n\n\n<p><strong>Confer : mais pour quoi faire ? <\/strong><strong>Strat\u00e9gies r\u00e9f\u00e9rentielles, entre l\u00e9gitimit\u00e9 et jeu d\u2019autorit\u00e9 \/<em> <\/em><\/strong><strong><em>When texts refer to other texts: playing with legitimacy and redefining authority through textual references<\/em><\/strong><\/p>\n\n\n\n<p><em>Pauline Pilote (Universit\u00e9 Bretagne Sud) et Julien N\u00e8gre (ENS Lyon)<\/em><\/p>\n\n\n\n<p>Fran\u00e7oise Sammarcelli (Sorbonne Universit\u00e9), \u00ab&nbsp;Entre effets de l\u00e9gitimit\u00e9 et subversion&nbsp;: remarques sur les notes de bas de page \u00e0 l\u2019\u00e9preuve de la postmodernit\u00e9&nbsp;\u00bb<\/p>\n\n\n\n<p>Nawelle Lechevalier-Bekadar (Universit\u00e9 Rennes 2), \u00ab&nbsp;\u201cPre)post(erous)modernist jargoneers\u201d&nbsp;: l\u2019ex\u00e9g\u00e8se pi\u00e9g\u00e9e de \u201cMoran\u2019s Mexico : a Refutation by C. Stelzmann\u201d de Brian Evenson&nbsp;\u00bb<\/p>\n\n\n\n<p>Christelle Centi (Universit\u00e9 Rennes 2): \u00ab&nbsp;\u201cNo sage to climb towards or to which to turn\u201d: structures horizontales et r\u00e9f\u00e9rences plurielles dans <em>Watershed<\/em>, <em>Telephone<\/em>, <em>Percival Everett by Virgil Russell<\/em> et <em>The Water Cure<\/em> de Percival Everett&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 13 \/ Panel # 13 \u2013 Session 2 (salle \/ room J 006)<\/strong><\/p>\n\n\n\n<p><strong>La mort de l\u2019auteur\u2013le retour (fiction, po\u00e9sie, arts visuels) <\/strong><strong>\/<em> The death of the author\u2013redux (fiction, poetry, visual arts)<\/em><\/strong><\/p>\n\n\n\n<p><em>H\u00e9l\u00e8ne Aji (<\/em><em>ENS Ulm<\/em><em>) et Monica Manolescu (Universit\u00e9 de Strasbourg\/IUF)<\/em><\/p>\n\n\n\n<p>Charlotte Estrade (Universit\u00e9 Paris Nanterre), \u00ab&nbsp;La mort des auteurs ? L\u2019esth\u00e9tique du collage dans <em>They Knew What They Wanted \u2013 Poems &amp; Collages<\/em> de John Ashbery (2018) \u00bb<\/p>\n\n\n\n<p>Samantha Lemeunier (ENS Ulm), \u201cCommunity as an Authorial Mask in Gertrude Stein\u2019s <em>Everybody\u2019s Autobiography<\/em>\u201d<\/p>\n\n\n\n<p>Stefania Iliescu (Universit\u00e9 Rennes 2), \u201c\u2018I have a sound inside me that scratches to itself\u2019 \u2013 Free Textual Deployment in Ben Marcus\u2019s <em>The Age of Wire and String <\/em>(1995)\u201d<\/p>\n\n\n\n<p>Jean-Yves Pellegrin (Sorbonne Universit\u00e9), \u00ab&nbsp;De l\u2019autorit\u00e9 dans <em>The Gold Bug Variations<\/em> de Richard Powers&nbsp;\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>19h00-23h00 Banquet \/ Reception<\/strong> Cap Sciences, Hangar 20, Quai de Bacalan, 33300 Bordeaux (Tram B, \u00ab&nbsp;La Cit\u00e9 du Vin&nbsp;\u00bb)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Vendredi 3 juin<\/strong><\/h2>\n\n\n\n<p><strong>09h00-12h00 Assembl\u00e9e g\u00e9n\u00e9rale \/ General Assembly (Amphi 1, b\u00e2timent Rosa Bonheur)<\/strong><\/p>\n\n\n\n<p><strong>12h15-13h30 D\u00e9jeuner \/ Lunch<\/strong><\/p>\n\n\n\n<p>CROUS Cafet\u2019 Le Veracruz, Esplanade des Antilles, 33600 Pessac<\/p>\n\n\n\n<p><strong>13h45-15h15 Ateliers \/ Panels<\/strong><\/p>\n\n\n\n<p><strong>Atelier 27 \/ Panel #27 (salle \/ room J 002)<\/strong><\/p>\n\n\n\n<p><strong>Des canons n\u00e9gatifs : \u201cmauvaises\u201d anthologies de po\u00e9sie et anthologies de \u201cmauvaise\u201d po\u00e9sie<\/strong><strong> <\/strong><strong>\/<\/strong><strong><em>Negative canons: \u201cbad\u201d anthologies of poetry, anthologies of \u201cbad\u201d poetry<\/em><\/strong><strong><em>.<\/em><\/strong><\/p>\n\n\n\n<p><em>Juliette Utard (Sorbonne Universit\u00e9) et Chlo\u00e9 Thomas (Universit\u00e9 d\u2019Angers)<\/em><\/p>\n\n\n\n<p>Emilie Georges (Universit\u00e9 Paris Nanterre), \u201cEzra Pound\u2019s Negative Canon: The Worst Great Poets\u201d<\/p>\n\n\n\n<p>Nicholas Manning (Universit\u00e9 Grenoble Alpes), \u201cTenderness, Poignancy, Nostalgia: Reimagining the Affective Power of \u2018Bad\u2019 Verse\u201d<\/p>\n\n\n\n<p>Chlo\u00e9 Thomas (Universit\u00e9 d\u2019Angers), \u00ab&nbsp;Les Anthologies de mauvaises po\u00e9sies&nbsp;: vers des communaut\u00e9s de d\u00e9go\u00fbt&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>Atelier 22 \/ Panel #22 \u2013 Session 2 (salle \/ room J 004)<\/strong><\/p>\n\n\n\n<p><strong><em>\u00ab&nbsp;Beating My Head Against the Wall&nbsp;\u00bb&nbsp;: <\/em><\/strong><strong>L\u00e9gitimit\u00e9, autorit\u00e9, canons dans la musique et la danse am\u00e9ricaines (19<sup>\u00e8me<\/sup>-21<sup>\u00e8me<\/sup> si\u00e8cles)<\/strong><strong><em> \/ \u201cBeating My Head Against the Wall&nbsp;\u201c: Legitimacy, Authority, and the Canon in American Music and Dance (19<sup>th<\/sup>-21<sup>st<\/sup> Centuries)<\/em><\/strong><\/p>\n\n\n\n<p><em>Adeline Chevrier-Bosseau (Universit\u00e9 Clermont<\/em><em> <\/em><em>Auvergne), Mathieu Duplay (Universit\u00e9 Paris Cit\u00e9)<\/em><\/p>\n\n\n\n<p>Silvia \u00c1lvarez Baamonde (Sorbonne Universit\u00e9), \u00ab&nbsp;Le M\u00e9taop\u00e9ra johnsonien : \u00e9loge ou satire du Vieux Continent&nbsp;\u00bb<\/p>\n\n\n\n<p>Dwayne Cannon (Universit\u00e9 Paris Cit\u00e9), \u201cVictor Borge and the Strawmen of Classical Music\u201d&nbsp;<\/p>\n\n\n\n<p>Maddie Kim (Independent scholar), \u201cUrban Bachata and Diasporic Community: Race and the Rearticulation of Dominican Identity in New York\u201d<\/p>\n\n\n\n<p><strong>Atelier 28 \/ Panel #28 \u2013 Session 2 \u2013 Case studies (salle \/ room J 006)<\/strong><\/p>\n\n\n\n<p><strong>Le nouveau canon de la politique \u00e9trang\u00e8re am\u00e9ricaine&nbsp;: quelle l\u00e9gitimit\u00e9 ?<\/strong><strong> \/<em> What is the legitimacy of the new canon of US foreign policy?<\/em><\/strong><\/p>\n\n\n\n<p><em>Rapha\u00ebl Ricaud (Universit\u00e9 Paul Val\u00e9ry-Montpellier 3) et Pierre Guerlain (Universit\u00e9 Paris<\/em><em> <\/em><em>Nanterre)<\/em><\/p>\n\n\n\n<p>Manuel Dorion-Souli\u00e9 (Cambridge, FNS), \u201cThe Carter Doctrine, liberal hegemony, and the new canon of American foreign policy discourse\u201d<\/p>\n\n\n\n<p>Christopher Griffin (UCO Nantes), \u201cPlanning for the Worst: Deterrence in US Foreign Policy after Iraq\u201d<\/p>\n\n\n\n<p>Rapha\u00ebl Ricaud (<em>Universit\u00e9 Paul Val\u00e9ry-Montpellier 3<\/em>), \u201cThe Helms-Biden Act.\u201d<\/p>\n\n\n\n<p><strong>Atelier 1 \/ Panel # 1 (salle \/ room J 008)<\/strong><\/p>\n\n\n\n<p><strong>Dans l\u2019ombre de Maurice Edgar et Gaston \u2014 Passeurs m\u00e9connus et canon(s) litt\u00e9raire(s) au XXe si\u00e8cle <\/strong><strong>\/<em> In the shadow of Maurice Edgar and Gaston \u2014 Forgotten mediators and literary canon(s) in the 20<sup>th<\/sup> century<\/em><\/strong><\/p>\n\n\n\n<p><em>C\u00e9cile Cottenet (Aix-Marseille Universit\u00e9) et Peggy Pacini (CY Cergy Paris Universit\u00e9)<\/em><\/p>\n\n\n\n<p>C\u00e9cile Cottenet (Aix-Marseille Universit\u00e9), \u00ab&nbsp;Un dictionnaire des passeurs&nbsp;\u00bb<\/p>\n\n\n\n<p>Thibaud Saillant (Universit\u00e9 Versailles Saint-Quentin-en-Yvelines), \u00ab&nbsp;Maurice Girodias : itin\u00e9raire troubl\u00e9 d\u2019un passeur litt\u00e9raire&nbsp;\u00bb<\/p>\n\n\n\n<p>Am\u00e9lie Macaud (Universit\u00e9 Bordeaux Montaigne), \u00ab&nbsp;The race to publish Charles Bukowski in France in 1977-1978 : Humano\u00efdes Associ\u00e9s vs Le Sagittaire&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>15h15-15h30 Pause-caf\u00e9 \/ Coffee break<\/strong><\/p>\n\n\n\n<p><strong>15h30-17h00 Table ronde \/ Roundtable (Amphi 1, b\u00e2timent Rosa Bonheur) (Event in French)<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"53\u00e8me Congre\u0300s de l\u2019Association Franc\u0327aise d\u2019\u00c9tudes Ame\u0301ricaines (AFEA)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/JSrtDAJT2j8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>\u00ab&nbsp;La traduction des \u0153uvres litt\u00e9raires \u00e9tatsuniennes&nbsp;\u00bb<\/strong><\/p>\n\n\n\n<p>Avec la participation de<\/p>\n\n\n\n<p>V\u00e9ronique B\u00e9ghain<\/p>\n\n\n\n<p>Professeure de litt\u00e9rature des \u00c9tats-Unis \u00e0 l\u2019Universit\u00e9 Bordeaux Montaigne et traductrice<\/p>\n\n\n\n<p>Sylvain Bourmeau (sous r\u00e9serve)<\/p>\n\n\n\n<p>Professeur associ\u00e9 \u00e0 l\u2019EHESS&nbsp;; cofondateur et directeur d\u2019<em>AOC (Analyse, Opinion, Culture)<\/em><\/p>\n\n\n\n<p>Anne-Laure Tissu<a><\/a>t<\/p>\n\n\n\n<p>Professeure de litt\u00e9rature des \u00c9tats-Unis \u00e0 l\u2019Universit\u00e9 de Rouen Normandie et traductrice<\/p>\n\n\n\n<p>Mod\u00e9ratrice&nbsp;:<\/p>\n\n\n\n<p>Monica Manolescu (Universit\u00e9 de Strasbourg \/ IUF)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Organisation<\/strong><\/p>\n\n\n\n<p><strong><em>Comit\u00e9 scientifique<\/em><\/strong><\/p>\n\n\n\n<p>Sylvie Bauer, Universit\u00e9 Rennes 2<\/p>\n\n\n\n<p>S\u00e9bastien Mort, Universit\u00e9 de Lorraine (Site de Metz)<\/p>\n\n\n\n<p>Elizabeth Mullen, Universit\u00e9 de Bretagne Occidentale<\/p>\n\n\n\n<p><strong><em>Comit\u00e9 organisateur local<\/em><\/strong><\/p>\n\n\n\n<p>V\u00e9ronique B\u00e9ghain (responsable principale)<\/p>\n\n\n\n<p>Pascale Antolin<br>David Diallo<br>St\u00e9phanie Durrans<br>Pierre Floquet<br>Lhorine Fran\u00e7ois<br>Nicolas Labarre<br>Sophie Rachmuhl<br>Michael Stambolis-Ruhstorfer<\/p>\n\n\n\n<p><strong><em>Doctoriales<\/em><\/strong><\/p>\n\n\n\n<p><em>Litt\u00e9rature<\/em><\/p>\n\n\n\n<p>Ronan Ludot-Vlasak, Universit\u00e9 Sorbonne Nouvelle<\/p>\n\n\n\n<p>Anne Ullmo, Universit\u00e9 de Tours<\/p>\n\n\n\n<p><em>Civilisation<\/em><\/p>\n\n\n\n<p>Fran\u00e7oise Coste, Universit\u00e9 Toulouse-Jean Jaur\u00e8s<\/p>\n\n\n\n<p>H\u00e9l\u00e8ne Quanquin, Universit\u00e9 de Lille<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mardi 31 mai 09h15-17h30 Doctoriales de litt\u00e9rature \/ Graduate symposium on literature (salle \/ room J 004) Anne Ullmo (Universit\u00e9 de Tours) et Ronan Ludot-Vlasak (Universit\u00e9 Sorbonne Nouvelle) R\u00e9pondant.e.s&nbsp;: Pascale Antolin (Universit\u00e9 Bordeaux Montaigne), Sylvie Bauer (Universit\u00e9 Rennes&nbsp;2), V\u00e9ronique B\u00e9ghain (Universit\u00e9 Bordeaux Montaigne), Mathieu Duplay (Universit\u00e9 Paris-Cit\u00e9), St\u00e9phanie Durrans (Universit\u00e9 Bordeaux Montaigne), Abigail Lang (Universit\u00e9&hellip; <a class=\"more-link\" href=\"https:\/\/afea.fr\/bordeaux2022\/2022\/04\/19\/programme-complet\/\">Poursuivre la lecture <span class=\"screen-reader-text\">Programme complet<\/span><\/a><\/p>\n","protected":false},"author":64,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-174","post","type-post","status-publish","format-standard","hentry","category-ateliers","entry"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"post-thumbnail":false},"uagb_author_info":{"display_name":"Nicolas Labarre","author_link":"https:\/\/afea.fr\/bordeaux2022\/author\/nlabarre\/"},"uagb_comment_info":0,"uagb_excerpt":"Mardi 31 mai 09h15-17h30 Doctoriales de litt\u00e9rature \/ Graduate symposium on literature (salle \/ room J 004) Anne Ullmo (Universit\u00e9 de Tours) et Ronan Ludot-Vlasak (Universit\u00e9 Sorbonne Nouvelle) R\u00e9pondant.e.s&nbsp;: Pascale Antolin (Universit\u00e9 Bordeaux Montaigne), Sylvie Bauer (Universit\u00e9 Rennes&nbsp;2), V\u00e9ronique B\u00e9ghain (Universit\u00e9 Bordeaux Montaigne), Mathieu Duplay (Universit\u00e9 Paris-Cit\u00e9), St\u00e9phanie Durrans (Universit\u00e9 Bordeaux Montaigne), Abigail Lang (Universit\u00e9&hellip;\u2026","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/posts\/174"}],"collection":[{"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/comments?post=174"}],"version-history":[{"count":7,"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/posts\/174\/revisions"}],"predecessor-version":[{"id":215,"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/posts\/174\/revisions\/215"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/media?parent=174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/categories?post=174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/bordeaux2022\/wp-json\/wp\/v2\/tags?post=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}