Atelier A : Le Sud politique 1<\/u>
\n-Fran\u00e7oise COSTE, Toulouse 2 \u2013 Universit\u00e9 Toulouse-Le Mirail, et Anne STEFANI, Toulouse 2 \u2013 Universit\u00e9 Toulouse-Le Mirail<\/strong><\/p>\n– Bobby J. DONALDSON, University of South Carolina: \u00ab \u2018An All Compelling Voice\u2019: African American Liberation Theology in the Jim Crow South \u00bb
\n– Patrick B. MILLER, Northeastern Illinois University: \u00ab Whose South? African American Institution-building during the Era of Jim Crow \u00bb
\n– John A. KIRK, Royal Holloway, University of London: \u00ab The Suburban South and the Three \u2018R\u2019s\u2019: Race, Renewal and Resegregation \u00bb
\n– Carole MASSEYS-BERTONECHE, Universit\u00e9 de Bordeaux IV : \u00ab The Rise of Southern Universities: The Essential Role Played by Foundations \u00bb<\/p>\n
Atelier B: Working, Living and Doing Business in the South<\/u>
\n-Donna KESSELMAN, Paris 10 \u2013 Universit\u00e9 de Nanterre<\/strong><\/p>\n– Donna KESSELMAN, Universit\u00e9 de Paris X : \u00ab Right to Work States : Le travail dans les Etats du Sud et la comp\u00e9titivit\u00e9 des Etats-Unis dans le monde \u00bb
\n– Loubna BOUAMANE, Universit\u00e9 de Paris VII: \u00ab L\u2019impact de l\u2019Affirmative Action dans le domaine de la passation des march\u00e9s publics: l\u2019exemple d\u2019Atlanta \u00bb
\n– Laurent ROESCH, Universit\u00e9 d\u2019Avignon: \u00ab Catastrophe naturelle ou catastrophe sociale? Quel mod\u00e8le pour la reconstruction de la Nouvelle Orl\u00e9ans apr\u00e8s Katrina\u00bb
\n– Sebastien FATH, CNRS : \u00ab Le Sud des Etats-Unis a-t\u2019il gagn\u00e9 la bataille religieuse ? \u00bb
\n– Catherine POUZOULET, Universit\u00e9 de Lille III: \u00ab De l\u2019exception \u00e0 la norme: la place du Sud dans un nouvel \u00e9quilibre \u00e9conomique et politique \u00bb<\/p>\n
Atelier C : Le Sud F\u00e9minin \u00e0 la Conqu\u00eate de l\u2019Espace 1<\/u>
\n-Brigitte ZAUGG, Metz \u2013 Universit\u00e9 Paul Verlaine<\/strong><\/p>\n– Elodie CHAZALON, Universit\u00e9 de Montpellier III : \u00ab \u2018Belles du Sud ou rebelles du Sud \u2018? : la dualit\u00e9 du r\u00f4le de la femme dans le Sud des Etats-Unis illustr\u00e9e \u00e0 travers la dualit\u00e9 du v\u00eatement \u00bb
\n– Dominique AURELIA, Universit\u00e9 des Antilles et de la Guyane : \u00ab Voix du Sud : \u00e9tude de trois autobiographies de femmes esclaves \u00bb
\n– Fran\u00e7oise BUISSON, Universit\u00e9 de Pau : \u00ab Du paysage mental de la m\u00e8re \u00e0 l\u2019espace intime de l\u2019\u00e9criture dans Sights Unseen de Kaye Gibbons \u00bb
\n– G\u00e9rald PREHER, Universit\u00e9 de Versailles St Quentin : \u00ab An \u2018Anatomy of the South\u2019 : Josephine Humphreys\u2019 Exploration of Space and Time in Nowhere Else on Earth \u00bb
\n– Kathie BIRAT, Universit\u00e9 de Metz : \u00ab Converging Spaces : Caribbean Folklore in the American South : The Example of Erna Brodber\u2019s Louisiana \u00bb<\/p>\n
Atelier D : Southern Gothic ? <\/u>
\n-Marc AMFREVILLE , Paris 12 \u2013 Universit\u00e9 du Val de Marne<\/strong><\/p>\n– Val\u00e9rie SYSTERMANS, Universit\u00e9 de la R\u00e9union : \u00ab De la nostalgie \u00e0 l\u2019utopie : un essai de r\u00e9interpr\u00e9tation de la tradition \u00ab Southern Gothic \u00bb chez Tennessee Williams \u00bb
\n– Delphine LOUIS, Universit\u00e9 de Paris III : \u00ab Mark Twain et le Southern Gothic \u00bb
\n– Anne ULLMO, Universit\u00e9 de Lille III : \u00ab \u2018How ironic [\u2026] that the obsessed with death would be the only to survive\u2019 (OC, 101). The Open Curtain de Brian Evenson ou la tentation du gothique \u00bb
\n– Marie LIENARD, Ecole Polytechnique : \u00ab New Southern Gothic : comment nommer l\u2019innommable ? \u00bb
\n– Julien AMORETTI, Universit\u00e9s de Paris XII et Paris VII : \u00ab \u2018A qui la faute ?\u2019 : le \u2018Southern Gothic\u2019 de W. Faulkner \u00e0 l\u2019\u00e9preuve de deux romans \u2019jumeaux\u2019, Absalom, Absalom et Go Down, Moses \u00bb<\/p>\n
Atelier E : Le(s) Sud(s) dans le Nord. Migrations litt\u00e9raires et \u00e9changes culturels<\/u>
\n-Wendy HARDING, Toulouse 2 – Universit\u00e9 de Toulouse – Le Mirail<\/strong><\/p>\n– Claire PARFAIT, Universit\u00e9 de Paris XIII : \u00ab Southern Realities Recounted in the North: The Publication and Reception ofWilliams Wells Brown\u2019s Narrative (1847) \u00bb
\n– Geoffrey PITCHER, Universit\u00e9 de Poitiers: \u00ab Realistic Stereotypes: William Dean Howells and the New South \u00bb
\n– Jill A. BERGMAN, University of Montana : \u00ab \u2018Negro Life North and South\u2019: The Political Strategy of Pauline Hopkins \u00bb
\n– Nicole OLLIER, Universit\u00e9 de Bordeaux III : \u00ab Greek Odysseys to North America \u00bb
\n– Nadia YASSINE-DIAB, Universit\u00e9 de Toulouse III : \u00ab Exile in the Work of Jamaica Kincaid \u00bb<\/p>\n
17h15-18h15 : Conf\u00e9rence pl\u00e9ni\u00e8re<\/u> de Charles Reagan Wilson<\/strong>, responsable de publication de The New Encyclopedia of Southern Culture<\/p>\n19h : r\u00e9ception<\/u><\/strong> de bienvenue offerte par la municipalit\u00e9 de Montpellier<\/p>\nVendredi 30 mai :<\/strong><\/p>\n9h30-12h30 : 5 ateliers de 4 ou 5 intervenants fonctionnant en parall\u00e8le<\/u><\/strong><\/p>\nAtelier A : Le Sud politique 2<\/u>
\n-Fran\u00e7oise COSTE, Toulouse 2 \u2013 Universit\u00e9 Toulouse-Le Mirail, et Anne STEFANI, Toulouse 2 \u2013 Universit\u00e9 Toulouse-Le Mirail<\/strong><\/p>\n– Aurore PORTET, Universit\u00e9 de Grenoble III: \u00ab Nominations politiques et r\u00e9forme carc\u00e9rale dans le Sud des Etats-Unis (1970-2000) \u00bb
\n– Lisa VERONI-PACCHER, Universit\u00e9 de Bordeaux III : \u00ab \u2018Barack Obama is my Homeboy\u2019 : Le candidat afro-am\u00e9ricain et le vote dans les \u00e9tats du Sud \u00bb
\n– Olivier RICHOMME, Universit\u00e9 de Lyon II: \u00ab Les \u00e9lections primaires de 2008 dans les \u00e9tats du Sud \u00bb
\n– Vincent MICHELOT, IEP Lyon: \u00ab The Post ‘Southern-Strategy’ South : Fortress or Achilles\u2019 Heel of the Republican Party? \u00bb<\/p>\n
Atelier B : Les repr\u00e9sentations du Sud \u00e0 l\u2019\u00e9poque coloniale<\/u>
\n-Anne-Claire FAUCQUEZ , Paris 8 \u2013 Universit\u00e9 de Vincennes-Saint Denis, et Bertrand VAN RUYMBEKE, Paris 8 \u2013 Universit\u00e9 de Vincennes-Saint Denis <\/strong><\/p>\n– Audrey BONNET, Universit\u00e9 de Paris VIII: \u00ab Jamestown et le mythe de l\u2019Old Dominion \u00bb
\n– Cl\u00e9mentine THOLAS, Universit\u00e9 de Paris III : \u00ab The New World de Terence Malick: r\u00e9interpr\u00e9tation de la Virginie des origines et hommage au cin\u00e9ma des premiers temps \u00bb
\n– Armelle SABATIER, Universit\u00e9 de Paris II : \u00ab Les rapports ma\u00eetre et esclave dans l\u2019Am\u00e9rique coloniale vus par le th\u00e9\u00e2tre jacob\u00e9en \u00bb
\n– Anne-Marie LIBERIO, Universit\u00e9 de Paris IV : \u00ab Esclavages am\u00e9rindien et africain : regards crois\u00e9s sur la Virginie et Sao Paulo au XVIIe si\u00e8cle \u00bb
\n– Anne-Claire FAUCQUEZ, Universit\u00e9 de Paris VIII : \u00ab New York, soci\u00e9t\u00e9 esclavagiste ou soci\u00e9t\u00e9 d\u2019esclaves ? \u00bb<\/p>\n
Atelier C : \u00ab Going South \u00bb in American Popular Culture<\/u>
\n-John DEAN, Universit\u00e9 de Versailles Saint-Quentin, et Georges-Claude GUILBERT, TOURS \u2013 Universit\u00e9 Fran\u00e7ois Rabelais<\/strong><\/p>\n– Craig PASCOE, Georgia College & State University: \u00ab Tell About BBQ: Using Foodways to Understand Southern Culture \u00bb
\n– Kathleen CLARK, University of Georgia: \u00ab Recreating \u2018The South that Never Was\u2019. Southern Identity and Readers\u2019 Response to Gone With the Wind \u00bb
\n– Karen L. COX, University of North Carolina: \u00ab Manufacturing the Southern Myth: Gone With the Wind in American Popular Culture \u00bb
\n– Nicolas LABARRE, Universit\u00e9 de Rennes II: \u00ab Wild Southerners in US Comics: The Case of DC\/Vertigo\u2019s \u2018Preacher\u2019 \u00bb
\n– Noelle de CHAMBRUN, Universit\u00e9 de Paris VII: \u00ab A Kaleidoscope of Kitsch : Presley\u2019s King Creole \u00bb<\/p>\n
Atelier D : Autres Suds<\/u>
\n-Christian LERAT, Bordeaux 3 \u2013 Universit\u00e9 Michel de Montaigne<\/strong><\/p>\n– Elyette BENJAMIN-LABARTHE, Universit\u00e9 de Bordeaux III : \u00ab Incidence des strat\u00e9gies expansionnistes sur la fixation de la fronti\u00e8re du Rio Grande (The Boundary Survey, 1848-1857) \u00bb
\n– Bruce E. BAKER, University of London : \u00ab \u2018A Foreign Friend Who Taught Me To Appreciate the Past of My Native State\u2019: Francis Butler Simkins, Gilberto Freyre, and Transnational Influences in Southern History in the 1920s \u00bb
\n– Paul SPICKARD, University of California, Santa Barbara: \u00ab Encountering the Racial South in the Pacific: Conversations over Membership in Hawai\u2019i\u2019s Colonized History \u00bb
\n– Jesse HINGSON, Georgia College and State University: \u00ab American Historians and the Study of the African Diaspora in Southern South America \u00bb
\n– Claude FERAL, Universit\u00e9 de La R\u00e9union: \u00ab \u2018Renaissance africaine\u2019 et nouvel \u00e9quilibre mondial. La diplomatie am\u00e9ricaine face \u00e0 l\u2019offensive venue d\u2019Afrique du Sud \u00bb<\/p>\n
Atelier E : Suds d\u2019Europe<\/u>
\n-Michel BANDRY, Montpellier 3 \u2013 Universit\u00e9 Paul Val\u00e9ry<\/strong><\/p>\n– Robert HUTTON, Vanderbilt University : \u00ab Brutal Provinces : The Blood Feud, the State and the Parochialism Myth \u00bb
\n– Waldemar ZACHARASIEWICZ, Universit\u00e4t Wien : \u00ab Transatlantic Ties : Southern Perspectives on Italy \u00bb
\n– Paul CARMIGNANI, Universit\u00e9 de Perpignan : \u00ab De l\u2019art de s\u2019occidenter par le Sud : romanciers am\u00e9ricains en Italie \u00bb
\n– Christine PRIOULT, Toulouse : \u00ab Camus et Faulkner \u00bb
\n– Boris VEJDOVSKY, Universit\u00e9 de Lausanne : \u00ab The Aesthetic and Political Significance of Hemingway\u2019s Souths \u00bb<\/p>\n
12h30-14h : Autour de l\u2019exposition photographique \u00ab Regards sur La Nouvelle-Orl\u00e9ans \u00bb<\/u><\/strong> pr\u00e9sent\u00e9e au Mus\u00e9e des Moulages de l\u2019Universit\u00e9 Paul Val\u00e9ry : lecture d\u2019extraits de son \u0153uvre par Brenda Marie Osbey<\/strong>, po\u00e8te-laur\u00e9at de Louisiane<\/p>\n14h-15h : conf\u00e9rence pl\u00e9ni\u00e8re<\/u> de Brenda-Marie Osbey sur La Nouvelle-Orl\u00e9ans<\/strong><\/p>\n15h-18h30 : 4 ateliers de 4 ou 5 intervenants fonctionnant en parall\u00e8le<\/u><\/strong> <\/p>\nAtelier A : Les Suds \u00e0 l\u2019\u00e9cran 1<\/u>
\n-Marie LI\u00c9NARD, \u00c9cole Polytechnique, et Ta\u00efna TUHKUNEN, Universit\u00e9 de Versailles Saint-Quentin<\/strong><\/p>\n– Melvyn STOKES, University College London : \u00ab Legends of the \u2018Lost Cause\u2019 : Representing the South on Film \u00bb
\n– Christophe CHAMBOST, Universit\u00e9 de Bordeaux II : \u00ab The New Yorker Going South : Journalism Lost in Translations in Clint Eastwood\u2019s Midnight in the Garden of Good and Evil \u00bb
\n– Anne-Marie PAQUET-DEYRIS, Universit\u00e9 de Rouen : \u00ab Return to Ithaca, Miss : The Peculiar Southern Odyssey of the Coens\u2019 O\u2019Brother \u00bb
\n– Patricia KRUTH, Universit\u00e9 de Lille III: \u00ab The Film\u2019s Setting is the Big Easy : Towards an Aesthetic of New Orleans on Screen \u00bb
\n– Trudy BOLTER, Universit\u00e9 de Bordeaux IV : \u00ab Deux films de John Ford, Les Raisins de la Col\u00e8re (1940, adaptation de John Steinbeck) et La Route du Tabac (1941, adaptation d\u2019Erskine Caldwell) : les deux versants (sacr\u00e9, profane) d\u2019un genre \u2018Sud \u2018 au cin\u00e9ma \u00bb<\/p>\n
Atelier B : Does the Southern still cross the Dog? (Musique populaire) 1<\/u>
\n-Claude CHASTAGNER, Montpellier 3 \u2013 Universit\u00e9 Paul Val\u00e9ry<\/strong><\/p>\n– Christina BODINGER de URIARTE, California State University, Los Angeles: \u00ab Social Dynamics in the Evolution of Jazz\u2014Or How We Got from the South to BeBop to Post-Modern Jazz \u00bb
\n– Brian DOHERTY, University of Texas, Austin: \u00ab \u2018Pulling the meat, right off the Bone\u2019: Workingman\u2019s Lament in the Songs of the Gourds \u00bb
\n– David DIALLO, Universit\u00e9 de Bordeaux IV: \u00ab Representing the \u2018Dirty South\u2019: Parochialism in Rap Music \u00bb
\n– Gavin James CAMPBELL, Doshisha University, Kyoto: \u00ab Britney Spears and the Imagined South in American Popular Culture \u00bb
\n– Jean-Charles KHALIFA, Universit\u00e9 de Poitiers : \u00ab Country-Conservatism, Blue-Fascism ? Southern Music and Politics \u00bb<\/p>\n
Atelier C : Le Sud F\u00e9minin \u00e0 la Conqu\u00eate de l\u2019Espace 2<\/u>
\n-Brigitte ZAUGG, Metz \u2013 Universit\u00e9 Paul Verlaine<\/strong><\/p>\n– Michel BANDRY, Universit\u00e9 de Montpellier III : \u00ab Femmes des Appalaches : de Mary Ann Murfree \u00e0 Lee Smith \u00bb
\n– Am\u00e9lie MOISY, Universit\u00e9 de Paris XII : \u00ab A World in a Block of Wood : The Dollmaker by Harriette Arnow \u00bb
\n– Elisabeth LAMOTHE, Universit\u00e9 de Versailles St Quentin : \u00ab From the Space of Displacement to the Displacement of Space : Katherine Anne Porter between two Souths \u00bb
\n– Yvette RIVIERE, Universit\u00e9 de Paris XII : \u00ab Carson McCullers : un Sud d\u00e9mythifi\u00e9 \u00bb
\n– Isabelle VAN PETEGHEM-TREARD, Universit\u00e9 d\u2019Angers : \u00ab Alice Walker\u2019s South : Mapping the Feminine Self from Meridian to Color Purple \u00bb<\/p>\n
Atelier D : Du Sud al Sur\/ Des \u00e9trangers de papier: les masques du Mexique et de l\u2019hispanit\u00e9 dans l\u2019imagination litt\u00e9raire nord-am\u00e9ricaine 1<\/u>
\n-Yves-Charles GRANDJEAT, Bordeaux 3 \u2013 Universit\u00e9 Michel de Montaigne, et Jacques POTHIER, Universit\u00e9 Versailles Saint-Quentin<\/strong><\/p>\n– Efrain KRISTAL, University of California Los Angeles: \u00ab Bret Harte and Ricardo Palma: Recreators of the Spanish-American Past \u00bb
\n– B\u00e9atrice PIRE, Universit\u00e9 de Paris III : \u00ab As I will be dying : Hart Crane in Mexico\u00bb
\n– Leigh Ann DUCK, University of Memphis: \u00ab Mississippian\/Mexican, Interracial\/International: Faulkner\u2019s Changing View of Identity \u00bb
\n– Charles SCHEEL, Universit\u00e9 de Metz : \u00ab The Crossing of the Rio Grande in Larry McMurtry\u2019s The Last Picture Show: What Kind of a Rite of Passage? \u00bb<\/p>\n
20h : banquet<\/u> \u00e0 La R\u00e9serve Rimbaud<\/strong><\/p>\nSamedi 31 mai:
\n9h30-12h: assembl\u00e9e g\u00e9n\u00e9rale<\/u> de l\u2019association<\/strong><\/p>\n14h-17h: 4 ateliers de 5 intervenants fonctionnant en parall\u00e8le<\/u><\/strong> <\/p>\nAtelier A : Les Suds \u00e0 l\u2019\u00e9cran 2 <\/u>
\n-Marie LI\u00c9NARD, \u00c9cole Polytechnique, et Ta\u00efna TUHKUNEN, Universit\u00e9 de Versailles Saint-Quentin<\/strong><\/p>\n– Florent CHRISTOL, Universit\u00e9 de Poitiers : \u00ab \u2018They All Go to See the Fun\u2019 : repr\u00e9sentation de la Guerre de S\u00e9cession dans 2000 Maniacs (1964) d\u2019Herschell Gordon Lewis \u00bb
\n– B\u00e9n\u00e9dicte SISTO, Universit\u00e9 de Clermont Ferrand : \u00ab Mythe et repr\u00e9sentation : le territoire floridien dans Some Like It Hot, de Billy Wilder \u00bb
\nMaxime LACHAUD : \u00ab Le Sud de tous les dangers : retour au primitif et d\u00e9g\u00e9n\u00e9rescence dans le cin\u00e9ma \u00ab redneck \u00bb am\u00e9ricain \u00bb
\n– Pierre FLOQUET, Universit\u00e9 de Bordeaux I: \u00ab Le Sud en dessin anim\u00e9 hollywoodien: Avery revisite Uncle Tom\u2019s Cabin \u00bb
\n– Gilles MENEGALDO, Universit\u00e9 de Poitiers: \u00ab Figures de la transgression et probl\u00e9matique de l’identit\u00e9 dans Reflections in a Golden Eye (Carson McCullers\/John Huston) \u00bb<\/p>\n
Atelier B : Does the Southern still cross the Dog? (Musique populaire) 2<\/u>
\n-Claude CHASTAGNER, Montpellier 3 \u2013 Universit\u00e9 Paul Val\u00e9ry<\/strong><\/p>\n– Juliette HOFFENBERG, Lyc\u00e9e Henri IV: \u00ab Mississippi All Stars : The Anatomy of Melancholy \u00bb
\n– Elsa GRASSY, Universit\u00e9 de Paris IV: \u00ab Katrina Songs and the Blues Tradition of Investigation: Covering and Exposing \u00bb
\n– Anne LEGRAND, Universit\u00e9 de Paris IV: \u00ab The Music Scene in New Orleans in the Wake of Hurricane Katrina \u00bb
\nMercedes LYNN de URIARTE, University of Texas, Austin: \u00ab Painful Reflections in \u201cDough,\u201d R\u00e9, Mi: Protest Songs of Development and Displacement \u00bb
\n– Jeremy PRICE, Universit\u00e9 de Poitiers : \u00ab From the Hills of Appalachia to the Hills of Ulster : The Return of the Hillbillies \u00bb<\/p>\n
Atelier C : Le Sud : vieux clich\u00e9s, nouvelles images<\/u>
\n-G\u00e9raldine CHOUARD, Paris 9 \u2013 Universit\u00e9 Paris-Dauphine, et Jean KEMPF, Lyon 2 \u2013 Universit\u00e9 Lumi\u00e8re<\/strong><\/p>\n– Yannicke CHUPIN, Universit\u00e9 de Paris IV : \u00ab R\u00e9alit\u00e9 et r\u00e9flexivit\u00e9 dans Let Us Now Praise Famous Men de Jame Agee et Walker Evans \u00bb
\n– Yves FIGUEREIDO, Universit\u00e9 de Paris IV : \u00ab L\u2019\u00e9puisement de la terre et des hommes dans le Vieux Sud : images d\u2019une fuite en avant \u00bb
\n– Jean-Marc VICTOR, Universit\u00e9 de Paris IV : \u00ab Hantise : quelques photographies de Ralph Eugene Meatyard \u00bb
\n– Anne CREMIEUX, Universit\u00e9 de Paris X : \u00ab Le Sud, terre des racines, dans le nouveau cin\u00e9ma noir des ann\u00e9es quatre-vingt-dix \u00bb
\n– Andr\u00e9 BLEIKASTEN, Universit\u00e9 de Strasbourg II : \u00ab Portraits de Faulkner \u00bb<\/p>\n
Atelier D : Du Sud al Sur\/ Des \u00e9trangers de papier: les masques du Mexique et de l\u2019hispanit\u00e9 dans l\u2019imagination litt\u00e9raire nord-am\u00e9ricaine<\/u><\/strong>
\n-Yves-Charles GRANDJEAT, Bordeaux 3 \u2013 Universit\u00e9 Michel de Montaigne, et Jacques POTHIER, Universit\u00e9 Versailles Saint-Quentin<\/p>\n– Matthew ROUDANE, Georgia State University: \u00ab The Masks of Mexico, Hispanicity, and the Theater of Sam Shepard \u00bb
\n– Yves-Charles GRANDJEAT, Universit\u00e9 de Bordeaux III : \u00ab Cities of the Plain by Cormac McCarthy<\/p>\n
– Table ronde autour du roman de Stephen Harrigan The Gates of the Alamo en pr\u00e9sence de l\u2019auteur et de sa traductrice, Mireille Golaszewski<\/p>\n
Soir\u00e9e festive<\/u><\/strong> (sous r\u00e9serve)<\/p>\n","protected":false},"excerpt":{"rendered":"SUDS Vincent Dussol (Montpellier III) et Nathalie Dessens (Toulouse II) Texte de cadrage Infos pratiques (Hotels, plan) Vid\u00e9os montr\u00e9es au Congr\u00e8s (28-31 mai 2008) Mercredi 28 mai : Doctoriales 9h-13h et 14h-18h Jeudi 29 mai : Accueil des congressistes et inscriptions : \u00e0 partir de 10h30 13h-14h : ouverture du congr\u00e8s par le pr\u00e9sident de 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