{"id":558,"date":"2014-02-21T16:56:25","date_gmt":"2014-02-21T16:56:25","guid":{"rendered":"http:\/\/localhost\/annualconference\/association-francaise-detudes-americaines\/congres-afea\/congres-anterieurs\/congres-2014-paris-les-etats-unis-modeles-contre-modeles-fin-des-modeles\/programme-congres-afea-2014\/558\/"},"modified":"2014-02-21T16:56:25","modified_gmt":"2014-02-21T16:56:25","slug":"programme-congres-afea-2014","status":"publish","type":"post","link":"https:\/\/afea.fr\/annualconference\/congres-anterieurs\/congres-2014-paris-les-etats-unis-modeles-contre-modeles-fin-des-modeles\/programme-congres-afea-2014\/558\/","title":{"rendered":"Programme"},"content":{"rendered":"

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<\/p>\n

CONGRES AFEA 2014 – \u201cMod\u00e8les, contre-mod\u00e8les, fin des mod\u00e8les\u2026?<\/h2>\n

<\/strong> <\/CENTER>
\n 
\nComit\u00e9 Scientifique: Sylvie Bauer (Rennes-2), Serge Chauvin (Paris Ouest Nanterre), et Donna Kesselman (UPEC).
\n(Universit\u00e9 Sorbonne Nouvelle \u2013 Paris 3, site Censier<\/strong>)<\/h2>\n

<\/strong><\/p>\n

programme_congres_afea_2014_19-05.docx<\/a>
\n <\/p>\n

Vous pouvez t\u00e9l\u00e9charger le programme du Congr\u00e8s 2014 en cliquant sur le doc (Word) ci-dessus. <\/p>\n

 
\n

<\/p>\n

CONGRES AFEA 2014 – Programme<\/h2>\n

<\/strong> <\/CENTER><\/p>\n

 <\/p>\n

<\/p>\n

<\/code>Mercredi 21 mai<\/h2>\n

<\/strong><\/CENTER><\/p>\n

Ouverture du congr\u00e8s
\nDoctoriales<\/strong><\/p>\n

Organisateurs <\/strong> :
\nCivilisation : Anne Ollivier-Mellios <\/strong> (U. Lumi\u00e8re-Lyon 2) et Luc Benoit \u00e0 la Guillaume<\/strong> (U. Paris-Ouest Nanterre)
\nLitt\u00e9rature : Mathieu Duplay<\/strong> (U. Denis Diderot) et Fran\u00e7oise Palleau-Papin<\/strong> (U. Paris Nord\/13)<\/p>\n

9h15 Accueil et pr\u00e9sentation<\/strong><\/p>\n

9h30-10h15:<\/strong>
\nAtelier litt\u00e9rature et civilisation 1 <\/strong> : Abolitionist novelists- Salle D11<\/strong>
\nDiscutantes : Laurence Cossu-Beaumont<\/strong> (U. Sorbonne Nouvelle-Paris 3) ; Agn\u00e8s Derail-Imbert <\/strong> (ENS Ulm)
\nDan Farbman (Harvard U.), \u00ab 19th century abolitionist lawyers <\/em> \u00bb. <\/p>\n

10h15-11h:<\/strong>
\nAtelier civilisation 2 (Science fiction films) – Salle D11<\/strong>
\nDiscutante : Monica Michlin <\/strong> (U. Paris Sorbonne)
\nPablo Gomez Munoz <\/strong> (Zaragoza, Espagne), \u00ab Complex narratives in contemporary science fiction films <\/em> \u00bb.<\/p>\n

Atelier litt\u00e9rature 2\/1 (American Poetry – Women\u2019s Voices) – Salle D12<\/strong>
\nDiscutants: Audrey Fogels (<\/strong>U. Paris 8 Vincennes-Saint-Denis), Cl\u00e9ment Oudart<\/strong> (U. Toulouse 2-Le Mirail)
\nLucie Tiravy<\/strong> (U. Blaise Pascal-Clermont-Ferrand 2), \u00ab \u201c Cette part de la Vision \/ Que le Mot voulait recouvrir \u201d : l\u2019exp\u00e9rience f\u00e9minine am\u00e9ricaine dans \u201c l\u2019om\u00e9ga \u201d du langage po\u00e9tique \u00bb<\/em>. <\/p>\n

11h00-11h15 :<\/strong> Pause caf\u00e9<\/p>\n

11h15-12h15 :<\/strong>
\nAtelier litt\u00e9rature 2\/2 (American Poetry – Women\u2019s Voices) – Salle D12<\/strong>
\nCharlotte Blanchard <\/strong> (U. Bordeaux Montaigne), \u00ab Adrienne Rich\u2019s Poetry: A Woman\u2019s Voice in Translation \u00bb.<\/em>
\nCatalina Onofrei <\/strong> (U. Paris Diderot), \u00ab L\u2019\u0153uvre po\u00e9tique de Denise Levertov : entre langage de la foi et foi dans le langage \u00bb.<\/em><\/p>\n

Atelier civilisation 3 (American cinema) – Salle D11<\/strong>
\nDiscutantes : C\u00e9line Murillo<\/strong> (U. Paris Nord\/13) et Marianne Kac-Vergne <\/strong> (U. d\u00b4Amiens)
\nRebecca Franklin-Landi<\/strong> (Aix-Marseille U.), \u00ab McCarthyism and the Cinema of Fear \u00bb.<\/em>
\nNoelia Gregorio<\/strong> (U. Alcala, Espagne), \u00ab The Rebel of Chicano Cinema, Anglo-Mexican Intertextuality in Robert Rodriguez\u2019s films \u00bb.<\/em><\/p>\n

12h15-12h45 :<\/strong> Discussion <\/p>\n

12h45-14h00 : <\/strong> D\u00e9jeuner
\n\u2003<\/p>\n

14h00-14h45:<\/strong>
\nAtelier civilisation 4 (Transatlantic Cultural Influences) – Salle <\/strong> D11
\nDiscutantes : H\u00e9l\u00e8ne Le Dantec-Lowry<\/strong> et Evelyne Payen <\/strong> (U. Sorbonne Nouvelle-Paris 3)
\nNicole Leopoldie <\/strong> (Arlington), \u00ab The Franco-American Love Affair: Transnational Marriage and Cultural Infatuation in the 19th and 20th Century \u00bb<\/em>.
\nJoseph Malherek <\/strong> (U. George Washington), \u00ab \u00c9migr\u00e9 scientists of the Quotidian: Market Research and the American Consumer Unconscious, 1933-1976 \u00bb.<\/em><\/p>\n

Atelier litt\u00e9rature 3\/1 (Avatars of Twentieth Century Fiction) – Salle D12<\/strong>
\nDiscutantes: Monica Manolescu <\/strong> (U. de Strasbourg), Monica Michlin<\/strong> (U. Paris Sorbonne), Fr\u00e9d\u00e9rique Spill<\/strong> (U. d\u2019Amiens)
\nC\u00e9line Rolland Nabuco <\/strong> (U. Toulouse 2-Le Mirail), \u00ab Figures, gestes et signes du sportsman : la chasse dans les textes de Jim Harrison, Thomas McGuane, Ernest Hemingway et William Faulkner \u00bb.<\/em>
\nAur\u00e9lie Delavall\u00e9e<\/strong> (U. Toulouse 2-Le Mirail), \u00ab Visual and Textual Interactions in the Illustrated Works of Donald Barthelme \u00bb.<\/em><\/p>\n

14h45-15h15 :<\/strong> Discussion <\/p>\n

15h15-15h30 :<\/strong> Pause-caf\u00e9<\/p>\n

15h30-16h15:<\/strong>
\nAtelier civilisation 5 (Popular Music) – Salle D11<\/strong>
\nDiscutant : Fr\u00e9d\u00e9ric Sylvanise <\/strong> (U. Paris Nord\/13)
\nMarie Demars <\/strong> (U. Paul Val\u00e9ry-Montpellier 3), \u00ab The traditional music of South Louisiana Creoles of Color \u00bb. <\/em> <\/p>\n

Atelier litt\u00e9rature 3\/2 (Avatars of Twentieth-Century Fiction) – Salle D12<\/strong>
\nKimberly Frohreich <\/strong> (U. de Gen\u00e8ve), \u00ab American Fantasies of Race \u00bb.<\/em>
\nSarra Ben Slima <\/strong> (U. Paris Nord\/13), \u00ab Le documentaire romanc\u00e9 ou le roman document\u00e9 dans l\u2019\u0153uvre interm\u00e9diale de William T. Vollmann : vers une nouvelle universalit\u00e9 ? \u00bb<\/em><\/p>\n

17h00 Table-ronde sur les bourses et le soutien \u00e0 la recherche <\/strong>
\nArnaud Roujou de Boub\u00e9e<\/strong> \/ S\u00e9verine Peyrichou (<\/strong>Fulbright \/ French American Commission)
\n 
\n18h30<\/strong> : R\u00e9ception <\/strong> (Marie du 12\u00e8me arrondissement)
\n 
\n

<\/p>\n

<\/code>Jeudi 22 mai<\/h2>\n

<\/strong><\/CENTER><\/p>\n

9h30h-10h30 <\/strong> : Ouverture du congr\u00e8s en pr\u00e9sence de M. Mark Taplin,<\/strong> Charg\u00e9 d’Affaires aupr\u00e8s de l’Ambassade des \u00c9tats-Unis (Amphith\u00e9\u00e2tre B<\/strong>). <\/p>\n

11h-12h : <\/strong> Keynote : Nelson Lichtenstein<\/strong> : The Vertically Integrated Corporation as Model and Measure for a Socially Responsible Capitalism: Towards a Wal-Mart World Order?<\/em>, Amphith\u00e9\u00e2tre B<\/strong>).<\/p>\n

12h-14h :<\/strong> D\u00e9jeuner libre<\/p>\n

14h-16h30 :<\/strong> 5 ateliers en parall\u00e8le <\/p>\n

1. R\u00e9cits et\/en\/de po\u00e9sie – (Salle D 11) <\/strong>
\nVincent Broqua (UPEC) et Christophe Lamiot-Enos (Universit\u00e9 de Rouen)
\nAntoine Caz\u00e9<\/strong> (Universit\u00e9 Paris Diderot – Paris 7), \u00ab L’Objet po\u00e9tique du r\u00e9cit Nox d’Anne Carson. <\/em> \u00bb
\n Am\u00e9lie Ducroux<\/strong> (Universit\u00e9 Lumi\u00e8re – Lyon 2), \u00ab \u201cNarration\u201d as Diversion: The \u201cInsidious Intent\u201d of T.S. Eliot’s Poems<\/em> \u00bb.
\nVincent Dussol<\/strong> (Universit\u00e9 Paul Val\u00e9ry – Montpellier 3), \u00ab Leland Hickman\u2019s Tiresias\u2019s \u201cSnarled Song\u201d \u00bb.
\nLaure de Nervaux-Gavoty<\/strong> (Universit\u00e9 Paris Est Cr\u00e9teil), \u00ab \u201cMongrel Rose\u201d : hybridit\u00e9 et \u00e9criture de soi dans Anglo-Mongrels and the Rose de Mina Loy<\/em> \u00bb.
\nChlo\u00e9 Thomas<\/strong> (Universit\u00e9 Sorbonne Nouvelle – Paris 3), \u00ab \u201cIn Time Meditation, Out of Time Narration\u201d : My Life de Lyn Hejinian<\/em> \u00bb.<\/p>\n

 <\/p>\n

2. Les Etats-Unis : mod\u00e8le ou contre-mod\u00e8le \u00e9cologique ? – (Salle D13)<\/strong>
\nGelareh Djahansouz-Yvard (Universit\u00e9 d’Angers)
\nVincent Gu\u00e9rin<\/strong> (Universit\u00e9 d\u2019Angers, Universit\u00e9 Catholique de l\u2019Ouest), \u00ab \u201cI am alarmist [\u2026] because I\u2019m very goddamned alarmed\u201d : 40 ans d\u2019environnementalisme au prisme des alertes de Paul R. Erhlich <\/em> \u00bb.
\nM\u00e9lanie Meunier <\/strong> (Universit\u00e9 de Strasbourg), \u00ab The Influence of the Conservative Movement on American Views about Climate Change <\/em> \u00bb.
\nJulie Celnik <\/strong> (Universit\u00e9 de St. Quentin Versailles), \u00ab La Cascadia, laboratoire du mod\u00e8le bior\u00e9gionaliste \u00e9tats-unien<\/em> \u00bb.
\nFanny Domenec<\/strong> (Universit\u00e9 Panth\u00e9on-Assas), \u00ab Environmental Protection versus Technological Innovation: The American Paradox?<\/em> \u00bb<\/p>\n

 <\/p>\n

3. Le mod\u00e8le \u00e0 l\u2019\u00e9preuve des genres : du cin\u00e9ma muet au nouvel Hollywood (1) – (Salle D 16)<\/strong>
\nAnne-Marie Paquet-Deyris (Universit\u00e9 Paris Ouest Nanterre) et Gilles Menegaldo (Universit\u00e9 de Poitiers)
\n Rapha\u00eblle Costa de Beauregard <\/strong> (Universit\u00e9 Toulouse 2 le Mirail), \u00ab Le mod\u00e8le fran\u00e7ais du burlesque (Alice Guy, Jean Durand) dans le cin\u00e9ma de Buster Keaton<\/em> \u00bb
\nPenny Starfield <\/strong> (Universit\u00e9 de Caen), \u00ab L’historiographie du mod\u00e8le chez Oscar Micheaux<\/em> \u00bb.
\nTa\u00efna Tuhkunen <\/strong> (Universit\u00e9 d’Angers), \u00ab The \u201cSouthern\u201d Genre : A Counter-Model or a Genre in Emergence? <\/em> \u00bb
\n Florent Christol<\/strong> (Universit\u00e9 de Poitiers), \u00ab Un mod\u00e8le r\u00e9troactif : le freak film des ann\u00e9es 1930 et ses prog\u00e9nitures<\/em> \u00bb.<\/p>\n

 <\/p>\n

4. Our American Cousins: Revaluing Models in American Theatre and Performance – (Salle D12)<\/strong>
\nXavier Lemoine (Universit\u00e9 Paris Est Marne-la-Vall\u00e9e) et Marie Pecorari (Paris-Sorbonne)
\nSt\u00e9phane Caruana<\/strong> (UPEM), \u00ab Le th\u00e9\u00e2tre politique europ\u00e9en: un mod\u00e8le pour le th\u00e9\u00e2tre gay am\u00e9ricain dans la lutte antisida?<\/em> \u00bb
\nEmeline Jouve <\/strong> (Universit\u00e9 Toulouse Le Mirail – Champollion), \u00ab The Emperor Jones de Eugene O’Neill ou les paradoxes de l’anti-conformisme<\/em> \u00bb.
\nGwenola Le Bastard<\/strong> (Lyc\u00e9e Agora, Puteaux), \u00ab A View from the Bridge d\u2019Arthur Miller : contrepoint et d\u00e9passement du mod\u00e8le des p\u00e8res<\/em> \u00bb.
\nMarie Pecorari<\/strong> (Paris-Sorbonne), \u00ab Discours de la marge <\/em> \u00bb. <\/p>\n

 <\/p>\n

5. Race-Consciousness v. Colorblindness : Two Competing Models – (Salle D15)<\/strong>
\nOlivier Richomme (Universit\u00e9 Lumi\u00e8re – Lyon 2)
\nElisabeth Boulot<\/strong> (UPEM), \u00ab The Roberts Court and Race-Conscious Policies<\/em> \u00bb.
\nCl\u00e9mentine Berth\u00e9l\u00e9my<\/strong> (Universit\u00e9 d’Aix-Marseille), \u00ab Les politiques de discrimination positive dans le cadre des admissions universitaires <\/em> \u00bb.
\nMarion Pulce <\/strong> (Universit\u00e9 Lumi\u00e8re – Lyon 2), \u00ab Two Rival Readings of Brown in the 2007 Parents v. Seattle decision <\/em> \u00bb.
\nOlivier Richomme<\/strong> (Universit\u00e9 Lumi\u00e8re – Lyon 2), \u00ab Racial Politics in the Impasse: Public Policies, Racial Inequality and Modern Political Alliances<\/em> \u00bb.<\/p>\n

 <\/p>\n

16h30-16h45<\/strong> : pause caf\u00e9 Salle D19<\/strong><\/p>\n

16h45-19h15<\/strong> : 4 ateliers en parall\u00e8le <\/p>\n

 <\/p>\n

1. Mod\u00e8les et contre-mod\u00e8les de l\u2019autobiographie am\u00e9ricaine des XIXe et XXe si\u00e8cles (1) – (Salle D11)<\/strong>
\nAda Savin (UVSQ) et Sandrine Ferr\u00e9-Rode (UVSQ)
\nWendy Harding<\/strong> (Universit\u00e9 de Toulouse Le Mirail), \u00ab Writing the Self from the Middle Ground: E. Jane Gay\u2019s Choup-nit-ki, With the Nez Perce<\/em> \u00bb
\nPaule L\u00e9vy<\/strong> (UVSQ), \u00ab Writing the Collective Anonymous Self in Fred D\u2019Aguiar\u2019s Feeding the Ghosts. <\/em> \u00bb
\nDelphine Louis<\/strong> (Institut Catholique de Paris), \u00ab L’histoire et le moi dans The Education of Henry Adams et Life Studies de Robert Lowell: figures de l’hybride<\/em> \u00bb
\nSt\u00e9phanie Carrez<\/strong> (UVSQ), \u00ab \u201cDiscursiveness does not hurt an autobiography in the least\u201d : dans les m\u00e9andres de l\u2019autobiographie de Mark Twain<\/em> \u00bb.
\nH\u00e9l\u00e8ne Tison<\/strong> (Universit\u00e9 Fran\u00e7ois Rabelais, Tours), \u00ab Alison Bechdel, l\u2019autobiographie \u00e0 l\u2019\u00e9preuve de la bande dessin\u00e9e<\/em> \u00bb. <\/p>\n

 <\/p>\n

2. Super-h\u00e9ros et mod\u00e9lisation(s) – (Salle D12)<\/strong>
\nYann Roblou<\/strong> (Universit\u00e9 de Valenciennes) et Cl\u00e9mentine Tholas (UPEC)
\nMag. Andreas Ehrenreich <\/strong> (Institute of Media and Communication Studies University of Mannheim), \u00ab Subverting the Genre: Literary Precursors of Superhero Satires.<\/em>\u00bb
\nWendy Sterba <\/strong> (College of St. Benedict \/ St. John\u2019s University, MN) \u00ab Avenging American Arrogance: Joss Whedon\u2019s Filmic Post 9\/11 Superheroes<\/em>. \u00bb
\nSylvain Rimbault <\/strong> (Universit\u00e9 Sorbonne Nouvelle, CIM), \u00ab Costume, masculinit\u00e9s et nation dans les films de super h\u00e9ros<\/em> \u00bb.
\nKaren A. Ritzenhoff<\/strong> (Central Connecticut State University), \u00ab No More Misses Nice Girl: \u201cBlack Widow,\u201d Katniss Everdeen, and Other Super Heroines in Contemporary American popular culture.<\/em> \u00bb
\nAur\u00e9lie Blot<\/strong> (Universit\u00e9 Bordeaux Montaigne), \u00ab De super h\u00e9ros \u00e0 anti-h\u00e9ros, il n\u2019y a qu\u2019un pas\u2026<\/em> \u00bb<\/p>\n

 <\/p>\n

3. US labor regimes and their exportation – (Salle D15) <\/strong>
\nOlivier Frayss\u00e9 (Universit\u00e9 Paris-Sorbonne) et Eliza Koechlin (Universit\u00e9 Paris-Sorbonne)
\nAndrew Diamond <\/strong> (Paris-Sorbonne), \u00ab Unfair Employment: The Rise of the Racial State and the Fall of the New Deal Model of Social Citizenship<\/em> \u00bb.
\nOlivier Frayss\u00e9 <\/strong> (Paris-Sorbonne), \u00ab Modeling Labor Regimes, from Slavery to Amazon’s Mechanical Turk: Which Dimensions Are Relevant? <\/em> \u00bb
\nDaniel Koechlin<\/strong> (Universit\u00e9 du Maine), \u00ab The Abolition of Labor and The Non-Repressive Society: Marx, Marcuse and Counter-Culture Models in 60s America <\/em> \u00bb.
\nElisabeth Koechlin<\/strong> (Paris-Sorbonne), \u00ab Les nouveaux mod\u00e8les de militantisme aux \u00c9tats-Unis <\/em> \u00bb.
\nGabriel Lattanzio<\/strong> (Universit\u00e9 Paris Diderot), \u00ab Did the United Farm Workers Provide a Model for Contemporary Unionism? The American Labor Strategy in Question<\/em> \u00bb.
\nHanna Trubeka<\/strong> (Universit\u00e9 Paris Est Cr\u00e9teil), \u00ab Quelle \u201cnorme\u201d d’emploi pour le travail dans les services de t\u00e9l\u00e9communications ? La d\u00e9r\u00e9glementation de l\u2019ATT, un \u201cmod\u00e8le\u201d pour la privatisation de France Telecom?<\/em> \u00bb<\/p>\n

 <\/p>\n

4. L\u2019Universit\u00e9 aux \u00c9tats-Unis : mod\u00e8les, contre-mod\u00e8les, m\u00e9ta-mod\u00e8les – (Salle D13) <\/strong>
\nFran\u00e7ois Cusset, Thierry Labica, V\u00e9ronique Rauline (Universit\u00e9 Paris Ouest Nanterre)
\n H\u00e9l\u00e8ne Cottet, <\/strong> (Universit\u00e9 Paris-Diderot), \u00ab Les American Studies : (in-)discipline mod\u00e8le <\/em> \u00bb.
\nCarole Masseys-Berton\u00e8che<\/strong> (Universit\u00e9 de Bordeaux), \u00ab Le capitalisme philanthropique comme force constitutive de l\u2019universit\u00e9 am\u00e9ricaine : un mod\u00e8le pour la France ? <\/em> \u00bb
\nJacques Pothier <\/strong> (Universit\u00e9 Versailles Saint Quentin), \u00ab Global American Studies, Area Studies, and the World<\/em> \u00bb.
\n Christine Soulas<\/strong> (Universit\u00e9 Rennes 2), \u00ab Les MOOCs, un mod\u00e8le en devenir <\/em>\u00bb.<\/p>\n

 <\/p>\n

<\/p>\n

<\/code>Vendredi 23 mai <\/h2>\n

<\/strong><\/CENTER><\/p>\n

8h45-11h15<\/strong> : 4 ateliers en parall\u00e8le: <\/p>\n

1. Quel futur mod\u00e8le pour l’Am\u00e9rique politique: destin\u00e9e manifestement partisane ou union r\u00e9invent\u00e9e? – Salle D13 <\/strong>
\nJ\u00e9r\u00f4me Noirot (Ecole Centrale, Lyon)
\nJ\u00e9r\u00f4me Noirot<\/strong> : Introduction G\u00e9n\u00e9rale
\nAshley Byock<\/strong> (Edgewood College), \u00ab The Bonded\/Resistant Slave Body and The Emergence of Neoliberalism in the U.S. Context <\/em> \u00bb.
\nJ\u00e9r\u00f4me Viala-Gaudefroy <\/strong> (Universit\u00e9 Sorbonne Nouvelle-Paris 3), \u00ab American Mythology in Presidential Discourse: National Shared Values or Political Partisanship? <\/em> \u00bb
\n Fran\u00e7ois Vergniollle de Chantal<\/strong> (Universit\u00e9 Paris Diderot), \u00ab La polarisation partisane au Congr\u00e8s sous Obama <\/em> \u00bb
\nMichael Lotus<\/strong> (Author, America 3.0)), \u00ab America 3.0, Decentralization and the Tenth Amendment <\/em> \u00bb.<\/p>\n

 <\/p>\n

2. Traverser l\u2019Atlantique : La circulation des discours et des dispositifs d\u2019action publique entre l\u2019Europe et les \u00c9tats-Unis – (Salle D15)<\/strong>
\nElisa Chelle (IEP Grenoble) et Gilles Christoph (ENS Lyon)
\nAlix Meyer<\/strong> (Institut d\u2019\u00c9tudes Politiques de Lyon), \u00ab \u201cTax Collectors for the Welfare State\u201d: Refundable Tax Credits from the Earned Income Tax Credit to the Prime pour l\u2019Emploi <\/em> \u00bb.
\n\u00c9milie Souyri<\/strong> (Universit\u00e9 de Nice Sophia Antipolis), \u00ab International Comparisons on Education Systems: A Universal Policy Model? <\/em> \u00bb.
\nElisabeth Fauquert<\/strong> (Institut d\u2019\u00c9tudes Politiques de Lyon), \u00ab The Shadow of European-Style \u201cSocialized Medicine\u201d: The Affordable Care Act, Negative Framing and the Emergence of a New Public Philosophy <\/em> \u00bb.
\nDaniel Hotard <\/strong> (LISE CNAM-CNRS), \u00ab Models of Ethical Policy at the Frontier Between Economic Activity and Human Experimentation<\/em> \u00bb.
\nMarc Lenormand <\/strong> (Universit\u00e9 Paul Val\u00e9ry – Montpellier 3), \u00ab L\u2019anti-syndicalisme, un dispositif transatlantique ? \u00c9laboration et transfert de cat\u00e9gories de compr\u00e9hension des relations professionnelles et de strat\u00e9gies de lutte anti-syndicale entre les \u00c9tats-Unis et la Grande-Bretagne (1935-1979) <\/em> \u00bb.
\nEmma Bell<\/strong> (Universit\u00e9 de Savoie), \u00ab The Prison Privatisation Agenda in Britain: Emulating Big Brother? <\/em> \u00bb<\/p>\n

 <\/p>\n

3. Models and Counter-Models in Theory and Fiction: Reflections on the Conjuncture – (Salle D11)<\/strong>
\nJagna Oltarzewska (Universit\u00e9 Paris-Sorbonne)
\nAlice B\u00e9ja<\/strong>, \u00ab The Proletarian Novel as Unidentified Literary Object<\/em> \u00bb.
\n Christine Lorre-Johnston<\/strong> (Universit\u00e9 Sorbonne Nouvelle Paris 3) \u00ab Can Happiness Studies Renew Feminist and Postcolonial Criticism? <\/em> \u00bb.
\nAnthony Larson<\/strong> (Universit\u00e9 Rennes 2), \u00ab Thresholds and Territories: Reading Literature and Theory with Deleuze <\/em> \u00bb.
\nJagna Oltarzewska<\/strong> (Paris-Sorbonne) \u00ab The Transatlantic Commerce in Theory : A Short Survey <\/em> \u00bb.<\/p>\n

 <\/p>\n

4. D\u00e9tourner les mod\u00e8les au cin\u00e9ma – (Salle D16) <\/strong>
\nEmmanuelle Delano\u00eb (Universit\u00e9 Paris Diderot) et Delphine Letort (Universit\u00e9 du Maine)
\n Ahmed Mulla (<\/strong>Universit\u00e9 de La R\u00e9union), \u00ab A Dispensable \u201cDream\u201d: \u201cProvincializing\u201d America in Ashutosh Gowariker\u2019s Swades (2004)<\/em> \u00bb.
\n Wendy Cutler <\/strong> (UCO Angers), \u00ab Le cin\u00e9ma populaire indien des ann\u00e9es 1970-80 : revisiter les mod\u00e8les am\u00e9ricains ? <\/em> \u00bb
\nEmmanuelle Delano\u00eb-Brun <\/strong> (Universit\u00e9 Paris Diderot), \u00ab Western syndical, spoof contemplatif : John Sayles et l’art de relire le genre cin\u00e9matographique (Matewan, The Brother from Another Planet, Passion Fish, Lone Star) <\/em> \u00bb.
\nH\u00e9l\u00e8ne Charlery<\/strong> (U. Toulouse 2-Le Mirail), \u00ab On Black Suburbia in Melvin Van Peebles’s Watermelon Man (1970) <\/em> \u00bb.
\n <\/p>\n

11h15-11h30<\/strong> : Pause caf\u00e9 Salle D19<\/strong><\/p>\n

11h30-12h30 <\/strong> : Keynote : Percival Everett <\/strong> : \u00ab On the Possibility of the Experimental Novel <\/em> \u00bb, (Amphith\u00e9\u00e2tre B)<\/strong><\/p>\n

12h30-14h00<\/strong> : d\u00e9jeuner-d\u00e9bat : \u00ab Les soci\u00e9t\u00e9s savantes et l’institution universitaire \u00bb, (Amphith\u00e9\u00e2tre B)<\/strong><\/p>\n

14h15-16h45:<\/strong> 5 ateliers en parall\u00e8le:<\/p>\n

1. D\u2019un usage particulier du mod\u00e8le : vices et vertus du plagiat dans la litt\u00e9rature am\u00e9ricaine – (Salle D11)<\/strong>
\nG\u00e9rald Pr\u00e9her (Universit\u00e9 Catholique de Lille) et Fr\u00e9d\u00e9rique Spill (Universit\u00e9 de Picardie Jules Verne).
\nKevin Perromat<\/strong> (Universit\u00e9 de Picardie Jules Verne), \u00ab Quel rapport avec la morale ? : Plagiarisme, r\u00e9\u00e9criture des mod\u00e8les et valeurs litt\u00e9raires <\/em> \u00bb.
\n Ineke Bockting <\/strong> (Institut Catholique de Paris), \u00ab For Better or for Worse: Plagiarizing Faulkner<\/em>\u00bb.
\nNicole Ollier<\/strong> (Universit\u00e9 Bordeaux Montaigne), \u00ab Anne Sexton, ou le \u2018plagiat\u2019 f\u00e9ministe des contes de f\u00e9e<\/em> \u00bb.
\n Mary Boyington<\/strong> (Aix-Marseille Universit\u00e9), \u00ab Kate Chopin and the Maupassant Model <\/em> \u00bb.<\/p>\n

 <\/p>\n

2. Wagner en Am\u00e9rique : mod\u00e8le(s) et contre-mod\u00e8le(s) wagn\u00e9rien(s) dans la litt\u00e9rature et les arts am\u00e9ricains – (Salle D12) <\/strong>
\nMathieu Duplay (Universit\u00e9 Paris Diderot – Paris 7) et Axel Nesme (Universit\u00e9 Lumi\u00e8re – Lyon 2)
\n Danielle Follett<\/strong> (Universit\u00e9 de Franche-Comt\u00e9), \u00ab The Wagnerian \u201cGathered Work\u201d: A Particularly American Aesthetic Model<\/em> \u00bb.
\n Florent Dubois<\/strong> (Universit\u00e9 Paris Diderot), \u00ab Voir Thea Kronborg: Qu’est-ce qu’une bonne actrice wagn\u00e9rienne \u00e0 New York au d\u00e9but du XX\u00e8me si\u00e8cle? <\/em> \u00bb.
\nMathieu Duplay<\/strong> (Universit\u00e9 Paris Diderot), \u00ab \u201cRevelations in the Sierra Foothills\u201d: Richard Wagner, John Adams et la po\u00e9tique du vide<\/em> \u00bb.<\/p>\n

 <\/p>\n

3. Les \u00c9tats-Unis et le monde: vers la fin du \u00ab mod\u00e8le \u00bb am\u00e9ricain ? – (Salle D15)<\/strong>
\nIsabelle Vagnoux (Universit\u00e9 Aix-Marseille)
\n Maya Kandel <\/strong> (Universit\u00e9 Sorbonne Nouvelle), \u00ab L\u2019impossible consensus sur le r\u00f4le international des Etats-Unis : la fin du si\u00e8cle am\u00e9ricain ? <\/em> \u00bb
\nFr\u00e9d\u00e9ric Heurtebize <\/strong> (Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense), \u00ab Soft hegemony : mutations et permanences de la domination am\u00e9ricaine<\/em> \u00bb.
\n Jean-Baptiste Velut<\/strong> (Universit\u00e9 Sorbonne Nouvelle), \u00ab Les enjeux \u00e9conomiques et g\u00e9opolitiques de la strat\u00e9gie interr\u00e9gionale de Barack Obama <\/em> \u00bb.
\nChlo\u00e9 Carbuccia <\/strong> (Aix-Marseille Universit\u00e9), \u00ab Les Etats-Unis, un contre-mod\u00e8le pour la politique \u00e9trang\u00e8re canadienne ?<\/em> \u00bb
\n St\u00e9phane Dupuy<\/strong> (Aix-Marseille Universit\u00e9), \u00ab La d\u00e9mocratie lib\u00e9rale \u00e0 l\u2019\u00e9preuve de la d\u00e9mocratie souveraine dans les relations entre les Etats-Unis et la F\u00e9d\u00e9ration de Russie<\/em> \u00bb.<\/p>\n

 <\/p>\n

4. Les s\u00e9ries t\u00e9l\u00e9vis\u00e9es am\u00e9ricaines : mod\u00e8les, contre-mod\u00e8les, fin des mod\u00e8les – (Salle D16)<\/strong>
\nAnne Cr\u00e9mieux (Universit\u00e9 Paris Ouest Nanterre) et Shannon Wells-Lassagne (Universit\u00e9 de Bretagne Sud)
\nAna\u00efs Lef\u00e8vre-Berthelot<\/strong> (Universit\u00e9 Sorbonne Nouvelle-Paris 3), \u00ab La franchise Gossip Girl : r\u00e9putation et consommation au coeur des nouveaux mod\u00e8les d\u2019exp\u00e9riences s\u00e9rielles<\/em> \u00bb.
\nShannon Wells-Lassagne<\/strong> (Universit\u00e9 de Bretagne Sud), \u00ab \u201cThis Is My Design\u201d: Adapting Film’s Serial Killers to the Small Screen<\/em> \u00bb.
\nJanet Robinson <\/strong> (University of Colorado in Boulder), \u00ab HBO\u2019s True Blood: A Cable Counter-Model Bursting at the Seams <\/em> \u00bb.
\n\u00c9milie L’H\u00f4te<\/strong> (Universit\u00e9 Paris Diderot), \u00ab Speech Acts and Political Strategy: Understanding House of Cards through Searle\u2019s Taxonomy <\/em> \u00bb.
\nAlexis Pichard <\/strong> (Universit\u00e9 Paris Est Marne-La-Vall\u00e9e), \u00ab R\u00e9cits et discours de l’apr\u00e8s 11-Septembre: Homeland, illusion d’un anti-24 heures chrono? <\/em> \u00bb<\/p>\n

 
\n5. \u00ab Mod\u00e8le de charit\u00e9 chr\u00e9tienne \u00bb ou nation pluraliste ? L\u2019Am\u00e9rique comme (contre-) mod\u00e8le religieux (1) – Sur le catholicisme – (Salle D14)<\/strong>
\nNathalie Caron (Paris-Sorbonne) et Sabine Remanofsky (ENS Lyon)
\nTangi Villerbu<\/strong> (Universit\u00e9 de la Rochelle), \u00ab Naissance d\u2019un catholicisme am\u00e9ricain : l\u2019ancien Pays des Illinois entre la fin du XVIIIe et le d\u00e9but du XIXe si\u00e8cle <\/em> \u00bb.
\nJean-Louis Marin-Lamellet<\/strong> (Universit\u00e9 Lumi\u00e8re – Lyon 2), \u00ab Quel mod\u00e8le religieux pour la d\u00e9mocratie ? Benjamin O. Flower, g\u00e9nie du protestantisme am\u00e9ricain et anticatholicisme au d\u00e9but du XXe si\u00e8cle <\/em> \u00bb.
\nFr\u00e9d\u00e9ric Dorel<\/strong> (\u00c9cole Centrale, Nantes), \u00ab De la restauration de la Compagnie \u00e0 Vatican II, les j\u00e9suites des Etats-Unis et l’apprentissage de la d\u00e9mocratie<\/em> \u00bb.
\nBlandine Chelini-Pont<\/strong> (Universit\u00e9 d\u2019Aix-Marseille), \u00ab L\u2019adaptation du catholicisme au mod\u00e8le\/contre-mod\u00e8le religieux am\u00e9ricain<\/em> \u00bb.
\n <\/p>\n

16h45-17h<\/strong> : pause caf\u00e9 Salle D19<\/strong><\/p>\n

17h-19h30<\/strong> : 4 ateliers en parall\u00e8le<\/p>\n

1. Mimesis, mythe(s), mod\u00e8le(s) dans la po\u00e9sie et la fiction am\u00e9ricaines (post)modernes – (Salle D11)<\/strong>
\nRichard Anker (Universit\u00e9 Blaise Pascal – Clermont Ferrand 2) et Cl\u00e9ment Oudart (Universit\u00e9 de Toulouse Le Mirail)
\n Charlotte Estrade<\/strong> (Universit\u00e9 Paris Ouest Nanterre), \u00ab Mod\u00e8les mythiques et primitifs chez Ezra Pound et T.S. Eliot : les ambigu\u00eft\u00e9s po\u00e9tiques d\u2019une anthropologie culturelle<\/em>\u00bb.
\nB\u00e9n\u00e9dicte Chorier-Fryd<\/strong> (Universit\u00e9 de Poitiers), \u00ab The Lone Pilgrim in Robert Coover\u2019s Ghost Town: a Myth Debunked? <\/em> \u00bb
\n Nicholas Manning <\/strong> (Universit\u00e9 Paris-Sorbonne), \u00ab Inimitable Affect: The Perils of the Mimesis of Emotion in Post-War American Realism<\/em> \u00bb.
\n Thomas Dutoit<\/strong> (Universit\u00e9 Lille 3), \u00ab Executing Mimesis: Models and Counter-Models of the Outlaw (Kant, Plato, Benjamin) in Norman Mailer’s Executioner’s Song<\/em> \u00bb.<\/p>\n

 <\/p>\n

2. Le Mod\u00e8le m\u00e9diatique am\u00e9ricain en question: fondements, mutations, \u00e9volutions – (Sale D13)<\/strong>
\nDivina Frau-Meigs (Universit\u00e9 Sorbonne Nouvelle-Paris 3) et S\u00e9bastien Mort (Universit\u00e9 de Lorraine)
\nS\u00e9bastien Mort <\/strong> : \u00ab Introduction : la transition de \u201cl\u2019\u00e8re hertzienne\u201d vers \u201cl\u2019\u00e8re post-hertzienne\u201d<\/em> \u00bb.
\nCamille Laville<\/strong>: \u00ab Les m\u00e9dias am\u00e9ricains : vers un renouveau de la configuration m\u00e9diatique<\/em> \u00bb.
\nRebecca Leahey<\/strong>: \u00ab Les observatoires des m\u00e9dias aux Etats-Unis : une r\u00e9ponse citoyenne face \u00e0 la crise de confiance du syst\u00e8me m\u00e9diatique<\/em> \u00bb.
\nDavid Lipson:<\/strong> \u00ab Le nouveau contrat documentaire : de l\u2019info-argument \u00e0 l\u2019info-tainment \u00bb.
\nHaude Etienne<\/strong>: \u00ab Newsgames: les jeux vid\u00e9o au service de l’information active <\/em> \u00bb.
\nDivina Frau-Meigs<\/strong>: \u00ab Conclusion sur les reconfigurations du mod\u00e8le m\u00e9diatique US au d\u00e9but du XXI\u00e8me si\u00e8cle<\/em> \u201c<\/p>\n

 <\/p>\n

3. \u00ab Creative Disruption \u00bb: Quand la gauche conteste l\u2019exceptionnalisme am\u00e9ricain (1)
\nCreative Disruption: How the Left Challenges American Exceptionalism – (Salle D15)<\/strong>
\nAmbre Ivol (Universit\u00e9 de Nantes) et Jean-Baptiste Velut (Universit\u00e9 Sorbonne Nouvelle)
\nEli Zaretsky<\/strong> (New School for Social Research, NYC), \u00ab French vs. US Left \u00bb.
\nAngela Christie<\/strong> (Universit\u00e9 de Toulon), \u00ab The Much Maligned F Word<\/em> \u00bb.
\nThierry Rinaldetti<\/strong> (Universit\u00e9 Paris 8 Vincennes – Saint-Denis), \u00ab Efrem Bartoletti et les mineurs du Mesabi Range : l\u2019engagement d\u2019un militant de base entre luttes de classes et revendications ethniques \u00bb. \/ “Efrem Bartoletti, Italian Immigrant and IWW Activist<\/em>”
\nMarie Plassart <\/strong> (IEP Lyon), \u00ab Socialisme ordinaire en Oklahoma dans les ann\u00e9es 1910 \u00bb \/ “Ordinary socialism: Oklahoma, 1910s<\/em>“.
\nPhillip Deery <\/strong> (Victoria U. of Melbourne), \u00ab How the Left Challenges American Exceptionalism: The Case of Howard Fast<\/em>“.<\/p>\n

 <\/p>\n

4. Le mod\u00e8le \u00e0 l\u2019\u00e9preuve des genres : du cin\u00e9ma muet au nouvel Hollywood (2) – (Salle D16)<\/strong>
\nAnne-Marie Paquet-Deyris (Universit\u00e9 Paris Ouest Nanterre) et Gilles Menegaldo (Universit\u00e9 de Poitiers)
\nPatricia Kruth <\/strong> (Universit\u00e9 Lille 3), \u00ab Hollywood Continued? Genres as Seen and Retouched by Martin Scorsese in the New Hollywood Era (1969 -1980)<\/em> \u00bb.
\nKarine Hildenbrand<\/strong> (Universit\u00e9 de Nice), \u00ab La fronti\u00e8re dans le western hollywoodien (1930-1970) <\/em> \u00bb.
\nJulie Assouly<\/strong> (Universit\u00e9 d’Artois), \u00ab Le western hybride : le cas particulier de Monte Hellman<\/em> \u00bb.
\nMarie Demars<\/strong> (Universit\u00e9 Paul Val\u00e9ry – Montpellier 3), \u00ab Cin\u00e9ma ind\u00e9pendant ou outil marketing, Wattstax \u00e0 la fronti\u00e8re des genres <\/em> \u00bb.
\nLaetitia Boccanfuso <\/strong> (Universit\u00e9 Paris Ouest Nanterre), \u00ab Boucles temporelles et mod\u00e8les : trajectoires redoubl\u00e9es dans La Jet\u00e9e, L\u2019Arm\u00e9e des 12 singes, Life on Mars et Lost <\/em> \u00bb. <\/p>\n

 <\/p>\n

20h00: Banquet au Viaduc Caf\u00e9<\/h2>\n

<\/strong>
\n43 avenue Daumesnil, 75012, Paris. <\/p>\n

<\/p>\n

<\/code>Samedi 24 mai<\/h2>\n

<\/strong><\/CENTER><\/p>\n

9h30 :<\/strong> Assembl\u00e9e G\u00e9n\u00e9rale de l\u2019AFEA <\/strong>
\nAmphith\u00e9\u00e2tre Descartes, Universit\u00e9 Paris-Sorbonne, 17 rue de la Sorbonne (75005)<\/p>\n

13h-15h<\/strong> : D\u00e9jeuner
\nInstitut du Monde Anglophone, 5 rue de l\u2019\u00c9cole de M\u00e9decine (75006) <\/p>\n

15h-17h30<\/strong> : 5 ateliers en parall\u00e8le <\/p>\n

1. Mod\u00e8les et contre-mod\u00e8les de l\u2019autobiographie am\u00e9ricaine des XIXe et XXe si\u00e8cles (2) – (Salle D11)<\/strong>
\nAda Savin (UVSQ) et Sandrine Ferr\u00e9-Rode (UVSQ)
\nNelly Mok<\/strong> (Universit\u00e9 Paul Val\u00e9ry – Montpellier 3), \u00ab Le r\u00e9cit autobiographique sino-am\u00e9ricain f\u00e9minin et le paradigme de l\u2019autobiographie ethnique : de l\u2019adh\u00e9sion \u00e0 l\u2019\u00e9mancipation <\/em> \u00bb.
\nElisabeth Lamothe<\/strong> (Universit\u00e9 du Maine), \u00ab \u00c9volution des mod\u00e8les de l\u00e9gitimation dans l’oeuvre de m\u00e9moiristes vi\u00eatnamo-am\u00e9ricaines<\/em> \u00bb.
\nLaura Muresan<\/strong> (UVSQ), \u00ab Entre pathographie et \u00e9criture de soi : Patrimony de Philip Roth <\/em> \u00bb.
\nCl\u00e9ment Ulff<\/strong> (Universit\u00e9 de Rouen), \u00ab Autobiography, Fiction and Metafiction in Grace Paley\u2019s \u201cA Conversation with my Father<\/em>.\u201d \u00bb
\nChristen Bryson<\/strong> (Universit\u00e9 Sorbonne Nouvelle), \u00ab Challenging Interpretations of Motherhood in Betty Fussell\u2019s My Kitchen Wars<\/em> \u00bb.<\/p>\n

 <\/p>\n

2. Mod\u00e8le de charit\u00e9 chr\u00e9tienne \u00bb ou nation pluraliste ? L\u2019Am\u00e9rique comme (contre-) mod\u00e8le religieux (2) : libert\u00e9 religieuse et pluralisme – (Salle D 13)<\/strong>
\nNathalie Caron (Paris-Sorbonne) et Sabine Remanofsky (ENS Lyon)
\nCarter Charles<\/strong> (Universit\u00e9 Bordeaux Montaigne), \u00ab \u201cLe mormonisme n\u2019est ni une \u00c9glise ni une religion\u201d ou comment le protestantisme \u00e9tasunien pr\u00e9serve son h\u00e9g\u00e9monie face \u00e0 la \u201cmenace mormone\u201d<\/em> \u00bb.
\nJohn Ronan <\/strong> (Kutztown University of Pennsylvania), \u00ab Nathaniel Hawthorne\u2019s Search for a \u201cNew Revelation\u201d <\/em> \u00bb.
\nMichelle M. Smith<\/strong> (Universit\u00e9 de Valenciennes), \u00ab Moralistic Therapeutic Deism: The American Religious Model for the New Millenium ? <\/em> \u00bb
\nDominique Cadinot<\/strong> (Universit\u00e9 d\u2019Aix-Marseille), \u00ab La libert\u00e9 religieuse inscrite dans le Premier Amendement est-elle exportable ? Analyse d\u2019initiatives am\u00e9ricaines dans le monde arabe<\/em> \u00bb.<\/p>\n

 <\/p>\n

3. Culture rebelle ou mod\u00e8le ? Le populaire et ses genres, entre d\u00e9fi aux conventions et \u00e9tablissement de nouvelles normes – (Salle D16)<\/strong>
\nElsa Grassy (Universit\u00e9 de Strasbourg) et John Dean (Universit\u00e9 de Versailles)
\nDavid Diallo<\/strong> (Universit\u00e9 de Bordeaux), \u00ab From Stagolee to Rick Ro$$: Examining the Badman-Gangsta Continuum <\/em> \u00bb.
\nChristophe Levaux<\/strong> (Universit\u00e9 de Li\u00e8ge), \u00ab Minimalisme musical et genres populaires <\/em> \u00bb.
\nThibaut Cl\u00e9ment <\/strong> (Universit\u00e9 Paris-Sorbonne), \u00ab Plaisirs transgressifs, braconnages et chasses gard\u00e9es au Royaume Enchant\u00e9: les parcs Disney <\/em> \u00bb.
\nBruno Agar<\/strong> (Universit\u00e9 d’Evry Val d’Essonne), \u00ab Recyclage des grands discours et musique populaire : vers un mod\u00e8le madonnesque?<\/em> \u00bb
\nThomas Gouel<\/strong> (Universit\u00e9 Fran\u00e7ois-Rabelais, Tours), “Quand les ic\u00f4nes (d\u00e9)construisent les normes musicales: Iggy Pop et Henry Rollins, paradigmes du punk? 1970-1986 <\/em> \u00bb.<\/p>\n

 <\/p>\n

4. \u00ab Creative Disruption \u00bb: quand la gauche conteste l’exceptionnalisme am\u00e9ricain (2) – Salle D15)
\nCreative Disruption: How the Left Challenges American Exceptionalism (2)<\/strong>
\nAmbre Ivol (Universit\u00e9 de Nantes) et Jean-Baptiste Velut (Universit\u00e9 Sorbonne Nouvelle)
\n Phillip Deery<\/strong> (Victoria University of Melbourne), \u00ab How the Left Challenges American Exceptionalism: The Case of Howard Fast <\/em> \u00bb.
\nJames Cohen <\/strong> (Universit\u00e9 Sorbonne Nouvelle), \u00ab The U.S. Left and Latin American Solidarity Movements <\/em> \u00bb.
\nLuke Stewart <\/strong> (University of Waterloo), \u00ab An Extension of the U.S. Government: The Winter Soldier Investigation, Canada, and the Politics of Continental Antiwar Activism, 1970-1971<\/em> \u00bb.
\nCarl Mirra<\/strong> (Adelphi University), \u00ab Towards a Counter-Model to American Exceptionalism: the Dissenting Tradition Among Vietnam, Iraq and Afghanistan Soldiers<\/em>\u00bb.
\nOlivier Maheo (<\/strong>Universit\u00e9 Sorbonne Nouvelle), \u00ab Union Minorities Disrupting the \u201cSocial Partnership\u201d <\/em> \u00bb.<\/p>\n

 <\/p>\n

5. Fin(s) du livre ? – (Salle D12)<\/strong>
\nGwen Le Cor et St\u00e9phane Vanderhaeghe (Universit\u00e9 Paris 8 Vincennes – St Denis)
\nFran\u00e7oise Sammarcelli<\/strong> (Universit\u00e9 Paris-Sorbonne), \u00ab \u201cHesperus is Phosphorus\u201d:
\nPercival Everett par Virgil Russell et les fins du roman<\/em> \u00bb.
\nAudrey Bardizbanian<\/strong> (Universit\u00e9 Paris-Sorbonne), \u00ab De la m\u00e9talecture \u00e0 la \u201ccontre-m\u00e9moire\u201d: Metamaus d\u2019Art Spiegelman, ou la fin des mod\u00e8les ?<\/em> \u00bb B\u00e9atrice Trotignon<\/strong> (Universit\u00e9 Paris-Dauphine), \u00ab Body Clock d’Eleni Sikelianos : le tissage du trait et de la lettre<\/em> \u00bb.
\nFran\u00e7oise Palleau<\/strong> (Universit\u00e9 Paris 13 Nord), Anne Carson : \u00ab L\u2019\u00e9l\u00e9gie au scrapbook<\/em>\u00bb.
\n 
\n\"capture_d_ecran_2014-04-22_a_19.04.13.png\"
\nAvec le soutien de la Commission de la Recherche de l\u00b4Universit\u00e9 Sorbonne Nouvelle
\nAvec le soutien du Conseil Scientifique de l\u00b4Universit\u00e9 Paris-Sorbonne<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

CONGRES AFEA 2014 – \u201cMod\u00e8les, contre-mod\u00e8les, fin des mod\u00e8les\u2026?   Comit\u00e9 Scientifique: Sylvie Bauer (Rennes-2), Serge Chauvin (Paris Ouest Nanterre), et Donna Kesselman (UPEC). (Universit\u00e9 Sorbonne Nouvelle \u2013 Paris 3, site Censier) programme_congres_afea_2014_19-05.docx   Vous pouvez t\u00e9l\u00e9charger le programme du Congr\u00e8s 2014 en cliquant sur le doc (Word) ci-dessus.   CONGRES AFEA 2014 – Programme […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[58],"tags":[],"class_list":["post-558","post","type-post","status-publish","format-standard","hentry","category-congres-2014-paris-les-etats-unis-modeles-contre-modeles-fin-des-modeles"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"J\u00e9r\u00f4me Viala-Gaudefroy","author_link":"https:\/\/afea.fr\/annualconference\/author\/jeromevg\/"},"uagb_comment_info":0,"uagb_excerpt":"CONGRES AFEA 2014 – \u201cMod\u00e8les, contre-mod\u00e8les, fin des mod\u00e8les\u2026?   Comit\u00e9 Scientifique: Sylvie Bauer (Rennes-2), Serge Chauvin (Paris Ouest Nanterre), et Donna Kesselman (UPEC). 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