{"id":1080,"date":"2021-03-09T13:23:00","date_gmt":"2021-03-09T13:23:00","guid":{"rendered":"http:\/\/localhost\/annualconference\/association-francaise-detudes-americaines\/congres-afea\/congres-2020-la-post-amerique\/programme-1028\/1080\/"},"modified":"2021-04-15T08:49:09","modified_gmt":"2021-04-15T08:49:09","slug":"programme-1028","status":"publish","type":"post","link":"https:\/\/afea.fr\/annualconference\/congres-2021-la-post-amerique\/programme-1028\/1080\/","title":{"rendered":"Congr\u00e8s 2021: Programme"},"content":{"rendered":"\n<p><strong>CONGRES AFEA 2021<\/strong><\/p>\n\n\n\t\t\t\t<div class=\"wp-block-uagb-table-of-contents uagb-toc__align-left uagb-toc__columns-1  uagb-block-190aad04      \"\n\t\t\t\t\tdata-scroll= \"1\"\n\t\t\t\t\tdata-offset= \"30\"\n\t\t\t\t\tstyle=\"\"\n\t\t\t\t>\n\t\t\t\t<div class=\"uagb-toc__wrap\">\n\t\t\t\t\t\t<div class=\"uagb-toc__title\">\n\t\t\t\t\t\t\tTable Of Contents\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"uagb-toc__list-wrap \">\n\t\t\t\t\t\t<ol class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#25-mai\" class=\"uagb-toc-link__trigger\">25 mai<\/a><li class=\"uagb-toc__list\"><a href=\"#26-mai\" class=\"uagb-toc-link__trigger\">26 mai<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#10h30-12h30-ateliers\" class=\"uagb-toc-link__trigger\">10h30-12h30 ATELIERS<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-9\" class=\"uagb-toc-link__trigger\">Atelier\u00a0 9<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-20\" class=\"uagb-toc-link__trigger\">Atelier 20<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-24\" class=\"uagb-toc-link__trigger\">Atelier 24<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-1\" class=\"uagb-toc-link__trigger\">Atelier 1<\/a><\/li><\/ul><li class=\"uagb-toc__list\"><a href=\"#15h30-17h30-ateliers\" class=\"uagb-toc-link__trigger\">15h30-17h30 ATELIERS<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-3\" class=\"uagb-toc-link__trigger\">Atelier 3<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-18\" class=\"uagb-toc-link__trigger\">Atelier 18<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-14\" class=\"uagb-toc-link__trigger\">Atelier 14<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-25\" class=\"uagb-toc-link__trigger\">Atelier 25<\/a><\/li><\/ul><\/li><\/ul><\/li><li class=\"uagb-toc__list\"><a href=\"#27-mai\" class=\"uagb-toc-link__trigger\">27 mai<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#9h00-10h30-ateliers\" class=\"uagb-toc-link__trigger\">9h00-10h30 ATELIERS<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-14-bis\" class=\"uagb-toc-link__trigger\">Atelier 14 (bis)<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-8\" class=\"uagb-toc-link__trigger\">Atelier 8<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-23\" class=\"uagb-toc-link__trigger\">Atelier 23<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-7\" class=\"uagb-toc-link__trigger\">Atelier 7<\/a><\/li><\/ul><li class=\"uagb-toc__list\"><a href=\"#11h00-12h30-ateliers\" class=\"uagb-toc-link__trigger\">11h00-12h30 ATELIERS<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-1-bis\" class=\"uagb-toc-link__trigger\">Atelier 1 (bis)<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-26\" class=\"uagb-toc-link__trigger\">Atelier 26<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-10\" class=\"uagb-toc-link__trigger\">Atelier 10<\/a><\/li><\/ul><li class=\"uagb-toc__list\"><a href=\"#14h00-16h00-ateliers\" class=\"uagb-toc-link__trigger\">14h00-16h00 ATELIERS<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-6\" class=\"uagb-toc-link__trigger\">Atelier 6\u00a0<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-10-bis\" class=\"uagb-toc-link__trigger\">Atelier 10 (bis)<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-2\" class=\"uagb-toc-link__trigger\">Atelier 2<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-11\" class=\"uagb-toc-link__trigger\">Atelier 11<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-21\" class=\"uagb-toc-link__trigger\">Atelier 21<\/a><\/li><\/ul><li class=\"uagb-toc__list\"><a href=\"#16h30-18h30-ateliers\" class=\"uagb-toc-link__trigger\">16h30-18h30 ATELIERS<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-23-bis\" class=\"uagb-toc-link__trigger\">Atelier 23 (bis)<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-6-bis\" class=\"uagb-toc-link__trigger\">Atelier 6 (bis)<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-22\" class=\"uagb-toc-link__trigger\">Atelier 22<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-12\" class=\"uagb-toc-link__trigger\">Atelier 12<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#16h30-18h00-table-ronde\" class=\"uagb-toc-link__trigger\">16h30-18h00 Table ronde<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><li class=\"uagb-toc__list\"><a href=\"#28-mai\" class=\"uagb-toc-link__trigger\">28 mai<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#9h00-12h00-assembl\u00e9e-g\u00e9n\u00e9rale\" class=\"uagb-toc-link__trigger\">9h00-12h00\u00a0: Assembl\u00e9e g\u00e9n\u00e9rale<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#12h00-13h00-d\u00e9jeuner\" class=\"uagb-toc-link__trigger\">12h00-13h00 D\u00e9jeuner<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#13h00-15h30-ateliers\" class=\"uagb-toc-link__trigger\">13h00-15h30 ATELIERS<\/a><ul class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-10-ter\" class=\"uagb-toc-link__trigger\">Atelier 10 (ter)<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-2-bis\" class=\"uagb-toc-link__trigger\">Atelier 2 (bis)<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-19\" class=\"uagb-toc-link__trigger\">Atelier 19<\/a><li class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#atelier-22\" class=\"uagb-toc-link__trigger\">Atelier 22<\/a><\/li><\/ul><li class=\"uagb-toc__list\"><a href=\"#15h30-16h30-lam\u00e9rique-post-trump\" class=\"uagb-toc-link__trigger\">15h30-16h30\u00a0: L\u2019Am\u00e9rique post-Trump<\/a><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><li class=\"uagb-toc__list\"><a href=\"#16h30-fin-du-congres\" class=\"uagb-toc-link__trigger\">16h30 FIN DU CONGRES<\/a><\/ul><\/ul><\/ul><\/ul><\/ul><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n<h2 class=\"wp-block-heading\"><strong>25 mai<\/strong><\/h2>\n\n\n\n<p>Doctoriales<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>26 mai<\/strong><\/h2>\n\n\n\n<p><strong>10h00-10h30 Ouverture officielle du congr\u00e8s&nbsp;: Constantin Bobas (directeur de CECILLE) et Philippe Sabot (<\/strong><strong>Vice-pr\u00e9sident recherche d\u00e9l\u00e9gu\u00e9 au domaine des sciences humaines et sociales)<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>10h30-12h30 ATELIERS<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier&nbsp; 9<\/strong><\/h4>\n\n\n\n<p><strong><em>La politique \u00e9trang\u00e8re des \u00c9tats-Unis apr\u00e8s Trump \/ US Foreign Policy in a Post-Trump World&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p><strong>Pierre Guerlain (Universit\u00e9 Paris-Nanterre) et Luke Stewart (Institut d\u2019\u00c9tudes Politiques, Lille)<\/strong><\/p>\n\n\n\n<p>Michael Stricof (Aix-Marseille Universit\u00e9), \u00ab&nbsp;Politique \u00e9trang\u00e8re post-diplomatie : Comprendre le tournant militaire am\u00e9ricain de l\u2019apr\u00e8s-guerre froide sous l\u2019administration Trump et apr\u00e8s&nbsp;\u00bb<\/p>\n\n\n\n<p>Rapha\u00ebl Ramos (Universit\u00e9 Paul-Val\u00e9ry Montpellier 3), \u00ab&nbsp;Deep State: Donald Trump et la politisation du renseignement&nbsp;\u00bb<\/p>\n\n\n\n<p>Luke Stewart (Institut d\u2019\u00c9tudes Politiques, Lille), \u201cMcCarthyism Then and Now\u201d<\/p>\n\n\n\n<p>Pierre Guerlain (Universit\u00e9 Paris-Nanterre), \u201cBolton\u2019s Last Laugh: the Victory of Neoconservatives in the Shaping of US Foreign Policy\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 20<\/strong><\/h4>\n\n\n\n<p><strong><em>La litt\u00e9rature arabo-am\u00e9ricaine apr\u00e8s le 11 septembre \/ Post 9\/11 Arab-American Literature<\/em><\/strong><\/p>\n\n\n\n<p><strong>Karim Daanoune (Universit\u00e9 Bretagne Sud)<\/strong><\/p>\n\n\n\n<p>Dominique Cadinot (Aix-Marseille Universit\u00e9), \u201cThe Limits of Whiteness: How Arab-American Muslims Negotiate their Identity in a post 9\/11 Environment\u201d<\/p>\n\n\n\n<p>Sara Arami (University de Strasbourg), \u201cFolk Tale and Fairy Tale: Making Up the Truth in <em>Once in a Promised Land<\/em>\u201d<\/p>\n\n\n\n<p>Samia Al Hodathy (Universit\u00e9 Paris-Nanterre),\u201cNaomi Shihab Nye: The Pacifist Poet Buried Under the Day-To-Day Existence\u201d<\/p>\n\n\n\n<p>Anissa Bouziane (\u00e9crivain), \u201c<em>Dune Song<\/em>, in the context of Post 9\/11 Arab-American Literature\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 24<\/strong><\/h4>\n\n\n\n<p><strong><em>Vers la <\/em><\/strong><strong>post-photographie<\/strong><strong>&nbsp;<em>? Repenser les usages de la photographie am\u00e9ricaine au xxi<sup>\u00e8me<\/sup> si\u00e8cle \/ The Age of <\/em>Post-Photography<em>? <\/em><\/strong><strong><em>Rethinking the Uses and Practices of 21st Century American Photography.<\/em><\/strong><\/p>\n\n\n\n<p><strong>Carolin G\u00f6rgen (Universit\u00e9 Paris-Nanterre) et Camille Rouquet (Cergy Paris Universit\u00e9)<\/strong><\/p>\n\n\n\n<p>Yonit Aronowicz (Universit\u00e9 de Paris), \u201cPhotography Beyond Image Making: Tackling Visual Truths, Re-archiving Visual Culture\u201d<\/p>\n\n\n\n<p>Chiara Salari (Universit\u00e9 de Paris), \u00ab&nbsp;La photographie spatialis\u00e9e et interface&nbsp;: re-mat\u00e9rialisations num\u00e9riques en ligne&nbsp;\u00bb<\/p>\n\n\n\n<p>Claire Ducresson-Bo\u00ebt (Universit\u00e9 de Paris), \u00ab&nbsp;De la photographie \u00e0 la sculpture&nbsp;: La monumentalisation, une pratique r\u00e9actionnaire \u00e0 l\u2019\u00e8re de la post-photographie&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 1<\/strong><\/h4>\n\n\n\n<p><strong><em>Faire de l\u2019histoire dans l\u2019Am\u00e9rique postr\u00e9volutionnaire&nbsp;: ruptures et continuit\u00e9s \/ <\/em><\/strong><strong><em>Change and Continuity in Historical Writing in the American Republic<\/em><\/strong><\/p>\n\n\n\n<p><strong>Bertrand Van Ruymbeke, Universit\u00e9 (Paris 8 Vincennes Saint-Denis et IUF) et Agn\u00e8s Delahaye (Universit\u00e9 Lyon II Lumi\u00e8re)<\/strong><\/p>\n\n\n\n<p>Ghislain Potriquet (Universit\u00e9 de Strasbourg), \u00ab&nbsp;L\u2019histoire au service du droit dans la premi\u00e8re \u00e9dition am\u00e9ricaine des \u2018Commentaires sur les lois anglaises\u2019 de Blackstone (1803) \u00bb<\/p>\n\n\n\n<p>Juliette Tran (Universit\u00e9 de Paris 8),&nbsp;\u00ab&nbsp;<em>An independent state, encircled in the American Union<\/em>. Ambition et ambigu\u00eft\u00e9 du Kentucky dans l\u2019Am\u00e9rique post-r\u00e9volutionnaire&nbsp;\u00bb<\/p>\n\n\n\n<p>C\u00e9line Ugolini (Universit\u00e9 de Corse), \u00ab&nbsp;M\u00e9moire de la Louisiane coloniale fran\u00e7aise aux \u00c9tats-Unis au XIXe si\u00e8cle&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>12h30-14h00 D\u00e9jeuner<\/strong><\/p>\n\n\n\n<p><strong>14h00-15h00 Conf\u00e9rence pl\u00e9ni\u00e8re&nbsp;: Randy SPARKS (Tulane University)<\/strong>,<\/p>\n\n\n\n<p><em>Post-1808: The U.S. Abolition of the Atlantic Slave Trade in History and Memory<\/em><\/p>\n\n\n\n<p><strong>15h00-15h30 Pause caf\u00e9<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>15h30-17h30 ATELIERS<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 3<\/strong><\/h4>\n\n\n\n<p><strong><em>Mati\u00e8re \u00e0 penser : vers un post-n\u00e9o-mat\u00e9rialisme dans les etudes am\u00e9ricaines dix-neuvi\u00e9mistes? \/ What\u2019s the Matter with Literature? <\/em><\/strong><strong><em>Inquiry into Post (New) Materialisms in Nineteenth-Century American Studies<\/em><\/strong><\/p>\n\n\n\n<p><strong>Thomas Constantinesco (Universit\u00e9 de Paris \/ University of Oxford) and C\u00e9cile Roudeau (Universit\u00e9 de Paris)<\/strong><\/p>\n\n\n\n<p>Danielle Follett (Universit\u00e9 Sorbonne Nouvelle &#8211; Paris 3), \u201cThoreau, Human Agency and the Politics of \u2018New Materialisms\u2019\u201d<\/p>\n\n\n\n<p>Michael Jonik (University of Sussex), \u201cViolence, Agency and \u201cNatural Justice\u201d in Melville\u2019s <em>Billy Budd<\/em>\u201d<\/p>\n\n\n\n<p>Elizabeth Duquette (Gettysburg College), \u201cImperial Time in <em>The Princess Casamassima<\/em>: Jamesian Materialisms\u201d<\/p>\n\n\n\n<p>Richard Anker (Universit\u00e9 Clermont Auvergne), \u201cMateriality Without Matter in <em>The Wings of the Dove<\/em>\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 18<\/strong><\/h4>\n\n\n\n<p><strong><em>Fin de l\u2019Am\u00e9rique blanche&nbsp;? \/ Post-white America&nbsp;?<\/em><\/strong><\/p>\n\n\n\n<p><strong>Pierre Cras (Universit\u00e9 de Versailles-Saint Quentin), C\u00e9cile Coquet-Mokoko (Universit\u00e9 de Versailles-Saint Quentin), Nicolle Herzog (Universit\u00e9 de Tours)&nbsp;<\/strong><\/p>\n\n\n\n<p>Pierre Cras (Universit\u00e9 de Versailles-Saint Quentin), \u201cFrom the \u2018Panthers\u2019 to the \u2018Cubs\u2019: A Radical, Intergenerational, Interethnic and Multicultural Activist Continuum Reviewed by its Actors (1966-2002)\u201d<\/p>\n\n\n\n<p>Yohann Le Moigne (Universit\u00e9 d\u2019Angers), \u00ab&nbsp;Pour une th\u00e9orie critique des relations interminorit\u00e9s&nbsp;:&nbsp;de l\u2019importance de placer la blanchit\u00e9 au c\u0153ur de l\u2019analyse des relations entre groupes racis\u00e9s&nbsp;\u00bb<\/p>\n\n\n\n<p>Olivier Esteves (Universit\u00e9 de Lille), \u201cInstitutional Racism in \u2018racial utopia\u2019: Busing and the Desegregation of Schools in Denver\u201d<\/p>\n\n\n\n<p>Esther Cyna (Universit\u00e9 Sorbonne Nouvelle &#8211; Paris 3), \u201c\u2018Whiteness as Property\u2019: Racism and School Finance in North Carolina, 1968-1997\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 14<\/strong><\/h4>\n\n\n\n<p><strong><em>Le Post-apocalyptique :&nbsp;Quelles modalit\u00e9s de repr\u00e9sentation sur le petit et grand \u00e9cran ? \/ Postapocalyptic Fiction&nbsp;: What Modes of Representation on the Big and Small Screens&nbsp;?<\/em><\/strong><\/p>\n\n\n\n<p><strong>Anne-Marie Paquet-Deyris (Universit\u00e9 Paris-Nanterre) et Gilles M\u00e9n\u00e9galdo (Universit\u00e9 de Poitiers)<\/strong><\/p>\n\n\n\n<p>Elsa Colombani (Universit\u00e9 Paris-Nanterre), \u201cImagining a Post-America: HBO\u2019s&nbsp;<em>Watchmen<\/em>&nbsp;and the Man-Made Apocalypse\u201d<\/p>\n\n\n\n<p>Sam Azulys (New York University), &nbsp;\u00ab&nbsp;Post-Apocalypses Int\u00e9rieures&nbsp;: de&nbsp;<em>Take Shelter<\/em>(Jeff Nichols, 2011) \u00e0&nbsp;<em>Nostalghia <\/em>(<a href=\"https:\/\/www.google.com\/search?rlz=1C1AVFC_enFR837FR837&amp;sxsrf=ACYBGNR7uByiJYd8IHbBqJz0KR3y7mWzFw:1581193596170&amp;q=Andre\u00ef+Tarkovski&amp;stick=H4sIAAAAAAAAAOPgE-LUz9U3MCspSUtRYgcxMyottMSyk6300zJzcsGEVUpmUWpySX7RIlZBx7yUotTD6xVCEouy88uKszN3sDICADEfXwNFAAAA&amp;sa=X&amp;ved=2ahUKEwi7u_uU5cLnAhVL1hoKHT0rCZcQmxMoATAeegQIDxAK\" target=\"_blank\" rel=\"noreferrer noopener\">Andre\u00ef Tarkovski<\/a>, 1983) en passant par&nbsp;<em>Melancholia<\/em>&nbsp;(Lars Von Trier, 2011). Pr\u00e9sciences de la fin du monde et actualisation du d\u00e9sastre \u00bb<\/p>\n\n\n\n<p>Carla Toquet (Universit\u00e9 Paris-Nanterre),&nbsp;\u00ab&nbsp;<em>When They See Us&nbsp;<\/em>: la s\u00e9rie \u201cr\u00e9-apocalyptique\u201d d\u2019Ava DuVernay \u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 25<\/strong><\/h4>\n\n\n\n<p><strong><em>Une Amerique post-lib\u00e9rale ? \/ Post-Liberal America?<\/em><\/strong><\/p>\n\n\n\n<p><strong>Jean-Marie Ruiz (Universit\u00e9 Savoie-Mont Blanc) et Isabelle Vagnoux (Aix-Marseille Universit\u00e9)<\/strong><\/p>\n\n\n\n<p>Isabelle Vagnoux (Aix-Marseille Universit\u00e9), \u00ab&nbsp;Vers la fin d\u2019une nation d\u2019immigrants ?&nbsp;\u00bb<\/p>\n\n\n\n<p>Claire Sorin (Aix-Marseille Universit\u00e9), \u00ab&nbsp;&nbsp;<em>#WomenagainstFeminism<\/em>&nbsp;: sympt\u00f4me d\u2019une Am\u00e9rique illib\u00e9rale&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<p>Lo\u00efc Laroche (Institut Catholique de Lille), \u00ab&nbsp;M\u00e9dias mainstream am\u00e9ricains et de la cancel culture&nbsp;: une mont\u00e9e de l\u2019illib\u00e9ralisme&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<p>Jean-Marie Ruiz (Universit\u00e9 de Savoie-Mont Blanc), \u00ab&nbsp;La d\u00e9mocratie lib\u00e9rale \u00e0 l\u2019\u00e9preuve trumpisme&nbsp;\u00bb<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>27 mai<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>9h00-10h30 ATELIERS<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 14 (bis)<\/strong><\/h4>\n\n\n\n<p><strong><em>Le Post-apocalyptique :&nbsp;Quelles modalit\u00e9s de repr\u00e9sentation sur le petit et grand \u00e9cran ? \/ Postapocalyptic Fiction: What Modes of Representation on the Big and Small Screens&nbsp;?<\/em><\/strong><\/p>\n\n\n\n<p><strong>Anne-Marie Paquet-Deyris (Universit\u00e9 Paris-Nanterre) et Gilles M\u00e9n\u00e9galdo (Universit\u00e9 de Poitiers)<\/strong><\/p>\n\n\n\n<p>Dominique Sipi\u00e8re (Universit\u00e9 Paris-Nanterre), \u00ab&nbsp;Revoir les post-apocalypses aujourd\u2019hui&nbsp;:<em>&nbsp;Soylent Green&nbsp;<\/em>(Richard Fleischer, 1973)<em>, Logan\u2019s Run&nbsp;<\/em>(Michael Anderson, 1976) et quelques autres&nbsp;\u00bb<\/p>\n\n\n\n<p>Th\u00e9o Didier (Universit\u00e9 Paris-Nanterre),&nbsp;\u00ab&nbsp;La terre d\u00e9sol\u00e9e de l\u2019offre et la demande : construction visuelle du monde dans&nbsp;<em>Mad Max: Fury Road&nbsp;<\/em>\u00bb&nbsp;<\/p>\n\n\n\n<p>Marek Paryz (University of Warsaw), \u201cThe Uses of the Western in Contemporary American Post-Apocalyptic Sci-Fi Cinema\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 8<\/strong><\/h4>\n\n\n\n<p><strong><em>La musique populaire am\u00e9ricaine du second XXe si\u00e8cle : post-raciale, post-classe, post- nationale ? \/ American Popular Music after the Second World War: a Post-Racial, Post- Class and Post-National culture&nbsp;?<\/em><\/strong><\/p>\n\n\n\n<p><strong>Paul Schor (Universit\u00e9 de Paris, LARCA), Manuel Bocquier (EHESS, Mondes Am\u00e9ricains, CENA)<\/strong><\/p>\n\n\n\n<p>Fr\u00e9d\u00e9ric Trottier&nbsp;(EHESS, Centre Georg Simmel), \u00ab&nbsp;Quand la techno est noire et de Detroit. Parcours artistiques, enjeux locaux et \u00e9critures de l\u2019histoire.\u00bb<\/p>\n\n\n\n<p>Marie Demars&nbsp;(chercheuse ind\u00e9pendante), \u00ab&nbsp;<em>The Other Within<\/em>&nbsp;: cat\u00e9gories musicales, identit\u00e9, race et classe dans la musique zydeco&nbsp;\u00bb<\/p>\n\n\n\n<p>Tristan Le Bras (EHESS, MONDA, CENA), \u00ab&nbsp;D\u00e9s\u00e9gr\u00e9guer les ondes ? Les disc-jockeys et la <em>color line<\/em> dans le Sud des ann\u00e9es 1950 et 1960&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 23<\/strong><\/h4>\n\n\n\n<p><strong>\u00ab&nbsp;A common destiny&nbsp;\u00bb<em> ? Anticipations et enjeux d\u2019une Am\u00e9rique \u00ab&nbsp;post-esclavagiste&nbsp;\u00bb \/ \u201cA Common Destiny\u201d? Anticipations and Stakes of a \u201cPost-Slavery\u201d America<\/em><\/strong><\/p>\n\n\n\n<p><strong>Anne-Claire Faucquez (<\/strong><strong>Universit\u00e9 Paris 8 Vincennes-Saint-Denis) et Pierre-Fran\u00e7ois Peirano (Universit\u00e9 de Toulon)<\/strong><\/p>\n\n\n\n<p>Claire Bourhis-Mariotti (Universit\u00e9 Paris 8 Vincennes-Saint-Denis), \u00ab&nbsp;Abraham Lincoln et la colonisation de l\u2019Ile-\u00e0-Vaches (1862-1863)&nbsp;\u00bb<\/p>\n\n\n\n<p>Andrew Houck (Universit\u00e9 Paris-Nanterre), \u00ab&nbsp;Entre arme de guerre et citoyens&nbsp;: la place ambig\u00fce des Afro-Am\u00e9ricains du Tennessee de l\u2019Est apr\u00e8s la Guerre de S\u00e9cession&nbsp;\u00bb<\/p>\n\n\n\n<p>Salian Sylla (Universit\u00e9 Paris-Nanterre), \u00ab&nbsp;La victoire des vaincus&nbsp;(?) : Reflux de l\u2019\u00e9galit\u00e9 et visions contrast\u00e9es de la Reconstruction au seuil du XX<sup>e<\/sup> si\u00e8cle&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 7<\/strong><\/h4>\n\n\n\n<p><strong><em>Le post-s\u00e9culier en fiction, composante du tournant postmoderne ? \/ Postsecularity in Fiction&nbsp;: a Feature of the Postmodern Turn?<\/em><\/strong><\/p>\n\n\n\n<p><strong>Claude Le Fustec (Universit\u00e9 Rennes 2) et Delphine Louis-Dimitrov (Institut Catholique de Paris)<\/strong><\/p>\n\n\n\n<p>Martin Berny (Universit\u00e9 Gustave-Eiffel), \u00ab&nbsp;Du ph\u00e9nom\u00e8ne de conversion&nbsp;; <em>surrender <\/em>et <em>&nbsp;renaissance figurative<\/em> dans la litt\u00e9rature et le cin\u00e9ma am\u00e9ricains contemporains&nbsp;\u00bb<\/p>\n\n\n\n<p>B\u00e9atrice Pire (Universit\u00e9 Sorbonne Nouvelle &#8211; Paris 3), \u00ab&nbsp;Un don des larmes postmoderne : le couple Rick Moody-Laurel Nakadate&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>10h30-11h00 Pause caf\u00e9<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>11h00-12h30 ATELIERS<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 1 (bis)<\/strong><\/h4>\n\n\n\n<p><strong><em>Faire de l\u2019histoire dans l\u2019Am\u00e9rique postr\u00e9volutionnaire&nbsp;: ruptures et continuit\u00e9s \/ <\/em><\/strong><strong><em>Change and Continuity in Historical Writing in the American Republic<\/em><\/strong><\/p>\n\n\n\n<p><strong>Bertrand Van Ruymbeke, Universit\u00e9 Paris 8 (Vincennes Saint-Denis et IUF) et Agn\u00e8s Delahaye (Universit\u00e9 Lyon II Lumi\u00e8re)<\/strong><\/p>\n\n\n\n<p>Virginie Adane (Universit\u00e9 de Nantes), \u00ab&nbsp;Le r\u00f4le des femmes dans la mobilisation du pass\u00e9 colonial n\u00e9erlandais de New York au XIXe si\u00e8cle&nbsp;\u00bb<\/p>\n\n\n\n<p>Agn\u00e8s Delahaye (Universit\u00e9 Lyon II Lumi\u00e8re), \u00ab&nbsp;Les P\u00e8lerins de Plymouth dans l\u2019historiographie postr\u00e9volutionnaire&nbsp;\u00bb<\/p>\n\n\n\n<p>Bertrand Van Ruymbeke (Universit\u00e9 de Paris 8 Vincennes-Saint Denis et IUF), \u00ab&nbsp;Fondation et \u00e9mancipation des colonies britanniques nord-am\u00e9ricaines dans&nbsp;<em>A Summary View of the Rights of British America&nbsp;<\/em>de Thomas Jefferson (1774)&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 26<\/strong><\/h4>\n\n\n\n<p><strong><em>Une tyrannie de la majorit\u00e9&nbsp;? Tocqueville et le versant sombre de&nbsp;l\u2019Am\u00e9rique de Jackson&nbsp;(1828-1844) \/<\/em><\/strong><strong><em> <\/em><\/strong><strong><em>A Tyranny of the Majority? Tocqueville and the Dark Side of Jacksonian America, 1828-1844<\/em><\/strong><\/p>\n\n\n\n<p><strong>Laurence Cossu-Beaumont (Sorbonne nouvelle) et Marie-Jeanne Rossignol (Universit\u00e9 de Paris)<\/strong><\/p>\n\n\n\n<p><strong>Pr\u00e9sidente de l\u2019atelier&nbsp;: Nathalie Caron (Sorbonne Universit\u00e9)<\/strong><\/p>\n\n\n\n<p>Marie-Jeanne Rossignol (Universit\u00e9 de Paris), \u00ab&nbsp;Comment devient-on abolitionniste en 1836&nbsp;? Le martyr d\u2019Elijah P. Lovejoy et l\u2019\u00e9volution \u2018r\u00e9publicaine\u2019 de l\u2019abolitionnisme&nbsp;sous Jackson&nbsp;\u00bb<\/p>\n\n\n\n<p>Augustin Habran, (Universit\u00e9 d\u2019Orl\u00e9ans), \u00ab&nbsp;Deux fran\u00e7ais dans le d\u00e9sert&nbsp;: pertinence et ambigu\u00eft\u00e9s des constats de Tocqueville et Beaumont face \u00e0 la \u2018question indienne\u2019 dans l\u2019Am\u00e9rique jacksonienne&nbsp;\u00bb<\/p>\n\n\n\n<p>Laurence Cossu-Beaumont (Universit\u00e9 Sorbonne Nouvelle), \u00ab&nbsp;\u2019La couleur effac\u00e9e, la tache reste\u2019. Nouveaux \u00e9clairages historiographiques sur la question raciale de l\u2019\u00e8re jacksonienne \u00e0 la post-Am\u00e9rique&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 10<\/strong><\/h4>\n\n\n\n<p><strong><em>La litt\u00e9rature et l\u2019art \u00e9tats-uniens post-objet ? <\/em><\/strong><strong><em>Mat\u00e9rialit\u00e9s de l\u2019\u0153uvre d\u00e9mat\u00e9rialis\u00e9e \/ Post-Object Literature and art in the US? Materialities of the Dematerialized Work<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Vincent Broqua (Universit\u00e9 Paris 8 Vincennes-Saint-Denis) et Monica Manolescu (Universit\u00e9 de Strasbourg et IUF)<\/strong><\/p>\n\n\n\n<p>Fran\u00e7oise Sammarcelli (Universit\u00e9 Paris Sorbonne), \u00ab&nbsp;\u2019[[And now? Does anyone see me now?]]\u2019. Entre fragmentation et rar\u00e9faction,&nbsp;lire les (im-)mat\u00e9rialit\u00e9s du labyrinthe&nbsp;dans <em>Dreamlives of Debris<\/em> de Lance Olsen (2017)&nbsp;\u00bb<\/p>\n\n\n\n<p>Michel Delville et Livio Bello\u00ef (Universit\u00e9 de Li\u00e8ge), \u00ab&nbsp;L\u2019art \u00e9tats-unien entre effacement et d\u00e9mat\u00e9rialisation&nbsp;\u00bb&nbsp;<\/p>\n\n\n\n<p>Eliane Elmaleh (Universit\u00e9 du Mans), \u00ab&nbsp;Appropriation\/d\u00e9mat\u00e9rialisation dans l\u2019art postmoderne am\u00e9ricain des ann\u00e9es 1980&nbsp;\u00bb&nbsp;<\/p>\n\n\n\n<p><strong>12h30-14h00&nbsp;: D\u00e9jeuner<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>14h00-16h00 ATELIERS<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 6&nbsp;<\/strong><\/h4>\n\n\n\n<p><strong><em>Ondes de choc&nbsp;: l\u2019\u00e9v\u00e9nement et ses r\u00e9pliques dans les arts et m\u00e9dias am\u00e9ricains \/&nbsp;Shock Waves&nbsp;: Replicating Events in American Arts and Media<\/em><\/strong><\/p>\n\n\n\n<p><strong>Emmanuelle Delano\u00eb-Brun (Universit\u00e9 de Paris), Alexis Pichard (Universit\u00e9 Paris-Nanterre)<\/strong><\/p>\n\n\n\n<p>Ella Waldman (Universit\u00e9 de Paris), \u00ab&nbsp;R\u00e9pliques inattendues de l\u2019image-choc \u2018The Scourged Back\u2019 (1863) dans le podcast <em>S-Town <\/em>(2017)&nbsp;\u00bb<\/p>\n\n\n\n<p>Caroline Magnin (Sorbonne Universit\u00e9, \u00ab&nbsp;R\u00e9appropriation des images bannies dans le roman post-11 Septembre aux \u00c9tats-Unis&nbsp;\u00bb<\/p>\n\n\n\n<p>Sarah Hatchuel (Universit\u00e9 Paul-Val\u00e9ry Montpellier 3), \u00ab&nbsp;<em>The Leftovers<\/em>&nbsp;(HBO, 2014-17)&nbsp;: fictionnalisation des \u00e9v\u00e9nements&nbsp;et \u00e9v\u00e9nement de la fiction&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 10 (bis)<\/strong><\/h4>\n\n\n\n<p><strong><em>La litt\u00e9rature et l\u2019art \u00e9tats-uniens post-objet ? <\/em><\/strong><strong><em>Mat\u00e9rialit\u00e9s de l\u2019\u0153uvre d\u00e9mat\u00e9rialis\u00e9e \/ Post-Object Literature and Art in the US? Materialities of the Dematerialized Work<\/em><\/strong><\/p>\n\n\n\n<p><strong>Vincent Broqua (Universit\u00e9 Paris 8 Vincennes-Saint-Denis) et Monica Manolescu (Universit\u00e9 de Strasbourg et IUF)<\/strong><\/p>\n\n\n\n<p>H\u00e9l\u00e8ne Aji (Universit\u00e9 Paris-Nanterre), \u201cAbout David Antin\u2019s <em>definitions<\/em> (1967) as Improbable Imprints\u201d<\/p>\n\n\n\n<p>St\u00e9phane Vanderhaeghe (Universit\u00e9 Paris 8-Vincennes-Saint-Denis), \u00ab&nbsp;Textes\/Objets&nbsp;: R\u00e9flexions sur la fiction am\u00e9ricaine exp\u00e9rimentale&nbsp;\u00bb<\/p>\n\n\n\n<p>Yannicke Chupin (Cergy Paris Universit\u00e9), \u201cLost Art in a Post-Media Art World:<em> The Polish Rider<\/em> by Anna Ostoya and Ben Lerner\u201d<\/p>\n\n\n\n<p>Lytle Shaw (New York University), \u201cThe Conceptual North Pole: Artifacts for a New a History of Exploration\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 2<\/strong><\/h4>\n\n\n\n<p><strong><em>Postaposthumain&nbsp;: les devenirs de l\u2019humain et de son environnement \/ Postasposthuman: the Becoming of Humans and their Environment<\/em><\/strong><\/p>\n\n\n\n<p><strong>Sylvie Bauer (Universit\u00e9 de Rennes 2) et H\u00e9l\u00e8ne Machinal (Universit\u00e9 de Bretagne<\/strong> <strong>Occidentale)<\/strong><\/p>\n\n\n\n<p>Gwenthalyn Eng\u00e9libert (Universit\u00e9 de Bretagne Occidentale), \u00ab&nbsp;Le compte \u00e0 rebours, mesure du temps dans deux nouvelles de R. Matheson&nbsp;\u00bb<\/p>\n\n\n\n<p>Claire Le Gall (Universit\u00e9 de Bretagne Occidentale), \u00ab&nbsp;Perspectives post-capitalistes, biocentristes, et \u00e9co-f\u00e9ministes&nbsp;: reconstruction post-apocalyptiques et utopie dans la trilogie <em>MaddAddam<\/em> (M. Atwood)&nbsp;\u00bb<\/p>\n\n\n\n<p>Isabelle Boof-Vermesse (Universit\u00e9 de Lille), \u00ab&nbsp;Postpapocalypse et post-postapolalypse:&nbsp; peut-on ironiser la catastrophe? Sc\u00e9nographies du quotidien dans <em>Station Eleven<\/em> de Emily St Clair Mandel (2014)&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 11<\/strong><\/h4>\n\n\n\n<p><strong><em>Cultures populaires&nbsp;: SUPERNATURE \/ Popular Culture&nbsp;: SUPERNATURE<\/em><\/strong><\/p>\n\n\n\n<p><strong>Dani\u00e8le Andr\u00e9 (Universit\u00e9 de La Rochelle) et Christophe Becker (Universit\u00e9 Paris 8)<\/strong><\/p>\n\n\n\n<p>Nisa Akdemir Genc (University of Western Ontario in London, Ontario Canada), \u201cThe Atwoodian Discourse for Hope: Collective Memory and Language\u201d<\/p>\n\n\n\n<p>Albain le Garroy (Universit\u00e9 Bordeaux-Montaigne),\u00ab&nbsp;<em>Gros temps<\/em> de Bruce Sterling ou l\u2019Humanit\u00e9 face \u00e0 sa fin&nbsp;\u00bb<\/p>\n\n\n\n<p>H\u00e9lo\u00efse Thomas (Universit\u00e9 Bordeaux Montaigne), \u201cThat spill \/ won\u2019t slow the whale of progress\u201d: (Post-)Apocalypse, Nature, and Extinction in 21st-century North American Literature\u2019<\/p>\n\n\n\n<p>Brad Tabas (ENSTA Bretagne), \u201cSupernatural Futures: The End of Nature and the Emergence of Post-Planetary Subjects\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 21<\/strong><\/h4>\n\n\n\n<p><strong><em>Post-identit\u00e9 et mouvements sociaux \/ Post-Identity and Social Movements<\/em><\/strong><\/p>\n\n\n\n<p><strong>Guillaume Marche (Universit\u00e9 Paris-Est Cr\u00e9teil) et Antoine Servel (Universit\u00e9 Paris-Est Cr\u00e9teil)<\/strong><\/p>\n\n\n\n<p>Nadia Malinovich (Universit\u00e9 de Picardie Jules Verne),&nbsp;\u201cIranian Jews in the American Identity Mosaic, 1978-Present\u201d<\/p>\n\n\n\n<p>Yannicke de Stexhe (Universit\u00e9 Catholique de Louvain), \u00ab&nbsp;Black Lives Matter, l\u2019intersectionnalit\u00e9 et la place des alli\u00e9\u2022es&nbsp;au sein du mouvement&nbsp;\u00bb<\/p>\n\n\n\n<p>Charlotte Thomas H\u00e9bert (Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne), \u00ab&nbsp;Les cercles de pronoms dans les espaces militants am\u00e9ricaines&nbsp;: situations d\u2019\u00e9nonciation, enjeux disciplinaires et m\u00e9thodologiques&nbsp;\u00bb<\/p>\n\n\n\n<p>Claire Delahaye (Universit\u00e9 Gustave-Eiffel),&nbsp;\u00ab&nbsp;Le postf\u00e9minisme et la d\u00e9politisation n\u00e9olib\u00e9rale de l\u2019identit\u00e9&nbsp;: d\u2019un f\u00e9minisme collectif \u00e0 la c\u00e9l\u00e9bration de l\u2019individualisme ? D\u00e9bats et perspectives am\u00e9ricaines&nbsp;\u00bb<\/p>\n\n\n\n<p><strong>16h00-16h30 \u2013 Pause<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>16h30-18h30 ATELIERS<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 23 (bis)<\/strong><\/h4>\n\n\n\n<p><strong><em>\u201cA common destiny\u201d ? Anticipations et enjeux d\u2019une Am\u00e9rique \u00ab&nbsp;post-esclavagiste \/ \u201cA Common Destiny\u201d? Anticipations and Stakes of a \u201cPost-Slavery\u201d America<\/em><\/strong><\/p>\n\n\n\n<p><strong>Anne-Claire Faucquez (Universit\u00e9 Paris 8 Vincennes-Saint Denis) et Pierre-Fran\u00e7ois Peirano (Universit\u00e9 de Toulon)<\/strong><\/p>\n\n\n\n<p>Lawrence Aje (Universit\u00e9 Paul-Val\u00e9ry Montpellier 3), \u00ab&nbsp;S\u2019unir comme \u2018Un peuple\u2019 : les libres de couleur de Caroline du Sud et l\u2019av\u00e8nement d\u2019une soci\u00e9t\u00e9 post-esclavagiste (1850-1868)&nbsp;\u00bb<\/p>\n\n\n\n<p>Pierre-Fran\u00e7ois Peirano (Universit\u00e9 de Toulon), \u00ab&nbsp;Andrew Johnson et l\u2019Am\u00e9rique \u2018post-esclavagiste\u2019&nbsp;: une vision \u00e0 l\u2019\u00e9preuve du pouvoir&nbsp;\u00bb<\/p>\n\n\n\n<p>Dawn Garthlener (Universit\u00e9 de Vienne, Autriche) \u201c\u2018No More Waiting for the Post End-of-Time Era\u2019: Women Writers\u2019 Perspectives of Race and the Civil War Era\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 6 (bis)<\/strong><\/h4>\n\n\n\n<p><strong><em>Ondes de choc&nbsp;: l\u2019\u00e9v\u00e9nement et ses r\u00e9pliques dans les arts et m\u00e9dias am\u00e9ricains \/&nbsp;Shock Waves&nbsp;: Replicating Events in American Arts and Media<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Emmanuelle Delano\u00eb-Brun (Universit\u00e9 de Paris), Alexis Pichard (Universit\u00e9 Paris-Nanterre)<\/strong><\/p>\n\n\n\n<p>Jean-Louis Marin-Lamellet (Universit\u00e9 Savoie-Mont Blanc), \u00ab&nbsp;<em>It has the pattern of a dream. Yet it is history<\/em> : historiographie culturelle des grandes marches de ch\u00f4meurs de 1894&nbsp;\u00bb<\/p>\n\n\n\n<p>S\u00e9bastien Mort (Universit\u00e9 de Lorraine), \u201cUS Journalism in the Trump Era: The Trump Presidency as (non)Critical Incident?\u201d<\/p>\n\n\n\n<p>Maxime Dafaure (Universit\u00e9 Gustave-Eiffel), \u00ab&nbsp;Charlottesville&nbsp;et l\u2019Alt-right : amplification m\u00e9diatique et r\u00e9percussions politiques de la manifestation \u2018Unite the Right\u2019&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 22<\/strong><\/h4>\n\n\n\n<p><strong><em>D\u00e9passement, mouvement et progr\u00e8s&nbsp;: la question de l\u2019<\/em><\/strong><strong>apr\u00e8s<em> dans la musique et la danse am\u00e9ricaines \/ Movement and Progress&nbsp;: Beyond, Ahead, and Post- in American Dance and Music<\/em><\/strong><\/p>\n\n\n\n<p><strong>Adeline Chevrier-Bosseau (Universit\u00e9 Clermont-Auvergne) et Mathieu Duplay (Universit\u00e9 de Paris)<\/strong><\/p>\n\n\n\n<p>Diego Funes, Louisa Pancoast, Adeline Chevrier-Bosseau&nbsp;(Universit\u00e9 Clermont-Auvergne), \u00ab&nbsp;\u2019Dancing the aftermath \u2013 <em>V \/ Interior Dialogues<\/em>\u2019 \u2013 De Funes Dance Company \u00bb<\/p>\n\n\n\n<p>Caroline Granger (Universit\u00e9 de Caen), \u00ab&nbsp;Les <em>Events <\/em>de Merce Cunningham&nbsp;: un d\u00e9fi lanc\u00e9 aux contraintes de l\u2019espace et du temps&nbsp;\u00bb<\/p>\n\n\n\n<p>Aude Thuries (Cergy Paris Universit\u00e9), \u00ab&nbsp;Danser l\u2019Am\u00e9rique \u00e0 l\u2019\u00e8re des \u2018post-classic musicals\u2019\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 12<\/strong><\/h4>\n\n\n\n<p><strong><em>\u00ab&nbsp;Hyphenated literatures&nbsp;\u00bb : nouvelles identities am\u00e9ricaines \/ \u201cHyphenated literatures\u02ee: &nbsp;New American Identities<\/em><\/strong><\/p>\n\n\n\n<p><strong>Maud Bougerol (Universit\u00e9 de Rouen) et Anne-Laure Tissut (Universit\u00e9 de Rouen)<\/strong><\/p>\n\n\n\n<p>Taura Napier (Wingate University, North Carolina), \u201cOur Dark Heart: Contemporary Autobiography in the American South\u201d<\/p>\n\n\n\n<p>Christelle HaSoon (Universit\u00e9 de Rouen), \u201cMaxine Hong Kingston\u2019s<em> China Men<\/em>: Those Who Were Left Out\u201d<\/p>\n\n\n\n<p>Ellen McCracken (University of California, Santa Barbara), \u201cU.S. Latino Narratives of the Americas: Negotiating Hegemonic and Populist Multiculturalism\u201d<\/p>\n\n\n\n<p>Mario T. Garc\u00eda (University of California, Santa Barbara), \u201cMexican-American (Chicano) Literay Texts and the Re-Writing of American History\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>16h30-18h00 Table ronde<\/strong><\/h4>\n\n\n\n<p><strong><em>L\u2019Am\u00e9rique post-scriptum&nbsp;: trace, r\u00e9versibilit\u00e9, et changement climatique&nbsp;\/ Post-Scriptum America: Trace, Reversibility and Climate Change<\/em><\/strong><\/p>\n\n\n\n<p><strong>Thomas Dutoit (Universit\u00e9 de Lille) and C\u00e9cile Roudeau (Universit\u00e9 de Paris)<\/strong><\/p>\n\n\n\n<p>Richard Anker (Universit\u00e9 Clermont Auvergne)&nbsp;; Florent Dubois (Universit\u00e9 Paris 8 Vincennes-Saint Denis)&nbsp;; Thomas Dutoit (Universit\u00e9 de Lille)&nbsp;; Pierre Jamet (Universit\u00e9 de Bourgogne Franche-Comt\u00e9)&nbsp;; Kevin McLaughlin (Brown University) et C\u00e9cile Roudeau (Universit\u00e9 de Paris) (respondents)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>28 mai<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>9h00-12h00&nbsp;: Assembl\u00e9e g\u00e9n\u00e9rale<\/strong><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>12h00-13h00 D\u00e9jeuner<\/strong><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>13h00-15h30 ATELIERS<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 10 (ter)<\/strong><\/h4>\n\n\n\n<p><strong><em>La litt\u00e9rature et l\u2019art \u00e9tats-uniens post-objet ? <\/em><\/strong><strong><em>Mat\u00e9rialit\u00e9s de l\u2019\u0153uvre d\u00e9mat\u00e9rialis\u00e9e \/ Post-Object Literature and art in the US? Materialities of the Dematerialized Work<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p><strong>Vincent Broqua (Universit\u00e9 Paris 8 Vincennes-Saint-Denis) et Monica Manolescu (Universit\u00e9 de Strasbourg et IUF)<\/strong><\/p>\n\n\n\n<p>Brigitte F\u00e9lix (Universit\u00e9 Paris 8 Vincennes-Saint-Denis), \u201c\u2018Mor Eth Anr Ead Ing\u2019: book production by \u2018Atelier Z\u2019\u201d<\/p>\n\n\n\n<p>Celia Galey (Universit\u00e9 Gustave-Eiffel), \u00ab&nbsp;La performance, (im)mat\u00e9rialit\u00e9s anarchiques&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<p>Liu Chang (Universit\u00e9 de Heidelberg), \u201cRepresenting American Musical Waste: On the Material Consequences of Music\u201d<\/p>\n\n\n\n<p>L\u00e9opold Reigner (Universit\u00e9 de Rouen), \u201cTangible writing? Materiality and immateriality in Nabokov\u2019s writing method\u201d<\/p>\n\n\n\n<p>Antonia Rigaud (Universit\u00e9 Sorbonne Nouvelle &#8211; Paris 3), \u00ab&nbsp;La performance entre sujet et objet&nbsp;chez Gertrude Stein et Adrian Piper&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 2 (bis)<\/strong><\/h4>\n\n\n\n<p><strong><em>Postaposthumain&nbsp;: les devenirs de l\u2019humain et de son environnement \/ Postasposthuman: the Becoming of Humans and their Environment<\/em><\/strong><\/p>\n\n\n\n<p><strong>Sylvie Bauer (Universit\u00e9 de Rennes 2) et H\u00e9l\u00e8ne Machinal (Universit\u00e9 de Bretagne Occidentale)<\/strong><\/p>\n\n\n\n<p>Stefania Iliescu (Universit\u00e9 Rennes 2), \u00ab&nbsp;Subjectivit\u00e9s posthumaines dans <em>Zero K<\/em> et <em>Generosity&nbsp;: An Enhancement<\/em>&nbsp;\u00bb<\/p>\n\n\n\n<p>Marie Beaudoin (Universit\u00e9 Paris 8 Vincennes-Saint-Denis), \u201cZachary Mason\u2019s <em>Void Star <\/em>(2016): Between Algorithmic Metaphors and an Embodied Prose\u201d<\/p>\n\n\n\n<p>H\u00e9loise Thomas (Universit\u00e9 Bordeaux Montaigne), \u201cNew Names for All of Us: Queerness, Redefinition, and Profusion in the Anthropocene\u201d (corpus&nbsp;: Lidia Yuknavitch\u2019s <em>The Book of Joan<\/em>, Rivers Solomon\u2019s <em>An Unkindness of Ghosts<\/em>, and Sam Miller\u2019s <em>Blackfish City<\/em>)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 19<\/strong><\/h4>\n\n\n\n<p><strong><em>La pauvret\u00e9 dans l\u2019apr\u00e8s-guerre \/ Postwar Poverty<\/em><\/strong><\/p>\n\n\n\n<p><strong>Tamara Boussac (EHESS) et Esther Cyna (<\/strong><strong>Universit\u00e9 Sorbonne Nouvelle &#8211; Paris 3<\/strong><strong>)<\/strong><\/p>\n\n\n\n<p>Ir\u00e8ne Delcourt (EHESS), \u201c\u2018What shall they do to be saved?\u2019 From Incarceration to Harm Reduction: Legislators, Doctors and the Urban Opioid Addict in Postwar America\u201d<\/p>\n\n\n\n<p>Tamara Boussac (EHESS),&nbsp; \u00ab&nbsp;P\u00e9naliser les pauvres : la lutte contre la fraude sociale comme enjeu politique dans le New York de l\u2019apr\u00e8s-guerre&nbsp;\u00bb<\/p>\n\n\n\n<p>Antoine Nseke Misse (EHESS), \u00ab&nbsp;Promouvoir un programme f\u00e9d\u00e9ral d\u2019assistance alimentaire \u00e0 l\u2019\u00e9chelon local : le programme Food Stamps en Pennsylvanie (1973-1974)&nbsp;\u00bb<\/p>\n\n\n\n<p>Olivier Maheo (Universit\u00e9 de Poitiers), \u00ab&nbsp;Classes pauvres, classes dangereuses : quelle histoire culturelle de la peur du Noir pauvre&nbsp;?&nbsp;\u00bb<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Atelier 22<\/strong><\/h4>\n\n\n\n<p><strong><em>D\u00e9passement, mouvement et progr\u00e8s&nbsp;: la question de l\u2019apr\u00e8s dans la musique et la danse am\u00e9ricaines \/ Movement and Progress: Beyond, Ahead, and Post- in American Dance and Music<\/em><\/strong><\/p>\n\n\n\n<p><strong>Adeline Chevrier-Bosseau (Universit\u00e9 Clermont-Auvergne) et Mathieu Duplay (Universit\u00e9 de Paris)<\/strong><\/p>\n\n\n\n<p>Mathieu Duplay (Universit\u00e9 de Paris), \u00ab&nbsp;Les paradoxes de l\u2019apr\u00e8s dans <em>Vanessa <\/em>de Giancarlo Menotti et Samuel Barber&nbsp;\u00bb<\/p>\n\n\n\n<p>Adeline Chevrier-Bosseau (Universit\u00e9 Clermont-Auvergne), \u201c<em>The Day<\/em>: Dancing after 9\/11\u201d<\/p>\n\n\n\n<p>Tyler Cunningham (University of Toronto), \u201cCoding Queerness: American Composition as Political Resistance\u201d<\/p>\n\n\n\n<p>Ariane Dollfus (chercheuse ind\u00e9pendante), \u00ab&nbsp;Bill T. Jones, ou comment danser l\u2019apr\u00e8s Sida&nbsp;\u00bb<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>15h30-16h30&nbsp;: L\u2019Am\u00e9rique post-Trump<\/strong><\/h3>\n\n\n\n<p><strong>Table ronde anim\u00e9e et organis\u00e9e par Fran\u00e7oise Coste (Universit\u00e9 Toulouse-Jean Jaur\u00e8s)<\/strong><\/p>\n\n\n\n<p>Participants&nbsp;: Pierre Guerlain (Universit\u00e9 Paris-Nanterre), Nicolas Gachon (Universit\u00e9 de Paul-Val\u00e9ry Montpellier 3), Elsa Grassy (Universit\u00e9 de Strasbourg), S\u00e9bastien Mort (Universit\u00e9 de Lorraine).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>16h30 FIN DU CONGRES<\/strong><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>CONGRES AFEA 2021 25 mai Doctoriales 26 mai 10h00-10h30 Ouverture officielle du congr\u00e8s&nbsp;: Constantin Bobas (directeur de CECILLE) et Philippe Sabot (Vice-pr\u00e9sident recherche d\u00e9l\u00e9gu\u00e9 au domaine des sciences humaines et sociales) 10h30-12h30 ATELIERS Atelier&nbsp; 9 La politique \u00e9trang\u00e8re des \u00c9tats-Unis apr\u00e8s Trump \/ US Foreign Policy in a Post-Trump World&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Pierre Guerlain (Universit\u00e9 Paris-Nanterre) et [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[93],"tags":[],"class_list":["post-1080","post","type-post","status-publish","format-standard","hentry","category-congres-2021-la-post-amerique"],"jetpack_featured_media_url":"","uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"David Lipson","author_link":"https:\/\/afea.fr\/annualconference\/author\/davidl\/"},"uagb_comment_info":0,"uagb_excerpt":"CONGRES AFEA 2021 25 mai Doctoriales 26 mai 10h00-10h30 Ouverture officielle du congr\u00e8s&nbsp;: Constantin Bobas (directeur de CECILLE) et Philippe Sabot (Vice-pr\u00e9sident recherche d\u00e9l\u00e9gu\u00e9 au domaine des sciences humaines et sociales) 10h30-12h30 ATELIERS Atelier&nbsp; 9 La politique \u00e9trang\u00e8re des \u00c9tats-Unis apr\u00e8s Trump \/ US Foreign Policy in a Post-Trump World&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Pierre Guerlain (Universit\u00e9 Paris-Nanterre) et&hellip;","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/posts\/1080"}],"collection":[{"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/comments?post=1080"}],"version-history":[{"count":4,"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/posts\/1080\/revisions"}],"predecessor-version":[{"id":1335,"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/posts\/1080\/revisions\/1335"}],"wp:attachment":[{"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/media?parent=1080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/categories?post=1080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afea.fr\/annualconference\/wp-json\/wp\/v2\/tags?post=1080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}